Sony BKDF- 702 System Connections for Preread Editing, Connections for an A/B Roll Editing System

Page 74

DFS-700/700P

Chapter 6 System Connections and

Settings

1-67

System Connections for Preread Editing

By combining a BVE-2000 editing control unit and a VCR capable of preread editing (such as the DSR-2000), you can build a preread editing system.

Note

The video from the player VCR is delayed by one frame in the DFS-700/ 700P, and therefore playback advanced by one frame is required.

Player VCR

 

 

Recorder VCR

 

 

 

 

 

SRP-L300 Delay

 

 

 

 

 

 

 

Unit

 

 

 

 

 

AUDIO LINE OUT

2

AUDIO LINE IN

 

 

 

REMOTE

VIDEO OUT

 

 

 

VIDEO

VIDEO

REMOTE

 

DFS-700/700P control panel

 

IN

OUT

 

 

 

 

 

 

 

 

Monitor

 

 

 

3

1

 

 

1

1

3

 

 

 

DFS-700/700P

 

 

 

 

 

 

 

processor

 

 

 

 

 

 

 

 

 

PGM OUT

 

 

 

 

 

 

 

PGM OUT

 

 

 

 

VIDEO INPUT 1~8

 

 

VIDEO INPUT 1~8

 

 

 

 

 

EDITOR

 

 

 

 

 

 

 

 

 

 

 

 

SWER

 

 

 

 

 

 

PLAYER

 

RECORDER

 

 

 

 

Video and audio signals

BVE-2000 editing control

 

 

 

 

 

 

 

 

 

 

unit

Control signals

Cables used

1These depend on the type of VCR being connected. Check with the instructions supplied with the VCR.

2XLR (3-pin) cables

3RCC/5G/10G/30G 9-pin remote control cables or RCC-5F 33-pin remote control cables

Preread editing system connections

6-4Chapter 6 System Connections and Settings

Connections for an A/B Roll Editing System

By combining a BVE-2000 or PVE-500 editing control unit with the DFS- 700 and two players and one recorder VCR, you can build an A/B roll editing system. Using an editor with GPI signal support, A/B roll editing controlled by GPI signals is also possible.

When using GPI signals

Control the M/E through the GPI/T1 connector, and the downstream keyer through the GPI/T2 connector. You can control M/E and downstream keys simultaneously.

 

 

 

Monitor

 

 

 

REF

 

 

Player VCR A

 

VIDEO

Recorder VCR

 

IN

REF

 

 

 

 

VIDEO

 

 

 

 

IN

 

 

 

 

REMOTE

VIDEO OUT

VIDEO

VIDEO

REMOTE

DFS-700/700P control panel

IN

OUT

 

 

 

BLACK

 

BURST

DFS-700/700P processor

OUT

 

 

 

PGM OUT

 

VIDEO INPUT

 

VIDEO INPUT

 

 

GPI/T 1

GPI/T 2

 

 

GPI

 

 

 

VTR

 

 

 

Editor

VTR

 

 

 

 

 

VTR

 

REMOTE

VIDEO OUT

REF

 

REF

 

 

 

VIDEO

 

 

Video signals

IN

 

 

Control signals

 

 

 

 

Player VCR B

 

Black burst signal

 

 

 

(reference synchronizing signal)

