Exp fades the audio out with an exponential curve. An exponential curve will fall quickly in the beginning, and then flatten out as it reaches the end.

•PITCH SHIFT changes the pitch of the sample without changing its length. This is useful when you want to change the pitch of the phrase sample in the sequence without changing the tempo. The pitch can be set in a range from + / - 12 semitones. Keep in mind that the audio quality will decrease with more extreme settings.

•TIME STRETCH can lengthen or shorten the sample without changing its pitch. This is useful when you want to match one sample to another which has different tempo. You can enter the original tempo of the sample and the desired tempo after processing. If you want to change the sample length in percent, you can use the following method: For example, if you wish to lengthen the sample by 20%, you set the original tempo to 100, then set the new tempo to 80. This way you will obtain a sample that is 20% longer.

•GAIN CHANGE allows the volume of a sample to be raised or lowered by up to 18dB. Note that this function is different than Normalize because it will allow volumes beyond clipping level. This may be a desired effect, but please make sure to watch your output level.

•COPY makes a copy of the selected sample and adds a consecutive number after the sample name.

•BIT REDUCE diminishes the bit resolution of a sample, effectively lowering its degree of faithful reproduction. A common application is achieving a dirty "old school" sizzle on drum loops, but with a digital "edge." The sound is similar to the Resampler effect, but it will permanently alter the sample. You can reduce the bit rate down to 1 bit.

•STEREO > MONO converts a stereo sample to a new mono sample. The following options are available: Left will only use the left channel for conversion; Right will only use the right channel for conversion; Sum will combine the left and right audio channels to a single mono channel. You can also enter a name for the new mono sample. The new sample will be added to the current Project.

The PROJECT INFORMATION

The Project Information section shows all available Programs and all available samples in the current Project.

Double-click on a sample in the Sample column to load it into the

Sample Edit window.

Right-click on a Program to open a context menu with the following options:

•Duplicate makes a copy of the selected Program and adds a "-1" to the Program name.

•Delete deletes the selected Program. To avoid accidental deletion, a query window opens for confirmation.

•Save saves the current Program to your hard disk. A dialog window opens automatically where you can choose a data path for saving. You can also name your Program file.

•Rename opens a window where you can rename your Program.

Right-click on a Sample to open a context menu with the following options:

•Delete deletes the selected sample. To avoid accidental deletion, a query window opens for confirmation.

75

Page 74 Page 76
Page 75
Image 75
Akai MPC manual Project Information, Sample Edit window
Page 74 Page 76

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
Top Page Image Contents