TRANSPORT / RECORDING CONTROLS

33.PLAY – Press this button to play the Sequence from the audio pointer's current position.

34.PLAY START – Press this button to play the Sequence from its start point.

35.STOP – Press this button to stop playback.

36.REC – Press this button to record-arm the Sequence. Press PLAY or PLAY START to start recording. Recording in this way (rather than using OVERDUB) erases the events of the current Sequence. After the Sequence plays through once while recording, Overdub will be enabled.

37.OVERDUB – Press this button to enable Overdub, which allows you to record note events in a Sequence without overwriting any previously recorded note events. You can enable Overdub either before or during recording.

38.< / > ( < / > ) – Use these buttons to move the audio pointer left/right, one step at a time. Hold LOCATE and press one of these buttons to move the audio pointer to the previous/next event in the Sequence Grid.

39.<< / >> (START/END) – Use these buttons to move the audio pointer left/right, one bar at a time. Hold LOCATE and press one of these buttons to move the audio pointer to the start or end of the Sequence Grid.

40.LOCATE – Hold this button down to activate the secondary functions of the < / > and << / >> buttons (i.e., < / > and START/END, respectively).

41.ERASE – As a Sequence is playing, hold this button down and press a pad to delete the note event for that pad at the current playback position. This is a quick way to delete note events from your Sequence without having to stop playback.

42.TAP TEMPO – Press this button in time with the desired tempo to enter a new tempo (in BPM) in the MPC software.

I/O & LEVEL CONTROLS

43.MIC/LINE / PHONO SWITCH – Use this switch to select the MIC IN or PHONO IN jacks on the rear panel. If you are using a mic or line-level audio source connected to the MIC IN jacks, select MIC IN. If you are using a phono-level device like a turntable connected to the PHONO IN jacks, select PHONO IN.

44.REC GAIN – Use this knob to adjust the gain of the incoming signal from the MIC IN or PHONO IN jacks on the rear panel. Monitor the recording level by viewing the level meter (LEDs) above the MIC/LINE / PHONO SWITCH. Be careful when setting this knob at higher levels, which can cause the signal to distort.

45.DIRECT MON – Use this knob to adjust the balance between the INPUT and COMP signals in the headphones. The INPUT signal consists of the MIC IN or PHONO IN jacks – turn the knob all the way to INPUT for zero-latency direct monitoring. The COMP signal is the normal software playback. When not recording, we recommend turning this knob all the way to the COMP position.

46.MAIN VOLUME – Use this knob to adjust the volume level of the STEREO OUT jacks.

47.VINTAGE MODE – Press this to toggle through the available Vintage Modes. The MPC3000 and MPC60 settings emulate the sounds of those classic MPCs, while the OTHER setting emulates the sound of vintage sampling drum machines. When none of the LEDs are lit, Vintage Mode is off.

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Akai MPC manual Transport / Recording Controls, Level Controls
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MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
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