|
|
|
|
|
|
|
|
|
|
| Effects List |
24: Digital Phaser |
|
|
|
|
|
|
|
|
| ||
|
|
|
|
|
|
|
|
| |||
|
|
|
|
| Parameter | Value |
| Description | |||
|
|
|
|
|
| ||||||
Phaser is an effect that adds a |
| Speed | SLOW, FAST |
| Simultaneously switch the rota- | ||||||
original sound to create |
|
|
|
| tional speed of the low frequency | ||||||
|
|
|
| rotor and high frequency rotor | |||||||
sound. |
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
| SLOW: Slows down the rotation to | |
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
| the Slow Rate. |
Parameter | Value | Description |
|
|
|
| |||||
|
|
|
|
| FAST: Speeds up the rotation to the | ||||||
|
|
|
|
|
|
|
|
|
|
| |
Shift Mode | 4STAGE, | Sets the number of stages in the |
|
|
|
| |||||
|
|
|
|
| Fast Rate. | ||||||
| 8STAGE | phase shift circuit (four (4STAGE) |
|
|
|
|
|
| |||
|
|
| Low Slow |
| Slow speed (SLOW) of the low fre- | ||||||
|
|
| or eight (8STAGE)). |
|
|
| |||||
|
|
|
|
| Rate | note |
| quency rotor | |||
|
|
| Setting this to eight stages |
|
|
| |||||
|
|
|
|
| Low Fast |
| Fast speed (FAST) of the low fre- | ||||
|
|
| (8STAGE) increases the number of |
|
|
| |||||
|
|
| the frequency points that sound is |
|
| Rate | note |
| quency rotor | ||
|
|
| canceled, giving a sharper effect. |
|
| Low Accel- |
| Adjusts the time it takes the low | |||
| Level |
|
|
|
|
| eration |
|
| frequency rotor to reach the newly | |
| 4 stage |
|
|
|
|
| selected speed when switching | ||||
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
| from fast to slow (or slow to fast) |
|
|
|
|
|
|
|
|
|
|
| speed. |
|
|
|
| Freq. |
|
| Low Level |
| Volume of the low frequency rotor | ||
|
|
|
|
| |||||||
|
|
|
|
|
| Hi Slow |
| Slow speed (SLOW) of the high fre- | |||
|
|
|
|
|
|
|
|
| |||
| Level | 8 stage |
|
| Rate | note |
| quency rotor | |||
|
|
|
|
| Hi Fast Rate |
| Fast speed (FAST) of the high fre- | ||||
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
| note |
| quency rotor |
|
|
|
|
|
|
|
| Hi Accelera- |
| Adjusts the time it takes the high | |
|
|
|
| Freq. |
|
| tion |
|
| frequency rotor to reach the newly | |
|
|
|
|
|
| ||||||
|
|
|
|
|
|
|
|
|
|
| selected speed when switching |
Manual | Specifies the center frequency at |
|
|
|
| ||||||
|
|
|
|
| from fast to slow (or slow to fast) | ||||||
|
|
| which the sound is modulated. |
|
|
|
|
| |||
|
|
|
|
|
|
|
| speed. | |||
Rate | Specifies the frequency of modula- |
|
|
|
|
|
| ||||
|
| Hi Level |
| Volume of the high frequency rotor | |||||||
| note | tion. |
|
|
| ||||||
|
|
| Separation |
| Spatial dispersion of the sound | ||||||
Depth | Specifies the depth of modulation. |
|
|
| |||||||
|
| Ps Low Freq |
| Frequency of the low range | |||||||
Phase | NORM, INV | Sets the phase of both left and right |
|
|
| ||||||
|
| Ps Low Gain |
| Gain of the low range | |||||||
|
|
| swelling. |
|
|
| |||||
|
|
| NORM: The left and right phase |
|
| Ps Hi Freq |
| Frequency of the high range | |||
|
|
| will be the same. |
|
| Ps Hi Gain |
| Gain of the high range | |||
|
|
| INV: The left and right phase will |
|
|
| |||||
|
|
|
|
|
|
|
|
| |||
|
|
| be opposite. |
|
| 26: Tremolo/Auto Pan | |||||
Resonance | Specifies the amount of feedback |
|
| ||||||||
|
|
| for the phaser. |
|
| This is a stereo tremolo or | |||||
|
|
| Higher settings will give the sound |
|
| ||||||
|
|
| a stronger character. |
|
| modulates the volume to add tremolo effect to the sound. The | |||||
Mix Level | Volume of the |
|
| Auto Pan effect cyclically modulates the stereo location of the | |||||||
|
|
| relative to the direct sound |
|
| sound. |
|
|
| ||
Ps Low Freq | Frequency of the low range |
|
|
|
|
| |||||
|
|
|
|
|
| ||||||
|
|
|
|
|
|
|
| Parameter | Value |
| Description |
Ps Low Gain | Gain of the low range |
| |||||||||
|
|
|
|
|
| ||||||
|
|
|
|
|
|
|
| Mode | TREMOLO, |
| Selects whether to use tremolo or |
Ps Hi Freq | Frequency of the high range |
| |||||||||
|
|
| AUTO PAN |
| auto pan. | ||||||
Ps Hi Gain | Gain of the high range |
|
|
|
| ||||||
|
| Waveform | TRI, SAWUP, |
| Selects the type of modulation. | ||||||
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
| SAWDN, SQR, |
| TRI: Triangle wave |
25: Rotary |
|
|
|
|
|
| SIN |
| SAWUP/SAWDN: Sawtooth | ||
|
|
|
|
|
|
|
| Wave | |||
The Rotary effect simulates the sound of the rotary speakers |
|
|
|
| SQR: Square wave | ||||||
|
|
|
| SIN: Sine wave | |||||||
often used with the electric organs of the past. Since the |
|
|
|
| |||||||
|
| SAWUP |
| SAWDN | |||||||
movement of the high range and low range rotors can be set |
|
|
| ||||||||
independently, the unique type of modulation characteristic |
|
|
|
|
| ||||||
of these speakers can be simulated quite closely. This effect is |
|
|
|
|
| ||||||
most suitable for electric organ Patches. |
|
|
|
|
| ||||||
|
|
|
|
|
|
|
| Rate |
| Frequency of modulation | |
|
|
|
|
|
|
|
|
| note |
|
|
|
|
|
|
|
|
|
| Depth |
| Depth of modulation | |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
53