Save saves the current sample on your hard disk. A dialog window opens automatically letting you choose a data path for saving.

Rename opens a window to let you rename the selected sample. This doesn’t affect the original sample name.

Edit opens the sample in the waveform display for further editing.

The CHOP Mode

The Chop function will divide a sample into multiple regions. The MPC software offers three different ways to use this function. REGION divides a sample into several regions of equal length, BPM divides a sample into several regions based on the beats per minute, and finally THRESHOLD uses an adjustable detection algorithm that derives the number of regions created from the volume levels present in the sample.

The EDIT Section in CHOP Mode

XClick on the F1 button (Chop) to activate the Chop mode.

XUse the Q-Link knobs Q13, Q9, Q5 or Q1 of the MPC hardware to adjust the start point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the start point.

XUse the Q-Link knobs Q15, Q11, Q7 or Q3 of the MPC hardware to adjust the end point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the end point.

XUse Q-Link knob Q16 to select a slice for editing.

XUse Q-Link knob Q12 to set the threshold for slice detection (in Threshold mode), or the number of regions (in Regions mode), or the number of bars in BPM mode.

XUse Q-Link knob Q8 to define the numbers of beats in BPM mode. This dial has no function in Threshold and Regions modes.

XUse Q-Link knob Q4 to set the Time Signature in BPM mode. This dial has no function in Threshold and Regions modes.

In the MPC software, you can use the Q-Link knobs Q13, Q9, Q5 or Q1 to adjust the start point of the sample. The smaller the Q-Link knob number, the more precise the adjusting of the start point. Use Q-Link knobs Q15, Q11, Q7 or Q3 to adjust the end point of the sample. The smaller the Q-Link knob number, the more precise the adjustment of the end point.

Use the Q-Link knob Q16 to select a slice for editing.

ÂDepending on the Chop mode (Threshold, Regions, BPM), the Q- Link knob section offers different parameters for editing for the Q- Link knobs Q12, Q8 and Q4.

Use the Q-Link knob Q12 to set the threshold for slice detection (in

Threshold mode), or the number of regions (in Regions mode), or the numbers of bars in BPM mode.

Use the Q-Link knob Q8 to set the number of beats in BPM mode. This dial has no function in Threshold and Regions modes.

Use the Q-Link knob Q4 to set the Time Signature in BPM mode. This knob has no function in Threshold and Regions modes.

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Akai MPC manual Edit Section in Chop Mode

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.