The Process Sample display for Pitch Shift of the MPC hardware

In the MPC software, click on the desired sample editing option. A new window will open. Some options offer additional parameters. To execute a selected option, click on Do It. Otherwise, you can cancel your changes by clicking the Cancel button.

ÂWhen the sample edit option window is open, you can click on the Function field to choose another edit option, if desired.

ÂKeep in mind that all START/END processes will only affect the part of the sample between the start and the end point, except BIT REDUCE and STEREO>MONO which will be affected the whole sample regardless of its start and end points.

The following sample editing options are available:

DISCARD automatically deletes unwanted parts from a sample before the start point and after the end point. This option does not offer further parameters.

DELETE automatically deletes the sample portion between start and end point and closes the created gap. This option does not offer further parameters.

SILENCE automatically inserts silence to the sample portion between start and end point. This option does not offer further parameters.

EXTRACT automatically crops the sample portion between start and end point and saves it as a new sample. For example, you can extract the snare sounds from a recorded drum loop and save it as a new sample to use it separately. You can also enter a name for the new sample. The new sample will be added to the current Project.

NORMALIZE digitally increases a sample’s level to the highest level obtainable without distortion. You can use Normalize as a digital gain optimization, so you don’t have to worry about excessive level settings when working with Programs containing samples that have a wide range of volume amplitudes. This option does not offer further parameters.

REVERSE reverses the selected sample. This option does not offer further parameters.

FADE IN sets an automatic fade-in between the start and end point of the sample. The following fade types are available: Linear fades the audio in with a linear curve. A linear curve will go from start to end in a straight line. Log fades the audio in with a logarithmic curve. A logarithmic curve will quickly rise at the beginning, and then flatten out towards the end. Exp fades the audio in with an exponential curve. An exponential curve will slowly rise in the beginning, and then grow steeper as it reaches the end.

FADE OUT sets an automatic fade-out between the start and end point of the sample. The following fade types are available: Linear fades the audio out with a linear curve. A linear curve will go from start to end in a straight line. Log fades the audio out with a logarithmic curve. A logarithmic curve will fall gradually at the beginning and more steeply at the end.

74

Page 74
Image 74
Akai manual Process Sample display for Pitch Shift of the MPC hardware

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.