Roland VC-2 28 OD/DS→Cho/Flg Overdrive, Distortion→Chorus/Flanger, Stereo Pitch Shifter

Page 54

Effects List

 

 

 

 

 

 

28: OD/DSCho/Flg (Overdrive/

Parameter

 

Value

Description

 

 

 

 

 

 

 

DistortionChorus/Flanger)

 

 

 

 

 

Balance

 

DRY100:0WET–

Volume balance between the di-

 

 

 

DRY0:100WET

rect sound (DRY) and the effect

 

 

This effect connects either Overdrive or Distortion and either

 

 

 

sound (WET)

 

 

Ps Low Freq

 

50–4000 Hz

Frequency of the low range

 

 

Chorus or Flanger.

 

Ps Low Gain

 

-15– +15 dB

Gain of the low range

 

 

 

 

 

 

 

 

Parameter

Value

Description

Ps Hi Freq

 

2000–20000 Hz

Frequency of the high range

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Drive Mode

OD, DS

Selects whether to use overdrive

Ps Hi Gain

 

-15– +15 dB

Gain of the high range

 

 

 

 

(OD) or distortion (DS).

 

 

 

 

 

 

Drive

0–127

Degree of distortion

27: Stereo Pitch Shifter

 

Amp Sim Sw

OFF, ON

Turns the amp simulator on/off.

 

Amp Type

SMALL,

Type of guitar amp

This effect features two pitch shifters arranged in parallel,

 

 

 

BUILT-IN,

SMALL: small amp

making it stereo compatible. It can shift the pitch of the input

 

 

2-STACK,

BUILT-IN: single-unit type amp

signal up to one octave up or down.

 

 

3-STACK

2-STACK: large double stack amp

 

 

 

3-STACK: large triple stack amp

 

 

 

 

 

 

 

 

Parameter

 

Value

Description

 

 

Distortion

0–127

Volume of the overdrive or distor-

 

 

 

 

 

 

(DS) Level

 

tion sound.

Input Mode

 

MONO,

Selects either stereo input or mon-

 

 

 

 

STEREO

aural input.

 

 

Mod Mode

CHORUS,

Selects whether to use chorus or

Grade

 

1–5

Sets the grade of the effect sound.

 

 

 

FLANGER

flanger.

 

 

 

The higher the value is set, the

 

 

Mod Rate

0.05–10.0 Hz,

Adjusts the speed of modulation

 

 

 

more natural-sounding can be ob-

 

 

 

note

for the chorus or flanger.

 

 

 

tained; however, this increases the

 

 

 

 

 

 

 

 

 

 

Mod Depth

0–127

Adjusts the depth of modulation

 

 

 

delay from the source sound as

 

 

 

 

 

 

 

 

 

for the chorus or flanger.

 

 

 

well.

 

 

 

 

 

 

 

 

 

Mod Phase

0–180 deg

Sets how the chorus or flanger

Coarse Pitch

 

-12– +12

Specifies the pitch shift amount in

 

 

 

 

 

 

 

sound is spread.

A/B

 

semitone

semitones for pitch shift A or B.

 

 

 

 

 

 

 

Mod Pre De-

0–50.0 ms

Adjusts the delay time from the di-

Fine Pitch A/

 

-100– +100

Adjusts the pitch shift amount in

 

 

 

 

 

lay

 

rect sound until the chorus or

B

 

cent

2-cent units (1 cent = 1/100 of a

 

 

 

 

 

 

 

 

flanger sound is heard.

 

 

 

semitone) for pitch shift A or B.

 

 

 

 

 

 

 

 

 

Mod Feed-

-98– +98 %

Adjusts the proportion of the effect

Pre Delay A/

 

0–500 ms

Adjusts the delay time from the di-

 

 

 

 

 

back

 

sound that is fed back into the ef-

B

 

 

rect sound until the pitch shift A

 

 

 

 

 

 

 

 

 

fect. Negative (-) settings will in-

 

 

 

or B sound is heard.

 

 

 

 

 

 

 

 

 

 

 

vert the phase.

Level A/B

 

0–127

Volume of the pitch shift A or B

 

 

 

 

 

 

 

 

Xover Low-

50–4000 Hz

Attenuates the effect in the range

 

 

 

sound.

 

 

 

 

 

 

 

Freq

 

below the specified frequency.

Pan A/B

 

L63–63R

Pan of the pitch shift A or B sound.

 

 

 

 

 

 

 

 

Xover Low

-36–0 dB

Specifies how greatly the low

Direct Level

 

0–127

Volume of the direct sound.

 

 

Gain

 

range will be attenuated.

Feedback

 

-98– +98 %

Adjusts the proportion of the pitch

 

 

Xover Hi-

2000–20000 Hz

Attenuates the effect in the range

 

 

 

shift sound that is fed back into the

 

 

Freq

 

above the specified frequency.

 

 

 

effect. Negative (-) settings will in-

 

 

Xover Hi

-36–0 dB

Specifies how greatly the high

 

 

 

vert the phase.

 

 

 

 

 

 

 

Gain

 

range will be attenuated.

Low Damp

 

50–4000 Hz

Adjusts the frequency below

 

 

 

 

 

 

 

 

Mod Level

0–127

Volume of the chorus or flanger

Freq

 

 

which sound fed back to the effect

 

 

 

 

 

 

 

 

sound.

 

 

 

will be cut.

 

 

 

 

 

 

 

 

 

Ps Low Freq

50–4000 Hz

Frequency of the low range

 

 

 

The Low Damp function damps

 

 

 

 

 

the low frequency band of the

 

 

Ps Low Gain

-15– +15 dB

Gain of the low range

 

 

 

pitch shift sound quicker than oth-

 

 

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

 

 

 

er bands.

