Roland VC-2 owner manual Resonant Filter, Isolator and Filter

Page 44

Effects List

03: Resonant Filter

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

Value

 

Description

 

 

 

 

 

 

 

 

 

 

It allows for cyclical control of the cutoff frequency using an

 

Low Band

-60– +4

 

These specify each level of the Low, Mid,

LFO. It allows you to make drastic changes in the frequency

 

Level

dB

 

and High frequency ranges.

 

Mid Band

 

 

 

At -60 dB, the sound becomes inaudible. 0

response of the input signal by the cutoff frequency and

 

 

 

 

 

 

 

 

dB is equivalent to the input level of the

feedback, making the sound brighter or darker, or giving it a

 

Level

 

 

 

 

 

 

 

sound.

 

 

 

Hi Band

 

 

 

 

 

distinctive character.

 

 

 

 

 

 

 

 

 

 

 

 

Level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

 

Value

Description

 

 

AP Low Sw

OFF, ON

 

Turns the Anti-Phase function on and off

 

 

 

 

 

 

 

 

 

 

for the Low frequency ranges.

Cutoff Freq

 

50–20000 Hz

Basic frequency of the filter

 

 

 

 

 

 

 

 

 

 

 

 

When turned on, the counter-channel of

 

 

 

The LFO will control the cutoff

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

stereo sound is inverted and added to the

 

 

 

frequency with this value as its

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

signal.

 

 

 

 

 

maximum level.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AP Low

0–127

 

Adjusts the level settings for the Low fre-

Resonance

 

0–127

Filter’s resonance level

 

 

 

 

Level

 

 

 

quency ranges.

 

 

 

 

 

Raising the setting increases

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Adjusting this level for certain frequencies

 

 

 

resonance near the cutoff fre-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

allows you to lend emphasis to specific

 

 

 

quency, producing a uniquely

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

parts. (This is effective only for stereo

 

 

 

characteristic sound.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

source.)

 

 

Band Mode

 

LOW, MID,

Frequency range to which the

 

 

 

 

 

 

 

 

 

 

 

AP Mid Sw

OFF, ON

 

Settings of the Anti-Phase function for the

 

 

HIGH,

filter will be applied

 

 

 

 

 

LOW+MID,

LOW: low frequency band

 

 

AP Mid

0–127

 

Middle frequency ranges

 

 

 

 

 

The parameters are the same as for the

 

 

MID+HIGH,

MID: mid-range frequency

 

 

Level

 

 

 

 

 

 

 

 

 

 

Low frequency ranges.

 

 

 

 

ALL

HIGH: high frequency

 

 

 

 

 

 

 

 

 

 

 

LOW+MID: low and middle

 

 

Filter Type

Type of filter

 

 

 

 

 

range frequency

 

 

 

THRU: no filter is used

 

 

 

 

 

MID+HIGH: middle and high

 

 

 

LPF: Passes frequencies below the Cutoff.

 

 

 

range frequency

 

 

 

BPF: Passes frequencies near the Cutoff.

 

 

 

ALL: all ranges

 

 

 

HPF: Passes frequencies above the Cutoff.

Sweep Wave-

 

TRI, SAWUP,

LFO waveform

 

 

 

NOTCH: Passes frequencies other than those near the

 

 

 

 

Cutoff.

 

 

 

 

form

 

SAWDN, SQR

TRI: Triangle wave

 

 

 

 

 

 

 

 

 

 

SAWUP: Sawtooth Wave

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Level

 

Level

 

 

 

 

 

SAWDN: Sawtooth Wave

 

 

 

 

 

 

 

 

 

 

 

 

SQR: Square wave

 

 

 

 

 

 

 

 

 

 

 

SAWUP

SAWDN

 

 

 

 

 

 

Freq.

Freq.

 

 

 

 

 

 

 

 

 

 

LPF

HPF

 

 

 

 

 

 

 

 

 

Level

 

Level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sweep Rate

 

0.05–10.0 Hz,

Frequency of the LFO modula-

 

 

 

 

 

 

 

 

 

 

 

note

tion

 

 

 

 

 

 

Freq.

Freq.

 

Sweep Depth

 

0–127

Modulation depth of the LFO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Balance

 

DRY100:0WET–

Volume balance between the

 

 

 

 

 

BPF

NOTCH

 

 

 

DRY0:100WET

direct sound (DRY) and the ef-

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

fect sound (WET)

 

 

Filter Slope

-12, -24

 

Filter’s attenuation slope

 

 

 

 

 

 

 

dB/O

 

-24 dB per octave: steep

 

 

 

 

 

 

 

04: Isolator and Filter

 

 

 

 

 

-12 dB per octave: gentle

 

Filter Cut-

0–127

 

Cutoff frequency of the filter

A 3-band isolator, filter, and low booster are connected in

 

off

 

 

 

The closer to zero it is set, the lower the

 

 

 

 

 

cutoff frequency becomes; set it closer to

stereo in series.

 

 

 

 

 

 

 

 

127, and the cutoff frequency becomes

Isolator is an equalizer which cuts the volume greatly,

 

 

 

 

 

higher.

 

 

 

Filter Reso-

0–127

 

Resonance level of the filter

allowing you to add a special effect to the sound by cutting the

 

 

 

nance

 

 

 

Raising the setting increases resonance

volume in varying ranges.

