Dynacord 1600-3, 2200-3, 1000-3 owner manual Monitor MIX

POWERMATE3

In case you are using the FX units, please proceed as fol- lows:

1.Set the EFFECT RETURN fader of the FX 1 unit to the -5 dB mark.

2.Use the UP/DOWN buttons below the display to select the desired effect preset.

3.Press the FX ON button.

4.Play the sound source of the desired input channel and adjust the desired amount of the FX signal, using the FX 1 controls of this input channel. Repeat this step for all input channels that you want to include in your effect mix.

5.Adjust the FX 1 SEND controls, so that the PK LED of the FX 1 unit only lights frequently at highly dynamic signal peaks.

6.If necessary, repeat steps 1 - 5 for the second inter- nal FX unit (FX 2).

MONITOR MIX

For now, let’s presume, that you don’t use the PowerMa- te as FOH-mixer in the audience area but on-stage. The following procedure is explained for MON 1. For setting MON 2, please perform the same steps analogous.

1.Lower the setting of the MON 1 fader located in the master section.

2.Set the MON 1 controls of all input channels according to your personal taste.

3.Push the MON 1 fader up until a slight feedback noise is heard.

4.Activate the FEEDBACK FILTER of MON 1 and adjust its control, so that the feedback noise disappears.

5.Use the MON 1 fader to reduce the MON 1 level by about -6 dB. This will provide you with enough “headroom” before feedback during the perform- ance, even then, when some microphone positions are changed disadvantageously.

6.Use the FX to MON 1 control to add the effect mix to the monitor mix, without influencing the master mix. Normally, the monitor mix needs less FX than the master mix.

FINE TUNING

Let the artists perform and check the sound of the system from different angles and distances. If you come to the conclusion that some corrections in the overall sound im- age are necessary, activate the 11-band equalizer and match the sound to your liking. By doing so, you should keep in mind, that during the performance the sound is going to be altered because the audience is present, which has a major effect on the acoustical condition of the location, the degree of first reflections, and the ab- sorption of low frequencies. If possible, you should check the “sound in the house” during the performance and – if necessary – adjust it to the changed conditions.

And for the rest, we like to wish you lots of fun and suc- cess with your new PowerMate mixer.

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