4.6 THE BASSLINE TRACK

To complete our musical experiment, we need a bassline. In this case, it is important to be able to play a bass sound chromatically. How does that work?

First of all, we need to select a new track. Go back to Main Mode and select Track 02 in the TRACK pop-up menu above the Grid.

XIn the MPC hardware you have to press the MAIN button. With F4 (Track+) you can switch to the next track.

This new and empty Track should be assigned to a new Program. You can do this in Program Edit Mode. Click on the PROG pop-up menu above the Grid and select the Add Program option. A new window opens. Enter a name, e.g. Bass, and select KEYGROUP as the Program Type. This is necessary because we want to play the bass sound chromatically with the drum pads.

Now let’s load a bass sound. We will use the Browser in the MPC software.

Click on the file browser’s pop-up menu for an overview of your hard disk structure. Locate and select a bass sample. You can double-click on any displayed folder to open it. Click on the Preview button to preview any selected audio sample. If you found a sample to your liking, double-click it to add it to the MPC software’s currently loaded Project. Keep in mind that the sample is not yet assigned to a pad.

XPress the PROG EDIT button of your MPC hardware to enter Program Edit Mode, if not selected already.

In the Layer section click on the LAYER 1 pop-up menu and select the bass sample you just loaded into the MPC software’s currently loaded Project. In this list you will also find your drum samples. Keep in mind that you are working with a KEYGROUP program, so the selected sample is playable across all pads.

XPress the PAD BANK D button of your MPC hardware to switch to pad bank D and hit Pad 13. You should hear the bass sample played back with its original pitch. You can use the other pads to play your sample chromatically.

To step it up even further, we want to add a second layer. The idea is to have a bass sample that sounds different when played at a higher velocity. Go back to the File Browser and choose a different bass sample that sounds similar

but a little bit brighter to the loaded one. Double-click on it!

Back in the Layer section, click on the LAYER 2 pop-up menu and select the new bass sample. If you hit a pad, both samples will be played at once. Maybe

you find that new sound interesting as it is right now, but let’s go further!

Use the VELOCITY slider of Layer 1 and Layer 2 to create a sound with the velocity range of Layer 1 ranging from 0 to 80 while Layer 2 covers within the range of 81 to 127.

Now when you hit a pad, the lower velocities will trigger Layer 1 only, while higher velocities play Layer 2 only.

Now let’s record a bassline. Prepare your recording as described above and record some bass notes. You can edit your recording just like we’ve done earlier.

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Akai MPC manual Bassline Track
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MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
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