AKG Acoustics C414 XLII, C414 XLS manual Using Your Microphone

Page 23

4 Using Your Microphone

Besides offering high headroom, minimum distortion, as well as temperature and humidity

4.1 Introduction

resistant construction, the microphone is suited for a uniquely wide range of applications.

 

The standard version C 414 XLS features a very smooth frequency response and the typi-

(For details on the C 414 XLII

cal sound of AKG large-diaphragm microphones. This sound has hardly changed over the

refer to sectin 2.4.)

many years the C 414 has been in production, and the

 

C 414 has become an "industry standard" against which most competitive or new products

 

are compared.

 

You can use the C 414 XLS for most musical instruments (see also sections 4.5 and 4.6).

 

Selector 1 lets you optimally adjust the microphone's polar pattern to the instrument to be

 

recorded and the recording environment.

 

 

 

4.2 Bass Cut Filters

The switchable bass cut filters at 40 Hz, 80 Hz, and 160 Hz will effectively cancel out any

unwanted noise such as blower noise from air conditioning systems, etc., or low-frequency

 

noise due to floor vibrations, handling noise, etc. without affecting the sound of the recorded

 

voice or instrument on tape.

 

 

 

4.3 Preattenuation Pads

The switchable preattenuation pads allow you to increase the microphone's headroom. Re-

member to check that the equipment connected to the microphone (microphone preamp,

 

mixer input, recorder input) can handle the maximum output level of the microphone with-

 

out causing distortion.

 

 

 

4.4 Stand Mounting

• The supplied H 85 shock mount has a standard 3/8" thread insert so you can mount the

microphone on almost every commercial stand or suspension with a 3/8" thread.

 

• To mount the H 85 on a stand with a 5/8" thread, remove the tread insert and screw the

 

H 85 directly on the stand.

 

• To remove the H 85 from the microphone, rotate the bayonet-type lock at the lower end

 

of the H 85 CCW to the point that the H 85 unlocks.

 

We recommend the C 414 XLS and C 414 XLII for the following recording studio applica- tions:

Sound source

C 414 XLS

C 414 XLII

Lead/solo vocals

••

Backing vocals/choir

••

 

Speech

••

Acoustic guitar

••

••

Electric guitar

 

Electric bass

 

Double bass

••

 

Violin

••

Cello

••

Zither

••

Grand piano (classical)

••

 

Upright piano (rock & jazz)

••

••

Organ

••

Trumpet

••

••

Trombone

••

French horn

••

••

Tuba

••

Saxophone

••

••

Flute

••

••

C 414 XLS / XLII

 

 

4.5 Application Areas

Table 2: Recommended applications.

