Sony DFS-700 Modifying the Pattern User Modifiable Effects, From effect to effect, Procedure

Page 36

DFS-700/700P

Changing the Pattern Position and Size — Location (X)(Y)(Z)

Modifying the Pattern — User Modifiable Effects

3 To move the pattern in the depth direction (z-axis), turn the Z-knob in

User modifiable effects are those effects for which you can modify the

the location section.

effect pattern by varying the parameters. The variable parameters vary

 

from effect to effect.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For the pattern number of user modifiable effects, and the variable parameters,

 

see the section “Effect Control Parameter List” (page A-5)

 

 

 

 

 

Procedure

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Z-knob

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

To modify the effect pattern by varying the parameters, use the following

 

procedure.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

USER PGM

SNAP SHOT

 

 

 

 

1 TITLE 2

DSK

EDGE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STATUS EDIT

 

 

 

 

 

 

EDITOR LUM

LUM

LUM

TRAIL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SHADOW

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GPI CRK

CRK

BORDER BEVELD

 

 

 

 

 

 

 

 

 

 

 

 

2

 

 

 

 

EDGE

 

INITIAL

 

 

 

 

 

EDIT

LEARN

 

 

 

Chapter

SET UP MASK

MASK MASK

SOFT

 

 

 

 

 

 

 

 

RECALL

 

 

 

1

SHIFT CCR

LIGHTING MATTES BORDER

 

PATTERN PAGE

 

F1

F2

F3 F4

F5

HOLD

 

LOCATION

 

 

 

 

 

 

ADJ

 

 

 

 

 

 

INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

EFFECT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TRANS RATE

 

DSK

PATTERN NUMBER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

FTB

SET

 

 

 

SET

 

3

 

CCR

TITLE 1

TITLE 2

DSK

SUPER BG FRGD 2

MEMORY FRAME

FREEZ

MIX EFFECT

 

N/R

REV

DIRECT DIRECT

DSK PVW

 

AUXILIARY

 

SOURCE SOURCE

FILL

 

 

 

 

 

 

 

 

 

RECALL PATTERN

 

Basic

 

 

 

 

 

 

 

 

 

 

 

4

5

6

 

 

 

 

 

 

 

 

 

 

 

INT

 

 

DEL

FADE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LAST X

 

 

 

 

 

 

 

 

 

 

 

 

 

7

8

9

 

TO

 

BLACK 1

2

3

4

5

6

7

8

MEMORY

INT

TITLE

 

INS

BLACK

 

BACKGROUND

 

 

 

 

 

 

 

 

VIDEO

 

 

 

 

 

 

 

Operation

BLACK 1

2

3

4

5

6

7

8

MEMORY

VIDEO

CUT

 

 

 

 

P IN P

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

DSK

 

 

 

 

 

 

 

 

 

 

 

 

 

1

2

3

RST

 

 

FOREGROUND

 

 

 

 

 

 

 

 

 

 

 

DOWN

UP

ENTER

 

 

BLACK 1

2

3

4

5

6

7

8

MEMORY

INT

AUTO

 

0

 

 

 

 

 

VIDEO

TRANS

 

 

 

 

 

 

PATTERN/KEY PAD

1 After checking in the section “Effect Control Parameter List” (page A- 5), select a user modifiable effect.

The variable parameters of the selected effect appear in the menu display.

If the selected effect has no variable parameters, the menu display shows a message “No Adjustable Parameter”.

