Balance | Peavey SRC Series, SRC 4026 FC, SRC 4034 FC, SRC 4018 FC

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10. AUX 1/AUX 4

Adjusts the level of the channel signal (pre-EQ) that is added to the corresponding AUX mix. These are designed to be used for monitor sends.

11. AUX 5/AUX 6

Adjusts the level of the channel signal that is added to the corresponding AUX mix. These are selectable Pre- or Post-EQ Fader (#12) on all channels, and are configured in stereo

(AUX 5=L, AUX 6=R) on the two stereo channels. They can be used as a stereo pair to drive stereo effect units. (See #14)

12. Pre/Post Fader

Establishes which signal will be present on the AUX 5 and

AUX6 sends (#11). The out position picks up the signal after the low-cut filter, but before the four-band EQ. The depressed position picks up the signal after the Channel Fader (#20).

13. Pan

Sets the channel’s position in one or more stereo fields

determined by the selection of the Assignment Switches (#19).

14. Stereo Channel AUX Sends

AUX 1-AUX 4 sends are a mono mix of the left and right signals. AUX 5 and AUX 6 are configured for stereo operation

(AUX 5=L, AUX 6=R) on these channels.

15. Balance

Adjusts the balance of the stereo signal that is sent to the assignment select switches. Functions as a pan control for mono signals. (See #24)

16. PFL/Clip LED

A dual-function LED that illuminates when the signal level is nearing the over- load point, or if the PFL switch is engaged. This circuit monitors the input gain, EQ and post-fader stages for overload. It illuminates at +19 dBu and signals that gain or EQ boost should be reduced. (There is roughly 2 dB of headroom remaining when it lights.) When the PFL switch (#18) is depressed, it lights continuously to indicate that this channel has been assigned to the PFL mix.

17. Mute

Mutes the entire channel (all bus assignments and all AUX sends). The PFL signal is not affected, and can be used to adjust the channel’s level while muted.

18. PFL

Connects the channel’s pre-fader signal to the PFL mix and switches the headphone/control room source from the L-R mix to the PFL mix. It also connects the PFL signal to the L-R meters to aid in the setting the input gain (#4). The PFL/Clip LED (#16) will light when this switch is pressed to identify the PFL source.

19. Assignment Switches

Selects the channel’s bus assignments (L-R, 1-2, 3-4) in pairs. The stereo postion of the signal in the selected pair is determined by the Pan control (#13).

20. Channel Fader

Channel output level control. Sets the level sent to the Assign Switches (#19). The optimum setting for this control is the “0” (unity gain) position.

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