The Waveform Display

The Waveform display shows the entire waveform of a sample, with a start and end point marked as a green line. If either of these lines is moved, the most recently moved one will be red instead of green. The start/end points define the portion of the sample data which will be played. A recorded sample may have a portion of silence at the beginning, which makes it rather difficult to time it correctly when playing it in a musical context. You can fix this by adjusting the start point. You can also adjust end point to play only the middle section of the sample. If the sample has extra silence or unwanted audio at the end, you can delete it by adjusting the end point and using the edit feature.

XUse the Q-Link knobs Q13, Q9, Q5 or Q1 of the MPC hardware to adjust the start point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the start point.

XUse the Q-Link knobs Q15, Q11, Q7 or Q3 of the MPC hardware to adjust the end point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the end point.

XUse the Q-Link knobs Q14, Q10, Q6 or Q2 of the MPC hardware to adjust the loop start point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the loop start point.

•In the MPC software, you can use the Q-Link knobs Q13, Q9, Q5 or Q1 to adjust the start point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the start point.

•Use Q-Link knobs Q15, Q11, Q7 or Q3 to adjust the end point of the sample. The smaller the Q-knob number, the more precise the adjustment of the end point.

•Use Q-Link knobs Q14, Q10, Q6 or Q2 to adjust the loop start point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the loop start point.

•Alternatively, you can adjust the start / loop / end points by clicking on the corresponding small arrows right below the sample timeline and moving them with your mouse to the desired position.

ÂKeep in mind that the loop start point cannot be placed before the start point of a sample.

ÂClick on the waveform and hold the mouse button to play the edited sample.

Right-click in the sample timeline to switch between Time (in seconds and milliseconds) and Samples.

Below the waveform you will find a scroll bar and a slider for horizontal scrolling and zooming.

71

Page 70 Page 72
Page 71
Image 71
Akai MPC manual Waveform Display
Page 70 Page 72

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
Top Page Image Contents