A/B roll editing system connections (1) — using GPI signals

Chapter 6 System Connections and Settings

6-5

Chapter 6 System Connections and Settings

Image 74
Contents DFS-700 DFS-700P Table of Contents Self-diagnosis DFS-700/700P Page Manual Structure Page Operating Instructions DFS-700/700PTable of Contents Inserting Characters and Graphics Table of ContentsInserting Characters and Graphics 1 Title Key Freezing an Input Image Frame MemoryAdvanced special effects Features of This SystemSupport for wide range of input/output signal formats Comprehensive title key functionsFeatures of This System Option BoardsControl Panel Numbers shown in parenthesis for more detailsPrimary cross-point bus section Control PanelDelegation section Effect transition section Pattern/numeric keypadMenu control section Editor and GPI buttonsFade-to-black and DSK section LUM luminance button Press this to display a SET UP buttonDSK downstream keyer section Edge sectionSnapshot section Effect control sectionUser program section Front Panel Qs 25-pin connector rear panelProcessor Unit Rear PanelSDI Input 1 to 4, Option 5 to 8 BNC-type Processor UnitCOMPONENT/COMPOSITE Option 5 to 8 BNC-type Video Option 5 to 8 4-pinBasic operations to be DME Switcher IntroductionSequence of Operations Always carried out Carried out as requiredProcedure DME Switcher Introduction Example Operation 1 WipeSetting items Program outputBorder on DME Switcher IntroductionExample Operation 2 Picture-in-Picture Foreground bus button 1 light red Move the fader lever to the opposite endBoth the Background bus INT Video button To start the demonstration DME Switcher Introduction DemonstrationTo end the demonstration Demonstration with user-registered snapshotsChanging settings DME Switcher Introduction Using the MenusAccessing a menu To change the menuSelecting the background image and foreground image 20Selecting ImagesBackground Image and Foreground Image Selecting Images Previewing the image after an effect is executedTransition effects and animation effects Selecting an EffectTypes of Effect Modifications to effectsBackground image to the left Selecting an Effect Example EffectsForeground image appears from the right, and slides over Foreground fills the screenTwo-channel DME effects Selecting an EffectNonlinear effects Selection in Direct Pattern Selection Mode 3D mapping effectsPress the SET button, turning it on Adjusting the number before confirmingIf you enter a wrong number To blur the image boundary When effect parameters are already adjustedBeveled Edge, and Crop To remove unwanted portions of the imageChanging the Pattern Position and Size Location XYZ Indications in the Edge menu with square bracketsModifying the Pattern User Modifiable Effects ProcedureUsing knobs and buttons F1 to F5, set the parameters Changing the Pattern Position and Size Location XYZLuminance Key Inserting Characters and Graphics 1 Title KeyModifying the Pattern User Modifiable Effects Example of user modifiable effect parametersTo remove the luminance key Inserting Characters and Graphics 1 Title KeyNecessary Manual chroma keying Auto chroma keyingAuto chroma keying Two-channel chroma keyingMenu changes to the auto chroma key menu T1ACR Making fine adjustments to the composite imageCursor adjustment Control knob If there are variations in the background colorManual chroma key Use the same procedure as for an auto chroma key see34Inserting Characters and Graphics 1 Title Key Parameter to onWatching the composite image on the program monitor, turn Adjusting the hue range for chroma keying the angle settingAngle setting Example using a blue background color Removing the mask Mask menu, press the F5INVERT button, setting it to onInserting Characters and Graphics 2 Downstream Key Press the Mask button lit in , turning it offInserting Characters and Graphics 2 Downstream Key To remove the border To invert the downstream key source signalApplying a border to a downstream key To set the transition time, use the following procedure Setting Up a TransitionSetting the Transition Time To mask a part of the downstream keyOperation of transition effects Setting Up a TransitionSetting the Transition Direction Operation of animation effectsUsing the fader lever and Auto Trans button together Using the Auto Trans buttonUsing the fader lever Executing an EffectAdjusting Color Mattes Executing an EffectTo copy a matte color Adjusting Image Colors Color CorrectionAdjusting Color Mattes Freezing an Input Image Frame Memory Function Adjusting Image Colors Color CorrectionF5Gamma adjust the gamma value of the luminance signal F4HueRot set the hueFade-to-Black Freezing an Input Image Frame Memory FunctionPress the SET button Changing Direct Pattern AssignmentsTo change the direct pattern assignment Constructing a User Program Effect User Program EffectsChanging Direct Pattern Assignments Effect type Pattern number User Program Effects Types of User Program EffectModification Parameters User Program Effects Displaying parameter values Resetting the parameters to their initial valuesSetting the type of interpolation About the key frame durationButton once more User Program Effects Creating New User Program EffectsSequence of key frame maximum eight To change the key frame parameters User Program Effects Editing User Program EffectsTo recall a user program effect User program effectAdding a key frame Deleting a key frameTo recall a key frame Copying a key frameTo save key frame data With buttons 0 to 9 and press Enter User Program Effects Executing User Program EffectsDeleting All User Program Effects EffectSaving a Snapshot To cancel the snapshot saving operationSnapshots Snapshots Recalling a Snapshot Snapshot DemonstrationControl From the PVE-500 Control using PVE-500 control signalsDownstream key control using GPI signals Snapshots Reinitializing the SnapshotsRoll Editing Signal flowControl From the PVE-500 Preparations Cut EditingOn the BVE-600 Control From the BVE-600Control From the PVE-500 Timing of the trigger T1/T2 signals Control From the BVE-600 Roll EditingConnectable editing control units Control using editor control signalsControl From the BVE-900/2000 Series On the BKE-900/910Control From the BVE-900/2000 Series Control Using GPI SignalsEditing point delay Executing effects in the reverse directionFlow of signals in A/B roll editing is as follows Control Using GPI SignalsTiming of the GPI signal Turning a Downstream Key On and OffPreparations on the DFS-700/700P Settings for preread editingPreread Editing Preparations on a BVE-2000 earlier than VerKey Signal Connections 66Basic System ConnectionsConnections for an A/B Roll Editing System When using GPI signalsSystem Connections for Preread Editing System Setup page 1/8 Setup Menu SettingsSetup Menu Organization When using the BVE-2000Setup Menu Settings System Information Display page 2/8 Input Video Setup page 3/8Output Video Setup page 4/8 Primary inputs and signal formatsLoading User Settings From Memory page 7/8 70Setup Menu Settings Control Panel Setup page 5/8Initializing User Settings page 6/8 Saving User Settings in Memory page 8/8Following warning messages are displayed Configuration InstalledEffect Type List DisplayF6 to F10 Menu Effect Control Parameter ListEffect Type List Effect Control Parameter List BTML/BOTTOM/BTMRLINE1/LINE2/PIXEL1/P1XEL2 BOTTOM/HORZ/VERT 2700 3D page turn 2701 F1 Direction of turn Angle = 0 to 14Appendixes 16Appendixes 18Appendixes Pattern No Direction type CharacteristicsEffect Motion Types Option Options Lighting LightingTrail Trail Effect Pattern Variant Forms and Decorations Edge Crop Locate Lighting Trail Option711 711 712Effect Pattern Image List FG FGEffect Pattern Image List 1021 1023 1025 1027 Appendixes Spotlight DFS-700/700P 38Appendixes Appendixes A-39 BG FG FG FG FG BG Album turn 1850 1852 1851 1853 Flip, Tumble 2201 2203 2210 Effect Pattern Image List 48Appendixes Appendixes A-49 Effect Pattern Image List 52Appendixes Appendixes A-53 2ch picture-in-picture 2500 2501 2520 Split page turn 2560 Effect Pattern Image List 100Effect Pattern Image List To Exchange the Button Labels Effect Pattern Image ListSpecifiSpecificationsations GlossaryGlossary Index 105 Index106

