Alesis QSR 64 manual CONFIGURATION #3 LEZLIE AND REVERB, Pitch, Delay, Reverb

Editing Effects: Chapter 7

CONFIGURATION #3: LEZLIE AND REVERB

AUX LEFT
AUX RIGHT
MAIN LEFT
MAIN RIGHT
	1	2	3	1	2	3	4		MIX	1
				BAL.
FX SEND 1	LEZLIE			DELAY 1					BAL.
								1
										REVERB
								2	AMP
	PITCH 1			DELAY 1				REVERB 1
				BAL.
FX SEND 2	PITCH 2			DELAY 2					BAL.
								1
								2	AMP
	PITCH 2			DELAY 2				REVERB 2
				BAL.
FX SEND 3	PITCH 3			DELAY 3					BAL.
								1
								2	AMP
	PITCH 3			DELAY 3				REVERB 3
									BAL.
FX SEND 4				DELAY 4				1
								2	AMP
				DELAY 4				REVERB 4

AUX LEFT

AUX RIGHT

MAIN LEFT

MAIN RIGHT

Pitch 1	Delay 1	Reverb 1
Lezlie	Mono delay	Plate 1
		Plate 2
		Hall
		Room
		Hall
		Large
		Gate
		Reverse

Pitch 2	Delay 2	Reverb 2	to Reverb 1
Mono chorus	Mono delay	Balance and level
Stereo chorus	Stereo delay
Mono flange	Ping-pong delay
Stereo flange
Pitch detune
Resonator

Pitch 3	Delay 3	Reverb 3	to Reverb 1
Resonator	Mono delay	Balance and level
	Delay 4	Reverb 4	Reverb 1
	Mono delay	Mix and level to

This Configuration is similar to Configuration 1, except it provides a stereo “Lezlie” effect on send 1, which emulates a rotating speaker effect commonly heard with organ sounds. This is followed by a Delay effect before going to the single stereo Reverb effect. Sends 2 and 3 have Pitch modules preceding Delay modules, which are then routed to Reverb 1. Send 4 has only a Mono Delay effect, which may also be routed to Reverb 1.

QSR Reference Manual 10