Peavey SRC 4034 FC, SRC 4026 FC, SRC Series, SRC 4018 FC owner manual Master Functions, Aux Pfl

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21. Pad

Attenuates the input signal by 10 dB. This will increase the dynamic range to accommodate a higher input level before clipping which may be necessary when close miking loud guitar amplifiers or drum kits.

22. Polarity

Reverses the polarity of the input signal. This will compensate for an out-of-phase input that would otherwise cause frequency cancellations in the mix. (Often needed for drum mics where both sides of the drum head are picked up in multiple microphone

situations.)

 

23.

Phantom power

23

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Applies 48V DC voltage to all input XLR con-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

21

 

 

 

 

 

nectors to power microphones that require it.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

If phantom power is used, do not connect

 

 

 

 

 

 

 

 

 

 

 

 

 

unbalanced dynamic microphones or other

24

 

 

 

22

 

 

 

 

 

devices to the XLR inputs that cannot handle

 

 

 

 

 

 

 

 

 

this voltage. (Some wireless receivers may

 

 

 

 

 

 

 

 

 

be damaged, consult their manuals.) The

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Line Input jacks (#1) are not connected to the

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

48V supply, and are safe for all inputs (balanced

 

 

 

 

 

 

 

 

 

or unbalanced). An unbalanced-to-balanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

impedance converter such as the Peavey

5116

 

 

 

 

 

 

 

 

 

 

 

 

 

 

or 7201 (female XLR), or a Peavey 1:1 interface

 

adapter can also be used to isolate the mic input from 48V. Phantom

 

 

 

 

 

 

 

 

 

 

25

 

 

power is not available at the talk back mic connector.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

24. Stereo Input

High-impedance input for line-level signals. The left/mono input supplies signal to both the left and right inputs if there is nothing inserted to the right input jack.

 

25.

Trim

26

27

Varies the gain of the stereo input to optimize the signal-to-noise ratio.

 

The adjustment range is unity to +20 dB. Proper adjustment will

 

 

 

28

maximize the signal-to-noise ratio, and can be set using the PFL

 

 

switch. (See #4)

 

Master Functions

 

26.

AUX Master Level

 

 

Sets the overall level of the AUX signal that is sent to the output jack. (See #49)

 

27.

AUX PFL/Clip

 

 

A dual function LED that illuminates when the signal level is nearing the over-

 

 

load point, or if the PFL switch is engaged. It illuminates at +19 dBu. (There

 

 

is roughly 2 dB of headroom remaining when it lights.) When the AUX PFL

 

 

switch (#28) is depressed, it lights continuously to indicate that this AUX has

 

 

been assigned to the PFL mix.

 

28.

AUX PFL

 

 

Connects the AUX signal (pre-master level) to the PFL mix and switches the

 

 

headphone/control room source from the L-R mix to the PFL mix. It also

 

 

connects the PFL signal to the L-R meters to aid in monitoring the output level.

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Contents C S e r i e s Open Two lamp connectors are provided for Peavey ML SRCDark environments Insert Line InputMic Input GainBalance Master Functions AUX PFLSub PFL LED LED MetersSub Pan Sub MuteTape Input/Output Talkback EnableTape Out Level Tape Input LevelSub Out AUX SendStereo Return Sub InsertAC Mains Input PowerLamp Connector Line CordSTUDIO/LIVE Recording Configuration RecordingAUX SEND/RETURN Application Multi TRACK/SUB ApplicationChannel INPUT/EFFECTS Application Stereo Channel Input ApplicationInput Specifications SRCOutput Specifications GainLamp Power Common Mode Rejection Ratio Mic InputSignal/Overload Indicators Power requirementsPage LEFT/RIGHT SRC Levels Diagram Entrada de micrófono Funciones DE LOS CanalesEntrada de línea Consola en ambientes oscurosCorte de baja frecuencia InserciónGanancia Ecualización de agudos Hi EQLED de PFL/Distorsión por sobrecarga 14. Señales de muestra AUX de canales estereofónicosEquilibrio Apagado de sonidoFunciones Maestras Retornos estereofónicos 1 y Asignación izquierda-derecha de submezclaAtenuador de submezcla Retornos estereofónicos 3 yAUX Aplicaciones Refuerzo DE SonidoGrabacion Entrée micro Fonctions DES CanauxEntrée ligne Tion sur scèneEgalisation haute InsertionCoupure basse fréquence Egalisation haute-moyenneDEL PFL/écrêtage 14. Départs de canal stéréoBalance Mise en sourdineFonctions Master Niveau de sortie magnétophone Retours stéréo 1Retours stéréo 3 Entrée/sortie magnétophoneSortie sub 49. Départ AUXRetour stéréo Sub insertionConnecteur de lampe ApplicationsEntrée secteur Renforcement DU SONPage Mikrofoneingang KanalfunktionenLine-Eingang Oder MLTrittschallfilter EinschleifpunktVerstärkung Equalizer für HöhenZuweisungsschalter Stereokanal-AUX-SendsPFL/Clip-LED Kanal-FaderMASTER-FUNKTIONEN Stereo-Returns 3 und Master links/rechtsStereo-Returns 1 und BandgerätausgangspegelAUX-Send PFL aktivKopfhörer-/Überwachungsraumpegel Stereo-ReturnAnwendungen SOUND-REINFORCEMENTAufnahme Page Page Peavey 90-DAY Limited Warranty on Tubes and Meters Important Safety Instructions 1998