 

 

 

 

 

 

 

 

 

 

 

 

 

near the cutoff frequency, giving the

The filters allow you to modify the frequency response of the

 

 

 

 

 

 

 

 

 

 

sound a special characteristic.

input sound widely and give sound a character.

 

Filter Gain

0– +24

 

Compensates for the volume dropped in

The low booster emphasizes the bottom to create a heavy bass

 

 

dB

 

the cut frequency range with some filters.

sound.

 

 

 

 

 

 

 

 

The level of compensation increases as the

 

 

 

 

 

 

 

 

value is increased, and raise the volume.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LowBoost

-15– +15

 

Increasing this value gives you a heavier

 

 

 

 

 

 

Level

dB

 

low end.

 

 

 

 

 

 

 

 

 

 

 

 

* Depending on the Isolator and filter set-

 

 

 

 

 

 

 

 

 

 

tings this effect may be hard to distin-

 

 

 

 

 

 

 

 

 

 

guish.

 

 

44

Image 44
Contents 03897845 ’05-3-1N Page Page Table of Contents Table of Contents Main Features Conventions Used in This ManualAbout the VC-2 Internal StructurePatch Algorithms Memory Structure ProjectWork Area/Temporary Area Internal Memory / PC CardVolume MIC SwitchPanel Descriptions InputKEY PAD Button Power Switch Display14 E1-E8 knobs PC Card SlotMidi Connectors IN, OUT, Thru AC InletInput Jacks L, R Direct OUT Jacks L, RMaking connections Connect your mic to the front panel MIC jackStarting up VC-2 Fig.Q-02.eTry Out the Sound Patch mode Top Screen of Patch ModeSelecting a Patch Selecting Patches with the Value dialUsing buttons to select patches PlayingEnabling or Disabling Beep ToneParameters in the Top Screen Common to all patch algorithmsIf the patch algorithm is Modeling~ If the patch algorithm is Vocoder~If the patch algorithm is Keyboard~ If the patch algorithm is Processor TypeChanging the Pitch Patch Tune Basic Procedure for Patch EditingCreating Patches Source, select the type of data that you want to transmit Transmitting Data to an External Midi Device Data TransferPulldown menu, touch Data Transfer Auditioning the Save-Destination Patch Compare Naming a Patch Patch NameSaving Patches Patch Write Patch Controller Copy Copying Patch Controller SettingsDeleting Patches Patch Delete System MIC Setting Screen Top ScreenPRE-EFX Type Pre-Effect Types NS-COMPOFF NS-LIMITCarrier Screen Noise SUPOSC OSC 1/OSC INF1Pitch OSC1 Pitch OSC2 PitchGlide VibratoKEY Assign PortamentoWave Screen Carrier Screen for Processor~Vocoder Screen Poly Pitch Shifter ScreenPitch / EQ Growl / TVA / Ctrl ControllerPoly Pitch Shifter Effect Screen RoutingMFX CHOREV MFX TypeUsing Waves Wave Mode Importing Individual Wave Files Wave ImportUsing the Wave Browser Copying a Wave Wave CopyMoving a Wave Wave Move Exchanging a Wave Wave ExchangeHow to Make the System Function Settings WriteInit Touch SystemSettings Common to the Entire System Common Master Functions of System ParametersViewing VC-2’s Information Information Pulldown menu, touch InfoMIDI/USB Chord MemoryBreath Controller Settings ControllerAudio I/F Saving a Project on Disk Save Project Loading a Project from Disk Load ProjectFactory Reset screen appears Touch Factory ResetTouch Execute to execute the Factory Reset Backing Up Data to Your Computer USB Mode Effects List MFX ParametersParametric EQ Parametric Equalizer Graphic EQ Graphic EqualizerResonant Filter Isolator and FilterSpecifications of each Speaker Type Distortion / ODDistortion / Overdrive Amp Simulator Guitar AmpRecommended combination of pre-amp and speaker Auto WahHumanizer Tape Echo Simulator Stereo DelayDynamic Processor Stereo Dynamic Processor Multi Tap Delay Effect has five delays. Each of the Delay Time parametersCan also set the panning and level of each delay sound REO, AlterVocal Echo Reverse DelayBand Pass Delay Digital Chorus Analog Delay→ChorusDelay Pan Type Space Chorus Hexa ChorusAnalog Flanger Boss FlangerAnalog Phaser Step FlangerRotary Digital PhaserTremolo/Auto Pan Signal up to one octave up or down 28 OD/DS→Cho/Flg OverdriveDistortion→Chorus/Flanger Stereo Pitch Shifter29 OD/DS→Delay Overdrive/Distortion→Delay30 Cho/Flg→Delay Chorus/Flanger→Delay32 Enh→Delay Enhancer→Delay 31 Enh→Cho/FlgEnhancer→Chorus/Flanger Vocal MultiHPF Guitar MultiLPF Thru Bass Multi 36 E.Piano MultiKeyboard Multi PhonographRadio Tuning Bit Rate ConverterPseudo Stereo This effect reproduces the sound of an AM radio playingChorus Parameters Chorus ParametersChorus Type Reverb Parameters Stereo PlateStereo OperaHouse Stereo StudioSpringStereo Echoes Stereo RoomStereo Cathedral Stereo ChurchRoom Hall Hall Garage Specifications Midi Implementation Chart Index CHOSystem mode Temporary Area VolumeREV Type Reverb type Save Project