Sony BKDF-711 Control Using GPI Signals, Control From the BVE-900/2000 Series, Effect intervals

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DFS-700/700P

Control From the BVE-900/2000 Series

Notes on Operation

Editing point delay

Because the DFS-700/700P has a built-in frame synchronizer, output of player VCR edit points set on the BVE-900/910/2000 is delayed by 1 frame, so that recording begins with the previous frame. However, recorder edit points are not delayed.

Example: If the IN point of the player VCR is set to 00:00:10:15, recording begins from 00:00:10:14.

If you are using a BVE-2000 with a ROM version of 2.00 or higher, in SYSTEM SETUP mode under SYSTEM CONFIGURATION you can set the DIGITAL EFFECT DELAY item to 01 so that the BVE-2000 compensates for the delay automatically.

Executing effects in the reverse direction

 

 

• To execute an effect in the reverse direction from the BVE-900/910, add

 

 

3000 to the DFS-700/700P effect pattern number. However, add 500 to

 

 

the pattern numbers of user program effects (pattern numbers 9000 and

 

 

above).

 

 

 

 

Examples:

 

 

 

 

To execute effect 25 in the reverse direction, specify pattern number

 

 

3025.

 

 

 

 

To execute effect 9203 in the reverse direction, specify pattern number

 

 

9703.

 

 

 

 

• To execute an effect in the reverse direction from the BVE-2000, add a

 

 

minus sign (–) before the DFS-700/700P pattern number.

Chapter

 

Example:

 

 

 

number –25.

 

 

 

 

To execute effect 25 in the reverse direction, specify effect pattern

5

 

 

 

 

Control Control

Effect intervals

 

 

 

From Units

 

Effects cannot be executed if there is no interval between transitions, as

Editing

 

 

shown below in figure (a).

 

 

 

 

 

 

Be sure to leave an interval of at least two frames or more between

 

 

transitions, as shown in figure (b).

 

 

IN

OUT

IN

OUT

 

 

Transition

Transition

Transition

At least two

Transition

 

 

 

 

 

frames

 

 

 

 

(a)

 

(b)

 

1-

 

 

Minimum interval between transitions

 

 

5-10

Chapter 5 Control From Editing Control Units

 

 

 

63

 

 

 

 

 

 

 

 

 

Control Using GPI Signals

You can combine the DFS-700/700P with any editing control unit capable of GPI signal output to carry out A/B roll editing using two players and one recorder.

You can use one GPI signal to execute DFS-700/700P effects, and a second GPI signal to turn the downstream key function on and off.

Preparations

Make the following preparations to control the DFS-700/700P using GPI signals output by the editing control unit.

For details about operation, refer to the manuals supplied with your editing control unit.

On the DFS-700/700P

• In page 1 of the setup menu, set F3(PORTS) to “GPI”.

• Press the EDITOR button on the control panel, turning it on. (This button is lit when the DFS-700/700P is powered on.)

On the recorder VCR

• Set the recorder VCR so that it enters PB (playback) mode when stopped. (If the VCR has a selector for PB or PB/EE, set it to PB.)

• If the VCR has a built-in TBC, set the VCR to DELAYED SYNC mode.

On the editing control unit

• Set the GPI signal output timing to 3 frames before the IN point.

• Set the GPI signal pulse length to at least 1 frame.

Notes

• To display the background image during or after a transition, press an

appropriate BACKGROUND bus button on the DFS-700/700P.

Chapter

• Because the DFS-700/700P has a built-in frame synchronizer, output of

 

player VCR edit points set on the editing control unit is delayed by 1

5

frame, so that recording begins with the previous frame. However,

Control Control

recorder edit points are not delayed. For example, if the IN point of the

 

player VCR is set to 00:00:10:15, recording begins from 00:00:10:14.

