•With LINK SLICES active, editing the start or end point of a slice will alter the start and end points of its adjacent slices respectively. For example, editing the end point of a slice automatically changes the start point of the following slice. Turn LINK SLICES off when, for example, you want slice 1 to be the entire sample and slice 2, 3 and 4 be just portions of that sample.

The CHOP To Section in CHOP Mode

This section determines the slicing process.

XOn the MPC hardware, you can select the desired processing option by navigating to the Chop to option with the cursor. Use the data dial or the -/+ buttons for selecting the various Chop to options. Each option offers further parameters, which can also be edited using the data dial as well as with the -/+ buttons.

You can choose between three slicing processes:

The Threshold process uses an adjustable detection algorithm that derives the number of regions created from the volume levels present in the sample. You can set a threshold level by using the THRESHOLD parameter. The higher the selected value, the more slices will be

created. With the MIN TIME (Min Slice Time) parameter, you can define the minimum length of a slice in milliseconds.

The Regions process divides a sample into several regions of equal length. With the NUM REGIONS (Regions) parameter you can define the the number of regions you wish to divide the sample into. Usually, sixteen is a good start for a single-measure loop.

The BPM process is very similar to the Region process. The sample is divided in several regions of equal length, based on the loop length. First of all, you should set the BARS. If your sample loop length is two bars, you need to enter 2 here. You can also set the BEAT, which means the

number of beats in a bar. In most cases this will be 4 beats per bar. Finally, TIME DIV lets you select a note division for the slicing. You can select 1/4, 1/8, 1/16 or 1/32. In most cases, you will set this parameter to 1/16.

The PROCESS Section in CHOP Mode

The PROCESS section gives you various editing options for the selected sample. It is nearly identical to the PROCESS section in TRIM mode.

XPress the F6 button (Edit) to open a new page where the editing options are located. Use the data dial or the + / - buttons to select the desired editing option. Some options offer additional parameters which can be accessed by using the cursor buttons. To execute a selected editing process, click on F5 (Do It). Otherwise, you can cancel your changes by pressing F4 (Cancel). The editing options are described below.

The following editing processes can be executed on a selected slice:

SILENCE, EXTRACT, NORMALIZE, REVERSE, FADE IN, FADE OUT, PITCH SHIFT and GAIN CHANGE. For a detailed description, please read the corresponding explanations earlier in this chapter.

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Akai MPC manual Chop To Section in Chop Mode, Process Section in Chop Mode
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MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
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