VELOCITY SENSITIVITY SECTION

In this section, you set how much velocity effects various sound parameters.

XTo edit the Velocity Sensitivity parameters press the F5 button (Lfo Mod) on your MPC hardware. Use Q-Link knobs Q9 – Q12 for direct access of all 4 parameters. Keep in mind that a DRUM program uses different dials for controlling than a KEYGROUP program.

The parameters of this section determine how much influence the velocity has on PITCH, Filter Envelope Attack (ATK), Amplifier (AMP) and Panning (PAN). When you hit a pad softly, only minimal modulation is applied. When you hit it harder, the modulation amount also gets stronger depending on the setting of the corresponding dial.

LFO SECTION

An LFO (Low Frequency Oscillator) generates a periodic waveform with adjustable frequency and shape which can be used for modulation purposes.

XTo edit the LFO parameters press the F5 button (Lfo Mod) on your MPC hardware. Use Q-Link knobs Q1 – Q8 for direct access to all 8 parameters. Keep in mind that a DRUM program uses different controls than a KEYGROUP program.

The WAVE parameter sets the LFO waveform. The following waveforms

are available:

Triangle (suited for smooth modulations)

Sine (suited for smooth modulations)

Square (interesting for hard pan modulations)

Saw (can generate interesting filter or volume changes)

Saw Down (can generate interesting filter or volume changes)

Noise (generates random values and glides)

S&H (samples a random value and holds it until the next value is generated)

RATE determines the frequency of the LFO. At low values, it might take some time for the LFO to complete a cycle, while higher values will come close to audible range. When SYNC is activated, the LFO is synced to the tempo, based on the rate selected in the pop-up menu (when "None" is selected, SYNC is off). The RATE setting controls the speed of the LFO and lets you dial in musically useful values. When RESET is deactivated, the LFO runs independently. If activated, the LFO resets at the beginning of each note. The LFO modulation destinations determine the amount of effect of the LFO has on PITCH, Filter Cutoff frequency (FILTER), Volume (AMP) and Panning (PAN).

The LFO Mod section in the display of the MPC hardware

54

Page 54
Image 54
Akai manual Velocity Sensitivity Section, LFO Section, LFO Mod section in the display of the MPC hardware

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.