From Units

 

 

Editing

Chapter 5 Control From Editing Control Units 5-11

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Contents DFS-700 DFS-700P Table of Contents Self-diagnosis DFS-700/700P Page Manual Structure Page Operating Instructions DFS-700/700PTable of Contents Inserting Characters and Graphics Table of ContentsInserting Characters and Graphics 1 Title Key Freezing an Input Image Frame MemoryAdvanced special effects Features of This SystemSupport for wide range of input/output signal formats Comprehensive title key functionsFeatures of This System Option BoardsControl Panel Numbers shown in parenthesis for more detailsDelegation section Control PanelPrimary cross-point bus section Effect transition section Pattern/numeric keypadFade-to-black and DSK section Editor and GPI buttonsMenu control section LUM luminance button Press this to display a SET UP buttonDSK downstream keyer section Edge sectionUser program section Effect control sectionSnapshot section Front Panel Qs 25-pin connector rear panelProcessor Unit Rear PanelSDI Input 1 to 4, Option 5 to 8 BNC-type Processor UnitCOMPONENT/COMPOSITE Option 5 to 8 BNC-type Video Option 5 to 8 4-pinBasic operations to be DME Switcher IntroductionSequence of Operations Always carried out Carried out as requiredProcedure DME Switcher Introduction Example Operation 1 WipeSetting items Program outputExample Operation 2 Picture-in-Picture DME Switcher IntroductionBorder on Both the Background bus INT Video button Move the fader lever to the opposite endForeground bus button 1 light red To start the demonstration DME Switcher Introduction DemonstrationTo end the demonstration Demonstration with user-registered snapshotsChanging settings DME Switcher Introduction Using the MenusAccessing a menu To change the menuBackground Image and Foreground Image 20Selecting ImagesSelecting the background image and foreground image Selecting Images Previewing the image after an effect is executedTransition effects and animation effects Selecting an EffectTypes of Effect Modifications to effectsBackground image to the left Selecting an Effect Example EffectsForeground image appears from the right, and slides over Foreground fills the screenNonlinear effects Selecting an EffectTwo-channel DME effects Selection in Direct Pattern Selection Mode 3D mapping effectsIf you enter a wrong number Adjusting the number before confirmingPress the SET button, turning it on To blur the image boundary When effect parameters are already adjustedBeveled Edge, and Crop To remove unwanted portions of the imageChanging the Pattern Position and Size Location XYZ Indications in the Edge menu with square bracketsModifying the Pattern User Modifiable Effects ProcedureUsing knobs and buttons F1 to F5, set the parameters Changing the Pattern Position and Size Location XYZLuminance Key Inserting Characters and Graphics 1 Title KeyModifying the Pattern User Modifiable Effects Example of user modifiable effect parametersNecessary Inserting Characters and Graphics 1 Title KeyTo remove the luminance key Manual chroma keying Auto chroma keyingAuto chroma keying Two-channel chroma keyingMenu changes to the auto chroma key menu T1ACR Making fine adjustments to the composite imageCursor adjustment Control knob If there are variations in the background colorManual chroma key Use the same procedure as for an auto chroma key see34Inserting Characters and Graphics 1 Title Key Parameter to onAngle setting Example using a blue background color Adjusting the hue range for chroma keying the angle settingWatching the composite image on the program monitor, turn Removing the mask Mask menu, press the F5INVERT button, setting it to onInserting Characters and Graphics 2 Downstream Key Press the Mask button lit in , turning it offInserting Characters and Graphics 2 Downstream Key Applying a border to a downstream key To invert the downstream key source signalTo remove the border To set the transition time, use the following procedure Setting Up a TransitionSetting the Transition Time To mask a part of the downstream keyOperation of transition effects Setting Up a TransitionSetting the Transition Direction Operation of animation effectsUsing the fader lever and Auto Trans button together Using the Auto Trans buttonUsing the fader lever Executing an EffectAdjusting Color Mattes Executing an EffectAdjusting Color Mattes Adjusting Image Colors Color CorrectionTo copy a matte color Freezing an Input Image Frame Memory Function Adjusting Image Colors Color CorrectionF5Gamma adjust the gamma value of the luminance signal F4HueRot set the hueFade-to-Black Freezing an Input Image Frame Memory FunctionTo change the direct pattern assignment Changing Direct Pattern AssignmentsPress the SET button Changing Direct Pattern Assignments User Program EffectsConstructing a User Program Effect Modification Parameters User Program Effects Types of User Program EffectEffect