The Sample Record section in the display of the MPC hardware

In the MPC software, the Sample Record section is divided in two main parts. The waveform display shows the waveform of a sample after the recording process. Below is the Record Control section, which offers the controls.

In the Q-Link section you can predefine a recording threshold, using Q- link knob Q1. In record-enable mode, the MPC software automatically starts the recording when the level of the incoming source exceeds the threshold. If you set the threshold too high, the MPC software may not start the recording when you play the input source, or the start of the material you wanted to record may be missing. If you set the threshold too low, the MPC software may start the recording before you play the external source. Set this parameter to an appropriate level using the level meter.

With the Q-Link knobs Q3 and Q4, you can define the maximum sampling time. You can record up to 59 minutes and 59 seconds. We recommend setting the recording time to values that matches roughly with your estimated recording duration.

XTo adjust the Threshold, use Q-Link knob Q1 on your MPC hardware. With Q3 and Q4 you can set the record time in Minutes and Seconds.

The Record Control section offers all the relevant controls for recording.

Use the RECORD ARM buttons to define which side of the incoming audio signal is going to be recorded. You can select L for the left channel, R for the right channel or both buttons for stereo recording.

ÂKeep in mind that you don’t need to record both channels when a microphone is connected to the left MIC IN jack only.

XTo select the input channel(s) on your MPC hardware, navigate to Mode and choose between STEREO, LEFT or RIGHT.

With the INPUT SOURCE parameter, you can define whether you are going to record an external audio signal (Extern) an internal signal from the MPC software (Resample). A resample recording does not need any audio connection because the source signal created by the MPC software is recorded directly without any signal and quality loss. You can, for example, use the Resample function to record two or more samples by hitting the corresponding pads simultaneously.

XTo select the sample input on your MPC hardware, navigate to Input and choose between EXTERNAL or RESAMPLE.

Click on the INPUT MONITOR button to control the incoming audio source through your audio system.

ÂMake sure to reduce the level of the audio sources to avoid clicks or feedback which can occur by using the INPUT MONITOR function.

68

Page 67 Page 69
Page 68
Image 68
Akai manual Sample Record section in the display of the MPC hardware
Page 67 Page 69

MPC specifications

The Akai MPC, or Music Production Center, has become a legendary piece of equipment in the realms of music production and performance. Originally conceived in the late 1980s, the MPC has evolved through various models, maintaining a core philosophy of combining sampling, sequencing, and beat-making capabilities. Its versatility has made it a staple for musicians across genres, from hip-hop to electronic music.

One of the defining features of the Akai MPC is its drum pad interface. The pads are highly responsive and velocity-sensitive, allowing for expressive drum programming and live performance. The tactile feedback of the pads has earned the MPC a reputation for being intuitive and user-friendly. Artists can create intricate rhythms and beats simply by tapping the pads, making it a favorite for both studio work and live shows.

The MPC utilizes a powerful sampling engine that enables users to capture sounds and manipulate them in real-time. This includes features like time-stretching, pitch-shifting, and layering, which allow for creative sound design. The ability to import and export audio files enhances its utility, making the MPC a versatile tool for music production.

Another key technology in the MPC lineup is its sequencer. The sequencer is capable of handling complex arrangements, providing artists with a flexible platform to construct their compositions. The ability to record and sequence MIDI makes it easy to integrate external instruments, allowing musicians to expand their sonic palette.

Modern iterations of the MPC, such as the MPC Live and MPC X, incorporate advanced technologies including touchscreens, built-in effects, and standalone functionality. This means that users can create music without the need for a computer, making it a portable solution for on-the-go production. The inclusion of Wi-Fi connectivity and MIDI over USB further enhances its compatibility with other devices and software.

The Akai MPC also features robust storage options, including SD card support, enabling artists to save and organize their projects with ease. This is essential for producers who work with large sample libraries or engage in extensive live performances.

In summary, the Akai MPC stands out due to its combination of intuitive drum pads, powerful sampling and sequencing capabilities, standalone functionality, and modern connectivity options. Its impact on music production is undeniable, shaping the way artists create and perform music in contemporary settings. As technology continues to advance, the MPC is likely to remain at the forefront of the music production landscape, inspiring new generations of musicians.
Top Page Image Contents