 

 

 

 

 

 

 

Ps Hi Gain

-15– +15 dB

Gain of the high range

Low Damp

 

-36–0 dB

Degree of Low Damp

 

 

 

 

 

 

 

 

Gain

 

 

 

 

 

 

 

 

Hi Damp

 

2000–20000 Hz

Adjusts the frequency above

 

 

 

 

 

Freq

 

 

which sound fed back to the effect

 

 

 

 

 

 

 

 

will be cut.

 

 

 

 

 

 

 

 

High Damp, by attenuating the

 

 

 

 

 

 

 

 

higher frequencies first.

 

 

 

 

 

Hi Damp

 

-36–0 dB

Degree of High Damp

 

 

 

 

 

Gain

 

 

 

 

 

 

 

 

Ps Low Freq

 

50–4000 Hz

Frequency of the low range

 

 

 

 

 

Ps Low Gain

 

-15– +15 dB

Gain of the low range

 

 

 

 

 

Ps Hi Freq

 

2000–20000 Hz

Frequency of the high range

 

 

 

 

 

Ps Hi Gain

 

-15– +15 dB

Gain of the high range

 

 

 

 

 

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Contents 03897845 ’05-3-1N Page Page Table of Contents Table of Contents Main Features Conventions Used in This ManualAbout the VC-2 Internal StructurePatch Algorithms Work Area/Temporary Area Memory StructureProject Internal Memory / PC CardPanel Descriptions VolumeMIC Switch InputKEY PAD Button 14 E1-E8 knobs Power SwitchDisplay PC Card SlotInput Jacks L, R Midi Connectors IN, OUT, ThruAC Inlet Direct OUT Jacks L, RMaking connections Connect your mic to the front panel MIC jackStarting up VC-2 Fig.Q-02.eSelecting a Patch Try Out the Sound Patch modeTop Screen of Patch Mode Selecting Patches with the Value dialEnabling or Disabling Using buttons to select patchesPlaying Beep ToneIf the patch algorithm is Modeling~ Parameters in the Top ScreenCommon to all patch algorithms If the patch algorithm is Vocoder~If the patch algorithm is Keyboard~ If the patch algorithm is Processor TypeBasic Procedure for Patch Editing Creating PatchesChanging the Pitch Patch Tune Transmitting Data to an External Midi Device Data Transfer Pulldown menu, touch Data TransferSource, select the type of data that you want to transmit Naming a Patch Patch Name Saving Patches Patch WriteAuditioning the Save-Destination Patch Compare Copying Patch Controller Settings Deleting Patches Patch DeletePatch Controller Copy System MIC Setting Screen Top ScreenOFF PRE-EFX Type Pre-Effect TypesNS-COMP NS-LIMITOSC OSC 1/OSC Carrier ScreenNoise SUP INF1Glide Pitch OSC1 PitchOSC2 Pitch VibratoKEY Assign PortamentoWave Screen Carrier Screen for Processor~Vocoder Screen Poly Pitch Shifter ScreenController Poly Pitch ShifterPitch / EQ Growl / TVA / Ctrl Effect Screen RoutingREV MFXCHO MFX TypeUsing Waves Wave Mode Importing Individual Wave Files Wave ImportMoving a Wave Wave Move Using the Wave BrowserCopying a Wave Wave Copy Exchanging a Wave Wave ExchangeInit How to Make the System Function SettingsWrite Touch SystemViewing VC-2’s Information Information Settings Common to the Entire System Common MasterFunctions of System Parameters Pulldown menu, touch InfoMIDI/USB Chord MemoryController Settings Controller Audio I/FBreath Saving a Project on Disk Save Project Loading a Project from Disk Load ProjectTouch Factory Reset Touch Execute to execute the Factory ResetFactory Reset screen appears Backing Up Data to Your Computer USB Mode Parametric EQ Parametric Equalizer Effects ListMFX Parameters Graphic EQ Graphic EqualizerResonant Filter Isolator and FilterDistortion / Overdrive Specifications of each Speaker TypeDistortion / OD Amp Simulator Guitar AmpAuto Wah HumanizerRecommended combination of pre-amp and speaker Stereo Delay Dynamic Processor Stereo Dynamic ProcessorTape Echo Simulator Can also set the panning and level of each delay sound Multi Tap DelayEffect has five delays. Each of the Delay Time parameters REO, AlterReverse Delay Band Pass DelayVocal Echo Analog Delay→Chorus Delay Pan TypeDigital Chorus Analog Flanger Space Chorus Hexa Chorus Boss FlangerAnalog Phaser Step FlangerDigital Phaser Tremolo/Auto PanRotary Distortion→Chorus/Flanger Signal up to one octave up or down28 OD/DS→Cho/Flg Overdrive Stereo Pitch Shifter30 Cho/Flg→Delay 29 OD/DS→DelayOverdrive/Distortion→Delay Chorus/Flanger→DelayEnhancer→Chorus/Flanger 32 Enh→Delay Enhancer→Delay31 Enh→Cho/Flg Vocal MultiGuitar Multi LPF ThruHPF Bass Multi 36 E.Piano MultiKeyboard Multi PhonographPseudo Stereo Radio TuningBit Rate Converter This effect reproduces the sound of an AM radio playingChorus Parameters Chorus TypeChorus Parameters Stereo OperaHouse Reverb ParametersStereo Plate Stereo StudioSpringStereo Cathedral Stereo EchoesStereo Room Stereo ChurchRoom Hall Hall Garage Specifications Midi Implementation Chart Index CHOREV Type System mode Temporary AreaVolume Reverb type Save Project