23

Image 23
Contents 414 XLS Xlii Inhaltsverzeichnis Sicherheit und Umwelt WillkommenIhr Händler berät Sie gerne BeschreibungDeaktiviert Hinweis Lock Mode aktivierenVerhindern Die RichtcharakteristikWahlschalter für Tiefenabsenkung Wahlschalter für VorabschwächungStromversorgung Anwendungshinweise XLS / Xlii Aufstellungstipps Solostimme Abb Solosängerin Aufnahmequelle 414 XLS XliiVioline, Viola Abb Violine Begleitchor/VarianteAbb Akustische Gitarre mit einem C KontrabassCello/Variante Siehe Kontrabass Wir empfehlen, zwei Mikrofone zu verwendenKlarinette Abb Klarinette Tenor Sopransaxophon QuerflötePianino Sche zu reduzieren Flügel Richten Sie ein C 414 oder zweiAbb Schlagzeug Gitarre/E-Bass Abb E-Gitarre SchlagzeugGitarre BassArbeitsweise MikrofonTuch Nach dem Trocknen wieder einsatzbereit414 XLS PolardiagrammTechnische Daten FrequenzgangTable of Contents Welcome Safety and EnvironmentSafety Environment Selector once or several times DescriptionXLS or C 414 Xlii YearsPolar Switch phantom power back onLock Mode LaterFrom a concert hall ceiling Stunning, three-dimensional recordings XLS / XliiPreattenuation Pad Selector Bass Cut SelectorPowering Using Your Microphone Lead Vocals Sound source 414 XLS XliiHighly recommended Recommended Viola Backing vocals/techniqueSolo violin Large string sectionsDouble Bass, Cello We recommend using two micro- phonesDouble bass Cello/technique Refer to Double bass aboveXLS / Xlii Clarinet FluteGrand and Upright Pianos Upright pianoHanging and floor toms Electric guitarElectric bass Overhead mikingSpecifications CleaningOmnidirectional Frequency Response Polar Diagram 414 XLSCaractéristiques techniques SommaireBienvenue AlimentationSécurité et environnement BienvenueLuxueuse mallette de transport Accessoire optionnelsRemarque Débranchez le microphone puis le rebranchez Mode LockTionnés pour lapplication actuelle De la caractéristique de directivitéSélecteur de pré-atténuation Sélecteur de pré-atté- nuationEt sans problèmes XLS / Xlii AlimentationMontage sur un pied Conseils d’utilisationCeptionnelle Suspensions disponibles dans le commerceXLS / Xlii Conseils De positionnement Soliste vocal Particulièrement recommandé Recommandé TableauSource sonore 414 XLS Xlii Choristes/variante Violon, altoDB que celui du microphone d’ambiance ContrebasseVioloncelle/variante Voir la contrebasse Saxophone ténor / soprano Nous recommandons l’utilisation de deux microphones6 Flûte traversière Clarinette’axe du pavillon. Sélectionnez la Piano à queuePiano droit Trompette / Trombone11Guitare électrique / Guitare basse Guitare électriqueGuitare basse Nettoyage Omnidirectionnel Réponse en fréquence Diagramme polaire 414 XLSCaractéristiques techniques Pulizia Microfono Antisoffio Dati tecnici XLS / Xlii IndicePagina Benvenuto AlimentazioneAmbiente BenvenutoSicurezza ed ambiente SicurezzaDescrizione Lo ricollegate Se scollegate il microfono e successivamente lo ricollegateDirettività, preattenuazione, attenuazione dei bassi RettivitàRegistrazioni stereofoniche XLS / Xlii Selettore per la preattenuazioneSelettore per l’attenuazione dei bassi Importante AlimentazioneAlle linee audio contro la schermatura del cavo Istruzioni per l’impiego Voce solista TabellaViolino, viola Violino solistaGrandi gruppi di archi XLS / Xlii Coro Coro d’accompagnamento4Contrabbasso, violoncello ContrabbassoVioloncello/variante Vedi contrabbasso Raccomandiamo l’uso di due mi- crofoniSassofono tenore a, sassofono soprano b Flauto traverso10Pianoforte a coda/pianoforte verticale Pianoforte a codaPer i sound rock/pop usate due Pianoforte verticaleToms sospesi e floor toms Chitarra elettricaBasso elettrico Ripresa overheadDati tecnici PuliziaOmnidirezionale Risposta in frequenza Diagramma polare 414 XLSDatos técnicos ÍndicePágina ¡Bienvenido AlimentaciónSeguridad y medio ambiente ¡BienvenidoAccesorios opcionales DescripciónVuelve a enchufar posteriormente De teclasDe bajos Selector de la característica direccionalConmutador-selector para la preatenuación Conmutador-selector para la atenuación de bajosAlimentación Indicaciones de aplicación Recomendado especialmente Tabla Fuente sonora 414 XLS XliiViolín Violín, violaXLS / Xlii Contrabajo, violoncelo Guitarra acústica ContrabajoVioloncelo/Variante Véase Contrabajo Saxofón tenor/soprano Recomendamos utilizar dos micró- fonosClarinete Trompeta/trombón Piano de colaPiano vertical Toma en alto BateríaGuitarra eléctrica Bajo eléctricoBien 6 dB/octava con punto inicial en 160 Hz MicrófonoPantalla antiviento 12 dB/octava con punto inicial en 40 Hz y 80 HzOmnidireccional Respuesta de frecuencia Diagrama polar 414 XLSDatos técnicos Limpeza Microfone Paravento Especificações XLS / Xlii Página Seja Bem-vindoAlimentação Meio ambiente Seja Bem-vindoSegurança e meio ambiente SegurançaCom altas pressões sonoras XLS ou C 414 XliiSA 60 adatador de tripé Ricos comunsApresentação Certo Jogos estéreo Para gravações tridimensionais impressionantes XLS / XliiComutador de seleção para pré-atenuação Comutador de seleção para atenuação dos gravesAlimentação Capítulo IntroduçãoUma grande variedade de aplicações Xlii vejaVoz solista AplicaçãoTabela Muito recomendado RecomendadoXLS / Xlii Coro Coro acompanhante Coro acompanhante Variante 1 se há pistas suficientesCoro acompanhante 4Contrabaixo, violoncelo ContrabaixoVioloncelo/variante Veja contrabaixo Recomendamos utilizar dois micro- fonesSaxofone tenor e soprano Recomendamos usar dois microfo- nesFlauta transversa XLS / Xlii ClarinetePosicione o microfone a aprox Ruídos de sopro Piano de caudaTrompete/trombone 10Piano de cauda/ piano verticalBass drum Violão elétricoBaixo elétrico Agudos acima de 10 kHzEspecificações LimpezaOmnidirecional Resposta de frequência Diagrama polar 414 XLS03/09/9100 U

