XTo create a simple drum set, we repeat the steps described above for other pads. We recommend to load a snare drum on Pad 2, a closed hi-hat on Pad 3 and an open hi-hat on Pad 4. Feel free to add a crash sample to Pad 5.

Now you're ready to record a simple drum pattern!

4.3 RECORDING A DRUM PATTERN

Let's start to record a drum pattern.

XPress the REC button of your MPC hardware to activate the recording mode. To start the actual recording, press the PLAY button. The precount starts to count one measure. We recommend recording the drum sounds one after the other, especially if you are not familiar with playing on the pads.

XPlay a simple bass drum pattern. The initial measure length is 2 bars. After the two bars, the pattern plays again from the beginning and keeps looping. Don't stop the recording!

XPlay a snare drum pattern, then a hi-hat pattern.

XPress the STOP button to finish the recording.

XThe note events you just recorded will automatically be placed in the grid, in this case, on 16th notes.

XIf you want to repeat the recording, keep in mind that the pads you play in your new recording will automatically replace existing notes played with the same pads. To prevent this, you can use the OVERDUB function, which enables you to record additional note events to an existing pattern. When the sequence loops around, the MPC is automatically placed in OVERDUB mode.

XThe MPC hardware's UNDO button can be used differently while in Record Mode. Normally, pressing UNDO will undo just the last event. When there is an event to undo, the UNDO button will be lit solid. While recording, the UNDO button will flash. In this case, pressing UNDO will erase all events from that recording (i.e., since the PLAY or PLAY START was pressed).

XHow about a crash cymbal? Let's create it directly in the MPC software by clicking on the desired position in the grid, in the same row as the crash sample.

Does your drum pattern sound OK? If not, keep on reading!

4.4 ORGANIZATION & EDITING

We recommend doing some naming and editing before recording other patterns.

XClick on the MAIN button of your MPC hardware to enter Main Mode. Let’s use the MPC software, which is much better for editing.

The pad assignment of your drum sounds is arranged in a Program. Let’s rename the exisiting Program as we will want to create more Programs later on. Right-click on the Program 01 in the PROJECT INFORMATION in the right section of the Main area and select the Rename option. Name the program (e.g. Drums) and click OK.

Right-click on the name of a sample (e.g. the bass drum), and select Rename. Enter a suitable name for the sample (e.g., "Bass Drum 1" or "Kick1"). Repeat this for the other samples in the Program. This will help keep your Program organized as you add more and more sounds to it.

In the Grid, you can see your recorded note events. Click and hold on a note to move it to a different position. By default, you can only position notes by quantization values, defined by the previously set TIME CORRECT value. You may change the value by clicking on the TIME

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Akai MPC manual Recording a Drum Pattern, Organization & Editing

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.