touch the top of one the Q-Link knobs, the corresponding parameters will jump to either its minimum (Min) or maximum (Max) value.

•In the PAD pop-up menu, you can select the desired Pad / sample you’d like to control. We recommend using Q1 for Pad A01, Q2 for Pad A02 etc., so your controller mapping is easier to remember.

•In the PARAM (Parameter) field, you can open a pop-up menu with the parameter you want to assign to the Q-Link knob. The following parameters are available:

oSample Layer allows you to switch between sample layer 1 to 4. Keep in mind that to use this function, you need to have different samples assigned to the layers.

oTuning controls the sample’s pitch.

oFilter Cutoff controls the cutoff frequency of the Filter. The filter type for a given pad is chosen in PROGRAM EDIT mode.

oFilter Resonance controls the resonance value of the Filter.

oFilter Env Amount controls the filter envelope amount.

oQlink Pan controls the sample’s panning position in the stereo field.

oLevel controls the sample’s volume level.

oEnv Attack controls the attack time of the Amp Envelope.

oEnv Decay controls the decay time of the Amp Envelope.

oEnv Release controls the release time of the Amp Envelope

oSEND 1 to 4 controls the corresponding FX send levels for the selected pad.

•In the CHANGE field, you can open a pop-up menu to select the condition for changing a parameter. In most cases, you will work with Continuous, which changes the sound immediately by changing the Q-Link knob. If Note On is selected, the sound will be affected by the position of the Q-Link knob at the time its corresponding pad is hit. But the sound will not be affected by changing the Q-Link knob after hitting the pad.

If Midi is selected in the INSTRUMENT section, the Program mode will look slightly different. To control a desired parameter of an external sound generator by MIDI, you can define a MIDI

CC(MIDI Control Change). This can be any MIDI Control

Change from 1 to 128 for every Q-Link knob. Make sure that your external MIDI device is able and set to recognize MIDI control change data.

Click on the FX button to activate the FX mode for the Q-Link knobs. The next steps describes how to assign an effect parameter to a Q-Link knob in the MPC software:

ÂKeep in mind that you have to load an effect before its parameters can be assigned to the Q- Link knobs. All effects loaded to the pads or to the track, independent from their routing, can be used for parameter assigning.

XOn the MPC hardware you can touch the top of a Q-Link knob to select it.

•First, click on the Q-Link knob and move the mouse to select it for assigning. The QLINK field will show the number of the selected knob.

•Click on the TRIG field to open a pop-up menu for selecting Min or Max. When you hold down the Q-Link Trigger button on your MPC hardware and touch the top of one the Q-

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Akai MPC manual
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MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
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