21. Pad
Attenuates the input signal by 10 dB. This will increase the dynamic range to accommodate a higher input level before clipping which may be necessary when close miking loud guitar amplifiers or drum kits.
22. Polarity
Reverses the polarity of the input signal. This will compensate for an
situations.)
| 23. | Phantom power | 23 |
|
|
|
| ||||||||
|
|
| |||||||||||||
|
|
|
|
|
|
|
|
| Applies 48V DC voltage to all input XLR con- |
|
| ||||
|
|
|
|
|
|
|
|
|
|
| |||||
| 21 |
|
|
|
|
| nectors to power microphones that require it. |
|
| ||||||
|
|
|
|
|
|
| |||||||||
|
|
|
|
|
| If phantom power is used, do not connect |
|
| |||||||
|
| ||||||||||||||
|
|
|
|
|
|
|
|
| unbalanced dynamic microphones or other | 24 |
|
| |||
| 22 |
|
|
|
|
| devices to the XLR inputs that cannot handle | ||||||||
|
|
|
|
|
|
|
|
| this voltage. (Some wireless receivers may | ||||||
|
|
|
|
|
|
|
|
| be damaged, consult their manuals.) The | ||||||
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
| Line Input jacks (#1) are not connected to the | ||||||
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
| 48V supply, and are safe for all inputs (balanced | ||||||
|
|
|
|
|
|
|
|
| or unbalanced). An | ||||||
|
|
|
|
|
|
|
|
| |||||||
|
|
|
|
|
|
|
|
| impedance converter such as the Peavey | 5116 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| or 7201 (female XLR), or a Peavey 1:1 interface | ||||||
| adapter can also be used to isolate the mic input from 48V. Phantom |
|
|
|
|
|
| ||||||||
|
|
|
| 25 |
| ||||||||||
| power is not available at the talk back mic connector. |
|
|
|
| ||||||||||
|
|
| |||||||||||||
|
|
|
|
|
|
|
24. Stereo Input
| 25. | Trim |
26 | 27 | Varies the gain of the stereo input to optimize the |
| The adjustment range is unity to +20 dB. Proper adjustment will | |
|
| |
| 28 | maximize the |
|
| switch. (See #4) |
| Master Functions | |
| 26. | AUX Master Level |
|
| Sets the overall level of the AUX signal that is sent to the output jack. (See #49) |
| 27. | AUX PFL/Clip |
|
| A dual function LED that illuminates when the signal level is nearing the over- |
|
| load point, or if the PFL switch is engaged. It illuminates at +19 dBu. (There |
|
| is roughly 2 dB of headroom remaining when it lights.) When the AUX PFL |
|
| switch (#28) is depressed, it lights continuously to indicate that this AUX has |
|
| been assigned to the PFL mix. |
| 28. | AUX PFL |
|
| Connects the AUX signal |
|
| headphone/control room source from the |
|
| connects the PFL signal to the |
Page 6