Alesis QSR 64 manual CONFIGURATION #5 OVERDRIVE AND LEZLIE, Pitch, Delay, Reverb

Editing Effects: Chapter 7

AUX LEFT AUX RIGHT MAIN LEFT MAIN RIGHT

FX SEND 1

CONFIGURATION #5: OVERDRIVE AND LEZLIE

	AUX LEFT
	AUX RIGHT
EQ	MAIN LEFT
	MAIN RIGHT

			MIX			MISC. 1
1	1	1		1	1

	BAL.	BAL.
				BAL.		BAL.
OVERDRIVE	PITCH 1	DELAY 1	1
						1
					REVERB 1	LEZLIE
			2		AMP
						2

MISC. 1	PITCH 1	DELAY 1	REVERB 1	PITCH 1
FX SEND 2
FX SEND 3
FX SEND 4
Pitch 1		Delay 1		Reverb 1
Mono chorus		Mono delay		Plate 1
Mono flange		Stereo delay		Plate 2
Resonator		Ping-Pong delay		Room
				Hall

Large

Gate

Reverse

This is an “all-for-one” Configuration. You get six effects all at once, and they are all found in the Send 1 section. Send 1 feeds the Overdrive effect which provides classic distortion. The Overdrive output then feeds the Pitch effect. The Pitch effect has a second input which can come from either Sends 1, 2, 3 or 4. These two inputs can be mixed together.

The Delay effect has two inputs which can be mixed together. The first input comes from the Pitch effect’s output. The second input can come from either Sends 1, 2, 3 or 4, or the Overdrive effect’s output, or Pitch effects input.

The Reverb effect has two inputs which can be mixed together. The first input can come from the Pitch effect’s output or the Delay effect’s output. The second input can come from either Sends 1, 2, 3 or 4, or the Overdrive effect’s output, or the Delay effect’s input.

The Lezlie effect has two inputs which can be mixed together. The first input can come from the Delay effect’s output or the Reverb effect’s output. The second input can come from either Sends 1, 2, 3 or 4, or the Overdrive effect’s output, or the Pitch effect’s input or output, or the Delay effect’s input, or the Reverb effect’s input.

The outputs of all these effects are routed back to the Outputs, and sent through the shelving EQ effect.

QSR Reference Manual 12