PAN sets the overall stereo placement of the loaded sample(s).

With NOTE RANGE, you can restrict the key range used for a sample’s playback. Only notes with a key number higher or equal (LO) or lower and equal (HI) to the selected value will trigger a sound. Set the LO parameter to C-2and the HI parameter to G8 if you want to use the full keyboard range. The settings for LO and HI are also shown in the virtual keyboard in the EDIT LAYERS section.

SEMI lets you transpose the sample 12 semitones up or down, while FINE provides fine-tuning of each layer by fractions of a semitone up or down.

ÂIn the EDIT LAYER section you will find some parameters similar to those in KEY GROUP (LEVEL, PAN, SEMI, FINE, NOTE RANGE). Keep in mind, that KEY GROUP parameters control the overall settings for the sample while the EDIT LAYER parameters controls the settings for each layer (up to 4).

EDIT LAYERS SECTION

Each pad can trigger up to four samples, which are assigned in four individual layers. Each layer has separate parameters for SAMPLE, SEMI, FINE, LEVEL, PAN and VELOCITY and ROOT NOTE (available in Keygroup Programs only).

 For easier recognition, Drum Program controls are colored in blue while Keygroup Programs are colored in red.

XTo edit the first 16 LAYER parameters located on the left of the vertical separation lines in the LAYERS section, press the F2 button (Samples) on your MPC hardware. Use the MPC hardware Q-Link knobs for direct access of their respective Edit LAYERS parameters. Keep in mind that a DRUM program offers fewer parameters than a KEYGROUP program.

To select a SAMPLE to be played in one of the layers, or click and hold the pop-up menu button in the MPC software. Please read the chapter "The File Browser" on how to load samples.

SEMI lets you transpose the selected layer 12 semitones up or down, while FINE provides fine- tuning of each layer by fractions of a semitone.

LEVEL lets you adjust the volume of each layer to give you complete control over the balance of the samples assigned to one pad.

XTo edit the second 16 LAYER parameters located on the right of the vertical separation lines in the LAYERS section, press the F3 button (Layer 2) on your MPC hardware. Use the MPC hardware Q-Link knobs for direct access of their respective Edit LAYERS parameters. Keep in mind that a DRUM program offers less parameters than a KEYGROUP program.

PAN adjusts the stereo placement of the respective layer.

VELOCITY defines the velocity range of each layer. The values are set either by pressing the F3 button on your MPC hardware and changing the displayed values or by clicking in the segment chain on the right side of the LAYER area in your MPC software window and dragging its left and right ends to the desired value. A range from 0 to 127 lets the layer respond to the entire velocity

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Akai MPC manual Edit Layers Section
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MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
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