type Pattern number User Program Effects Displaying parameter values Resetting the parameters to their initial valuesSetting the type of interpolation About the key frame durationSequence of key frame maximum eight User Program Effects Creating New User Program EffectsButton once more To change the key frame parameters User Program Effects Editing User Program EffectsTo recall a user program effect User program effectAdding a key frame Deleting a key frameTo save key frame data Copying a key frameTo recall a key frame With buttons 0 to 9 and press Enter User Program Effects Executing User Program EffectsDeleting All User Program Effects EffectSnapshots To cancel the snapshot saving operationSaving a Snapshot Snapshots Recalling a Snapshot Snapshot DemonstrationControl From the PVE-500 Control using PVE-500 control signalsDownstream key control using GPI signals Snapshots Reinitializing the SnapshotsRoll Editing Signal flowControl From the PVE-500 Preparations Cut EditingControl From the PVE-500 Control From the BVE-600On the BVE-600 Timing of the trigger T1/T2 signals Control From the BVE-600 Roll EditingConnectable editing control units Control using editor control signalsControl From the BVE-900/2000 Series On the BKE-900/910Control From the BVE-900/2000 Series Control Using GPI SignalsEditing point delay Executing effects in the reverse directionFlow of signals in A/B roll editing is as follows Control Using GPI SignalsTiming of the GPI signal Turning a Downstream Key On and OffPreparations on the DFS-700/700P Settings for preread editingPreread Editing Preparations on a BVE-2000 earlier than VerKey Signal Connections 66Basic System ConnectionsSystem Connections for Preread Editing When using GPI signalsConnections for an A/B Roll Editing System System Setup page 1/8 Setup Menu SettingsSetup Menu Organization When using the BVE-2000Setup Menu Settings System Information Display page 2/8 Input Video Setup page 3/8Output Video Setup page 4/8 Primary inputs and signal formatsLoading User Settings From Memory page 7/8 70Setup Menu Settings Control Panel Setup page 5/8Initializing User Settings page 6/8 Saving User Settings in Memory page 8/8Following warning messages are displayed Configuration InstalledEffect Type List DisplayEffect Type List Effect Control Parameter ListF6 to F10 Menu Effect Control Parameter List BTML/BOTTOM/BTMRLINE1/LINE2/PIXEL1/P1XEL2 BOTTOM/HORZ/VERT 2700 3D page turn 2701 F1 Direction of turn Angle = 0 to 14Appendixes 16Appendixes 18Appendixes Effect Motion Types Direction type CharacteristicsPattern No Trail Trail Lighting LightingOption Options Effect Pattern Variant Forms and Decorations Edge Crop Locate Lighting Trail Option711 711 712Effect Pattern Image List FG FGEffect Pattern Image List 1021 1023 1025 1027 Appendixes Spotlight DFS-700/700P 38Appendixes Appendixes A-39 BG FG FG FG FG BG Album turn 1850 1852 1851 1853 Flip, Tumble 2201 2203 2210 Effect Pattern Image List 48Appendixes Appendixes A-49 Effect Pattern Image List 52Appendixes Appendixes A-53 2ch picture-in-picture 2500 2501 2520 Split page turn 2560 Effect Pattern Image List 100Effect Pattern Image List To Exchange the Button Labels Effect Pattern Image ListSpecifiSpecificationsations GlossaryGlossary Index 105 Index106

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

The Sony DFS-700 is a versatile digital signal processor designed for both field and studio use. It features high-definition video processing capabilities, supporting multiple video formats, including 1080i and 720p. This model is equipped with advanced digital signal processing technology, which ensures superior image quality through enhanced noise reduction and color correction. The DFS-700 also supports various input formats, allowing seamless integration with existing broadcast systems.

Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

Next in line, the BKDF-702 is known for its advanced encoding capabilities. It features real-time encoding for different streaming formats, making it ideal for live broadcasts and on-demand streaming. The BKDF-702P, a professional version of the BKDF-702, offers enhanced features such as lower latency and higher compression efficiency, catering to the needs of high-performance streaming.

Each of these modules is designed with modularity in mind, allowing easy upgrades and customization based on specific production requirements. Together, they form a comprehensive solution for professional video and audio processing, embodying Sony's commitment to innovation and quality in the broadcasting industry.

Overall, the Sony DFS-700 and its associated modules represent a blend of technology, flexibility, and high performance, making them indispensable tools for professionals in the ever-evolving landscape of video production. With their cutting-edge features, these products continue to set benchmarks in the world of broadcasting and live event production.