Roland VC-2 owner manual Guitar Multi, LPF Thru, Hpf

Effects List

Parameter	Value	Description
Enhan Sens	0–127	Sensitivity of the enhancer
Enhan Fre-	0–127	Sets the lower limit of the frequen-
quency		cies to which the enhancement ef-
		fect is added.
Enhan Mix	0–127	Level of the overtones generated
Level		by the enhancer
Enhan Level	0–127	Volume of the enhancer sound
EQ Low Freq	50–4000 Hz	Frequency of the low range
EQ Low Gain	-15– +15 dB	Gain of the low range
EQ Mid Freq	50–20000 Hz	Frequency of the middle range
EQ Mid Q	0.5, 0.7, 1.0, 2.0,	Gain of the middle range
	4.0, 8.0	Set a higher value for Q to narrow
		the range to be affected.
EQ Mid Gain	-15– +15 dB	Gain of the middle range
EQ Hi Freq	2000–20000 Hz	Frequency of the high range
EQ Hi Gain	-15– +15 dB	Gain of the high range
Delay Time	0–1300 ms,	Adjusts the delay time from the di-
	note	rect sound until the delay sound is
		heard.
Delay Feed-	-98– +98 %	Adjusts the proportion of the de-
back		lay sound that is fed back into the
		effect. Negative (-) settings will in-
		vert the phase.
Low Damp	50–4000 Hz	Adjusts the frequency below
Freq		which sound fed back to the effect
		will be cut.
		The Low Damp function damps
		the low frequency band of the de-
		lay sound quicker than other
		bands, which makes for a clearer
		delay effect.
Low Damp	-36–0 dB	Degree of Low Damp
Gain
Hi Damp	2000–20000 Hz	Adjusts the frequency above
Freq		which sound fed back to the effect
		will be cut.
		High Damp, by attenuating the
		higher frequencies first, makes the
		delay sound more natural.
Hi Damp	-36–0 dB	Degree of High Damp
Gain
Delay Level	0–127	Volume of the delay sound.

34: Guitar Multi

Guitar Multi provides Comp/Limiter, Overdrive or Distortion, Chorus or Flanger, and Delay effects connected in series.

Parameter	Value	Description
Comp Sw	OFF, ON	Turns the comp/limiter on/off.
Comp	-60–0 dB	Sets the volume level at which the
Threshold		compression begins.
Comp At-	0–127	Sets the time after the sound vol-
tack		ume is crossed the compressor
		threshold until compression be-
		gins.

Parameter	Value	Description
Comp Re-	0–127	Specifies the time from when the
lease		volume drops below the compres-
		sor threshold until compression is
		no longer applied.
Comp Ratio	1.5:1, 2:1, 4:1,	Sets the “source sound:output
	100:1	sound” compression ratio.
Comp Gain	-60– +12 dB	Adjusts the output gain.
Od/Ds Sw	OFF, ON	Selects whether to use overdrive or
		distortion.
Drive Mode	OD, DS	Selects whether to use overdrive
		(OD) or distortion (DS).
Drive	0–127	Degree of distortion
Amp Sim Sw	OFF, ON	Turns the amp simulator on/off.
Amp Type	SMALL,	Type of guitar amp
	BUILT-IN,	SMALL: small amp
	2-STACK,	BUILT-IN: single-unit type amp
	3-STACK	2-STACK: large double stack amp
		3-STACK: large triple stack amp
Distortion	0–127	Volume of the overdrive or distor-
(DS) Level		tion sound.
Mod Mode	CHORUS,	Selects whether to use chorus or
	FLANGER	flanger.
Mod Rate	0.05–10.0 Hz,	Adjusts the speed of modulation
	note	for the chorus or flanger.
Mod Depth	0–127	Adjusts the depth of modulation
		for the chorus or flanger.
Mod Phase	0–180 deg	Sets how the chorus or flanger
		sound is spread.
Mod Pre De-	0–50.0 ms	Adjusts the delay time from the di-
lay		rect sound until the chorus or
		flanger sound is heard.
Mod Feed-	-98– +98 %	Adjusts the proportion of the effect
back		sound that is fed back into the ef-
		fect. Negative (-) settings will in-
		vert the phase.
Mod Xover-	500–15000 Hz,	Adjusts the cutoff frequency of the
LPF	THRU	low pass filter. (THRU: no filter is
		used)
Mod Xover-	THRU,	Adjusts the cutoff frequency of the
HPF	50–800 Hz	high pass filter. (THRU: no filter is
		used)
Mod Level	0–127	Volume of the chorus or flanger
		sound.
Delay Time	0–1300 ms,	Adjusts the delay time from the di-
	note	rect sound until the delay sound is
		heard.
Delay Feed-	-98– +98 %	Adjusts the proportion of the delay
back		sound that is fed back into the ef-
		fect. Negative (-) settings will in-
		vert the phase.
Hi Damp	500–15000 Hz,	Adjusts the frequency above which
Freq	THRU	sound fed back to the effect will be
		cut.
		High Damp, by attenuating the
		higher frequencies first, makes the
		delay sound more natural.
Delay Level	0–127	Volume of the delay sound.

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