702P, BKDF-711, BKDF-712, BKDF- 702, DFS-700P specifications

Sony, a leader in professional video technology, has developed a range of advanced digital field studio (DFS) products that cater to various broadcasting and production needs. The Sony DFS-700 series is particularly known for its high-quality imaging and robust features, making it a popular choice among professionals.

The Sony DFS-700 is a versatile digital signal processor designed for both field and studio use. It features high-definition video processing capabilities, supporting multiple video formats, including 1080i and 720p. This model is equipped with advanced digital signal processing technology, which ensures superior image quality through enhanced noise reduction and color correction. The DFS-700 also supports various input formats, allowing seamless integration with existing broadcast systems.

Alongside the DFS-700, the BKDF-712, BKDF-711, BKDF-702, and BKDF-702P are essential components in the Sony ecosystem. The BKDF-712 is designed for high-definition video capture and processing, featuring dual-channel capabilities that allow for simultaneous input and output. With support for both SDI and HDMI interfaces, this module provides flexibility in connecting to various video sources.

The BKDF-711 focuses on audio processing, providing high-quality audio capture and mixing capabilities. It supports a range of audio formats, ensuring compatibility with different production environments. The built-in audio delay feature is particularly useful for live broadcasts, helping synchronize audio and video seamlessly.

Next in line, the BKDF-702 is known for its advanced encoding capabilities. It features real-time encoding for different streaming formats, making it ideal for live broadcasts and on-demand streaming. The BKDF-702P, a professional version of the BKDF-702, offers enhanced features such as lower latency and higher compression efficiency, catering to the needs of high-performance streaming.

Each of these modules is designed with modularity in mind, allowing easy upgrades and customization based on specific production requirements. Together, they form a comprehensive solution for professional video and audio processing, embodying Sony's commitment to innovation and quality in the broadcasting industry.

Overall, the Sony DFS-700 and its associated modules represent a blend of technology, flexibility, and high performance, making them indispensable tools for professionals in the ever-evolving landscape of video production. With their cutting-edge features, these products continue to set benchmarks in the world of broadcasting and live event production.