C414 XLII, C414 XLS specifications

The AKG Acoustics C414 is a celebrated series of large-diaphragm condenser microphones, widely recognized in both studio and live sound applications. Among the most popular models within this line are the C414 XLS and C414 XLII, each offering distinct characteristics suited for varying audio needs.

The C414 XLS is designed for versatile recording scenarios. Its frequency response spans from 20 Hz to 20 kHz, providing a clear and accurate representation of audio sources. The XLS features a large diaphragm that helps capture detailed high frequencies while maintaining a rich low-end response. One of its standout features is the switchable polar patterns, offering nine options: omnidirectional, wide cardioid, cardioid, hypercardioid, and bidirectional, along with intermediate settings. This flexibility makes the XLS suitable for diverse recording environments, whether capturing vocals, acoustic instruments, or entire ensembles.

Meanwhile, the C414 XLII is tailored more specifically for vocals and solo instruments. It boasts a slightly modified frequency response that enhances the presence and clarity of the mid and high frequencies, making it a popular choice for studio vocal recording. The XLII is praised for its bright, open sound and ability to deliver a modern, polished quality, effectively capturing the nuances of vocal performances.

Both microphones employ AKG’s renowned advancements in transducer technology. The large, dual-diaphragm design not only contributes to their exceptional audio fidelity but also allows for precise pattern switching without altering frequency characteristics. Additionally, a low self-noise level ensures that even the most subtle sounds are recorded accurately, making them ideal for microphones used in quiet environments.

Another significant feature of the C414 series is the built-in attenuation pad and high-pass filter. The 20 dB pad enables the microphones to handle high sound pressure levels without distortion, providing flexibility when recording loud sources, such as drums or brass instruments. The high-pass filter effectively minimizes low-frequency rumble and handling noise, further enhancing clarity in recordings.

Durability is an essential aspect of the C414 series, as both models are built to withstand the rigors of professional use. With a rugged body design and high-quality components, these microphones deliver consistent performance day in and day out.

In conclusion, the AKG Acoustics C414 XLS and C414 XLII microphones are industry standards, thanks to their versatility, advanced technology, and exceptional sound quality. Whether you are a seasoned professional or an aspiring audio engineer, these microphones are sure to elevate your recordings to new heights.