Peavey SRC 4034 FC, SRC 4026 FC, SRC Series Power, AC Mains Input, Line Cord, Lamp Connector

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60. Power

The mixer’s main power switch. The power on LED indicator will light when the unit is powered.

61. AC Mains Input

Connect the line cord to this connector to provide power to the unit. Damage to the equipment may result if improper line voltage is used. (See line voltage marking on unit.)

Line Cord

For your safety, we have incorporated a 3-wire line (mains) cable with proper grounding facilities. It is not advisable to remove the ground pin under any circumstances. If it is necessary to use the equipment without proper grounding facilities, suitable grounding adaptors should be used. Less noise and greatly reduced

shock hazard exists when the unit is operated with the proper grounded receptacles.

62. Lamp Connector

Two XLR connectors are provided for low-voltage lamps (such as the Peavey ML

console in poorly lit environments. Each connector supplies 12V AC at 200ma between pins 1 and 2. The total maximum load should not exceed 400ma. These connectors are short-circuit protected, with automatic reset

when a short is removed.

	APPLICATIONS
The SRC	® series of mixers were primarily designed for sound reinforcement applications, but are very

capable recording mixers as well. Here are some typical methods of hook-up:

SOUND REINFORCEMENT :

1.Microphones and other low impedance sources are connected to the XLR mic inputs; high level line inputs such as electronic musical instruments are connected to the line inputs. If problems arise because a micro- phone either picks up an out-of-phase signal (as when using multiple drum microphones), or a very loud signal causes clipping even at a minimum gain setting (as when close miking an amplifier or a drum head), it should

be connected to a channel with pad and polarity switches. Stereo line level sources (synth, tape, CD, etc.) should be connected to one of the stereo channels, or to two of the mono line inputs (one panned left, the other panned right), or to a Return input that is not used for effects.

2.The house power amplifier inputs should be connected to the main Left and Right outputs, or to the Mono out- put. The Mono output is a blend of the Left and Right output signals (post master fader) and has its own level control. It can be used to drive an additional amplifier that needs an independently set volume.

3.Connect the monitor power amplifier input to the AUX 1, 2, 3 or 4 output. Four monitors are supported, with two additional available, if AUX 5 and 6 are also used for monitors (Pre) and not for effect sends (Post).

4. If an effect device is used, connect its input to the AUX 5 or 6 output. These outputs can also be configured as a stereo pair (AUX 5 is the left, AUX 6 is the right) in the two stereo channels, and can be set up to feed a true stereo effects processor.

5.The effect device outputs are connected to the Return 1, 2, 3 or 4 inputs.

6.Connect a tape recorder to the Tape input and Tape output jacks. Care should be taken not to record on a deck that has its outputs connected to the tape input jacks and have the tape input level control turned up, or nasty

feedback will result. If four-band equalization or a more specialized monitor send is needed, a stereo line channel can be used for tape input (see #1 and #24). Alternatively, a stereo return can be used for tape input. Both Return 3 and 4 have two-band EQ as well as monitor sends (to AUX 1 and 2) and full bus assignment capability.

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™ -2 or ML ™ -3) to illuminate the