POWERMATE3
2.2 Input Stereo
Since most features – AUX faders, controls and channel faders – of the STEREO INPUTS are virtually identical to the ones of the MONO INPUTS we will not discuss their functioning in detail again. Thus, in the following we only point out the differences and like to ask you to refer to the analogous para- graphs within this owner’s manual describing the MONO INPUTS.
16 - MIC
Different from the products of many other manufacturers, the stereo input channels of the PowerMa- te, like their monaural counterparts, incorporate extensive circuitry and electronically balanced XLR- type connectors for the connection of low impedance microphones. No matter if your setup is more
Illustration
Illustration
17 - STEREO INPUT L/MONO R
Electronically balanced inputs for the connection of musical instruments with stereo output, like key- boards, drum machines,
Using phone plugs
For the connection of external devices you can use monaural or stereo phone plugs, which are in ac- cordance to the diagram below. If the external appliance is equipped with a balanced output stage, using balanced cables and plugs is preferable, since this type of connection provides improved shield- ing against HF induction and external noise.
In case you want to connect a monaural sound source to a stereo input channel, you just have to plug it into the L/MONO input. The signal gets internally routed to both channels.
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