Effects List
03: Resonant Filter |
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It allows for cyclical control of the cutoff frequency using an |
| Low Band |
| These specify each level of the Low, Mid, | ||||||||
LFO. It allows you to make drastic changes in the frequency |
| Level | dB |
| and High frequency ranges. | |||||||
| Mid Band |
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response of the input signal by the cutoff frequency and |
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| dB is equivalent to the input level of the | ||||||||
feedback, making the sound brighter or darker, or giving it a |
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| sound. |
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| Hi Band |
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distinctive character. |
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Parameter |
| Value | Description |
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| AP Low Sw | OFF, ON |
| Turns the | |||
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| for the Low frequency ranges. | ||
Cutoff Freq |
| Basic frequency of the filter |
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| When turned on, the | |||||
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| The LFO will control the cutoff |
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| stereo sound is inverted and added to the | |||
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| frequency with this value as its |
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| signal. |
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| maximum level. |
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| AP Low |
| Adjusts the level settings for the Low fre- | ||||
Resonance |
| Filter’s resonance level |
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| Level |
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| Raising the setting increases |
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| Adjusting this level for certain frequencies | |||
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| resonance near the cutoff fre- |
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| allows you to lend emphasis to specific | |||
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| quency, producing a uniquely |
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| parts. (This is effective only for stereo | |||
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| characteristic sound. |
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| source.) |
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Band Mode |
| LOW, MID, | Frequency range to which the |
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| AP Mid Sw | OFF, ON |
| Settings of the | ||||||
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| HIGH, | filter will be applied |
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| LOW+MID, | LOW: low frequency band |
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| AP Mid |
| Middle frequency ranges | ||||
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| The parameters are the same as for the | |||||||
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| MID+HIGH, | MID: |
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| Low frequency ranges. |
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| ALL | HIGH: high frequency |
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| LOW+MID: low and middle |
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| Filter Type | Type of filter |
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| range frequency |
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| THRU: no filter is used |
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| MID+HIGH: middle and high |
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| LPF: Passes frequencies below the Cutoff. | |||||
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| range frequency |
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| BPF: Passes frequencies near the Cutoff. | |||||
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| ALL: all ranges |
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| HPF: Passes frequencies above the Cutoff. | |||||
Sweep Wave- |
| TRI, SAWUP, | LFO waveform |
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| NOTCH: Passes frequencies other than those near the | |||||
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| Cutoff. |
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form |
| SAWDN, SQR | TRI: Triangle wave |
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| SAWUP: Sawtooth Wave |
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| Level |
| Level |
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| SAWDN: Sawtooth Wave |
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| SQR: Square wave |
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| SAWUP | SAWDN |
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| Freq. | Freq. |
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| LPF | HPF |
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| Level |
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Sweep Rate |
| Frequency of the LFO modula- |
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| Freq. | Freq. |
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Sweep Depth |
| Modulation depth of the LFO |
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Balance |
| DRY100:0WET– | Volume balance between the |
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| BPF | NOTCH |
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| DRY0:100WET | direct sound (DRY) and the ef- |
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| fect sound (WET) |
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| Filter Slope |
| Filter’s attenuation slope | ||||
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04: Isolator and Filter |
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| Filter Cut- |
| Cutoff frequency of the filter | |||||||||
A |
| off |
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| The closer to zero it is set, the lower the | ||||||
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| cutoff frequency becomes; set it closer to | |||||||
stereo in series. |
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| 127, and the cutoff frequency becomes | |||
Isolator is an equalizer which cuts the volume greatly, |
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| higher. |
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| Filter Reso- |
| Resonance level of the filter | |||||||||
allowing you to add a special effect to the sound by cutting the |
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| nance |
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| Raising the setting increases resonance | |||||||
volume in varying ranges. |
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| near the cutoff frequency, giving the | |||||
The filters allow you to modify the frequency response of the |
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| sound a special characteristic. | |||||||
input sound widely and give sound a character. |
| Filter Gain | 0– +24 |
| Compensates for the volume dropped in | |||||||
The low booster emphasizes the bottom to create a heavy bass |
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| dB |
| the cut frequency range with some filters. | |||||||
sound. |
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| The level of compensation increases as the | |||
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| value is increased, and raise the volume. | ||||
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| LowBoost |
| Increasing this value gives you a heavier | ||||
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| Level | dB |
| low end. |
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| * Depending on the Isolator and filter set- | ||
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| tings this effect may be hard to distin- | ||
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| guish. |
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