2 Using knobs and buttons F1 to F5, set the parameters.

Chapter 3 Basic Operation

1-29

3-30Chapter 3 Basic Operation

Chapter 3 Basic Operation 3-31

Page 35 Page 37
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Page 35 Page 37
Contents DFS-700 DFS-700P Table of Contents Self-diagnosis DFS-700/700P Page Manual Structure Page Operating Instructions DFS-700/700PTable of Contents Table of Contents Inserting Characters and Graphics 1 Title KeyInserting Characters and Graphics Freezing an Input Image Frame MemoryFeatures of This System Support for wide range of input/output signal formatsAdvanced special effects Comprehensive title key functionsFeatures of This System Option BoardsControl Panel Numbers shown in parenthesis for more detailsControl Panel Delegation sectionPrimary cross-point bus section Effect transition section Pattern/numeric keypadEditor and GPI buttons Fade-to-black and DSK sectionMenu control section SET UP button DSK downstream keyer sectionLUM luminance button Press this to display a Edge sectionEffect control section User program sectionSnapshot section Qs 25-pin connector rear panel Processor UnitFront Panel Rear PanelProcessor Unit COMPONENT/COMPOSITE Option 5 to 8 BNC-typeSDI Input 1 to 4, Option 5 to 8 BNC-type Video Option 5 to 8 4-pinDME Switcher Introduction Sequence of OperationsBasic operations to be Always carried out Carried out as requiredDME Switcher Introduction Example Operation 1 Wipe Setting itemsProcedure Program outputDME Switcher Introduction Example Operation 2 Picture-in-PictureBorder on Move the fader lever to the opposite end Both the Background bus INT Video buttonForeground bus button 1 light red DME Switcher Introduction Demonstration To end the demonstrationTo start the demonstration Demonstration with user-registered snapshotsDME Switcher Introduction Using the Menus Accessing a menuChanging settings To change the menu20Selecting Images Background Image and Foreground ImageSelecting the background image and foreground image Selecting Images Previewing the image after an effect is executedSelecting an Effect Types of EffectTransition effects and animation effects Modifications to effectsSelecting an Effect Example Effects Foreground image appears from the right, and slides overBackground image to the left Foreground fills the screenSelecting an Effect Nonlinear effectsTwo-channel DME effects Selection in Direct Pattern Selection Mode 3D mapping effectsAdjusting the number before confirming If you enter a wrong numberPress the SET button, turning it on When effect parameters are already adjusted Beveled Edge, and CropTo blur the image boundary To remove unwanted portions of the imageChanging the Pattern Position and Size Location XYZ Indications in the Edge menu with square bracketsProcedure Using knobs and buttons F1 to F5, set the parametersModifying the Pattern User Modifiable Effects Changing the Pattern Position and Size Location XYZInserting Characters and Graphics 1 Title Key Modifying the Pattern User Modifiable EffectsLuminance Key Example of user modifiable effect parametersInserting Characters and Graphics 1 Title Key NecessaryTo remove the luminance key Auto chroma keying Auto chroma keyingManual chroma keying Two-channel chroma keyingMaking fine adjustments to the composite image Cursor adjustment Control knobMenu changes to the auto chroma key menu T1ACR If there are variations in the background colorUse the same procedure as for an auto chroma key see 34Inserting Characters and Graphics 1 Title KeyManual chroma key Parameter to onAdjusting the hue range for chroma keying the angle setting Angle setting Example using a blue background colorWatching the composite image on the program monitor, turn Mask menu, press the F5INVERT button, setting it to on Inserting Characters and Graphics 2 Downstream KeyRemoving the mask Press the Mask button lit in , turning it offInserting Characters and Graphics 2 Downstream Key To invert the downstream key source signal Applying a border to a downstream keyTo remove the border Setting Up a Transition Setting the Transition TimeTo set the transition time, use the following procedure To mask a part of the downstream keySetting Up a Transition Setting the Transition DirectionOperation of transition effects Operation of animation effectsUsing the Auto Trans button Using the fader leverUsing the fader lever and Auto Trans button together Executing an EffectAdjusting Color Mattes Executing an EffectAdjusting Image Colors Color Correction Adjusting Color MattesTo copy a matte color Adjusting Image Colors Color Correction F5Gamma adjust the gamma value of the luminance signalFreezing an Input Image Frame Memory Function F4HueRot set the hueFade-to-Black Freezing an Input Image Frame Memory FunctionChanging Direct Pattern Assignments To change the direct pattern assignmentPress the SET button User Program Effects Changing Direct Pattern AssignmentsConstructing a User Program Effect User Program Effects Types of User Program Effect Modification ParametersEffect type Pattern number User Program Effects Resetting the parameters to their initial values Setting the type of interpolationDisplaying parameter values About the key frame durationUser Program Effects Creating New User Program Effects Sequence of key frame maximum eightButton once more User Program Effects Editing User Program Effects To recall a user program effectTo change the key frame parameters User program effectAdding a key frame Deleting a key frameCopying a key frame To save key frame dataTo recall a key frame User Program Effects Executing User Program Effects Deleting All User Program EffectsWith buttons 0 to 9 and press Enter EffectTo cancel the snapshot saving operation SnapshotsSaving a Snapshot Snapshots Recalling a Snapshot Snapshot DemonstrationControl using PVE-500 control signals Downstream key control using GPI signalsControl From the PVE-500 Snapshots Reinitializing the SnapshotsSignal flow Control From the PVE-500 PreparationsRoll Editing Cut EditingControl From the BVE-600 Control From the PVE-500On the BVE-600 Timing of the trigger T1/T2 signals Control From the BVE-600 Roll EditingControl using editor control signals Control From the BVE-900/2000 SeriesConnectable editing control units On the BKE-900/910Control Using GPI Signals Editing point delayControl From the BVE-900/2000 Series Executing effects in the reverse directionControl Using GPI Signals Timing of the GPI signalFlow of signals in A/B roll editing is as follows Turning a Downstream Key On and OffSettings for preread editing Preread EditingPreparations on the DFS-700/700P Preparations on a BVE-2000 earlier than VerKey Signal Connections 66Basic System ConnectionsWhen using GPI signals System Connections for Preread EditingConnections for an A/B Roll Editing System Setup Menu Settings Setup Menu OrganizationSystem Setup page 1/8 When using the BVE-2000Input Video Setup page 3/8 Output Video Setup page 4/8Setup Menu Settings System Information Display page 2/8 Primary inputs and signal formats70Setup Menu Settings Control Panel Setup page 5/8 Initializing User Settings page 6/8Loading User Settings From Memory page 7/8 Saving User Settings in Memory page 8/8Configuration Installed Effect Type ListFollowing warning messages are displayed DisplayEffect Control Parameter List Effect Type ListF6 to F10 Menu Effect Control Parameter List BTML/BOTTOM/BTMRLINE1/LINE2/PIXEL1/P1XEL2 BOTTOM/HORZ/VERT 2700 3D page turn 2701 F1 Direction of turn Angle = 0 to 14Appendixes 16Appendixes 18Appendixes Direction type Characteristics Effect Motion TypesPattern No Lighting Lighting Trail TrailOption Options Effect Pattern Variant Forms and Decorations Edge Crop Locate Lighting Trail Option711 711 712Effect Pattern Image List FG FGEffect Pattern Image List 1021 1023 1025 1027 Appendixes Spotlight DFS-700/700P 38Appendixes Appendixes A-39 BG FG FG FG FG BG Album turn 1850 1852 1851 1853 Flip, Tumble 2201 2203 2210 Effect Pattern Image List 48Appendixes Appendixes A-49 Effect Pattern Image List 52Appendixes Appendixes A-53 2ch picture-in-picture 2500 2501 2520 Split page turn 2560 Effect Pattern Image List 100Effect Pattern Image List To Exchange the Button Labels Effect Pattern Image ListSpecifiSpecificationsations GlossaryGlossary Index 105 Index106

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

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Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

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