Roland VC-2 owner manual Auto Wah, Humanizer, Recommended combination of pre-amp and speaker

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Effects List

Type

Cabinet

Speaker

Microphone

 

 

 

 

MIDDLE

open back enclosure

12 x 1

dynamic

JC-120

open back enclosure

12 x 2

dynamic

BUILT IN 1

open back enclosure

12 x 2

dynamic

BUILT IN 2

open back enclosure

12 x 2

condenser

BUILT IN 3

open back enclosure

12 x 2

condenser

BUILT IN 4

open back enclosure

12 x 2

condenser

BUILT IN 5

open back enclosure

12 x 2

condenser

BG STACK 1

sealed enclosure

12 x 2

condenser

BG STACK 2

large sealed enclosure

12 x 2

condenser

MS STACK 1

large sealed enclosure

12 x 4

condenser

MS STACK 2

large sealed enclosure

12 x 4

condenser

METAL

large double stack

12 x 4

condenser

STACK

 

 

 

Recommended combination of pre-amp and speaker

Amp type

Speaker type

 

 

BG LEAD

BG STACK 1–2, MIDDLE

MS1959 II

BG STACK 1–2, METAL STACK

MS1959 I+II

BG STACK 1–2, METAL STACK

SLDN LEAD

BG STACK 1–2, METAL STACK

METAL 5150

BG STACK 1–2, METAL STACK

METAL LEAD

BG STACK 1–2, METAL STACK

OD-2 TURBO

BUILT IN 1–4

DISTORTION

BUILT IN 1–4

FUZZ

BUILT IN 1–4

07: Auto Wah

Wah is an effect that modifies the frequency characteristics of a filter over time, producing a unique tone. The wah effect can change in relation to the volume of the input signal, and/or cyclically.

Parameter

Value

Description

 

 

 

Filter Type

LPF, BPF

Type of filter

 

 

LPF: The wah effect will be applied

 

 

over a wide frequency range.

 

 

BPF: The wah effect will be applied

 

 

over a narrow frequency range

Polarity

DOWN, UP

When using the volume of the in-

 

 

put signal to control the wah effect,

 

 

this setting determines whether the

 

 

frequency of the filter will be

 

 

moved upward (UP) or downward

 

 

(DOWN).

Frequency

0–127

Adjusts the frequency at which the

 

 

wah effect will apply.

Peak

0–127

Adjusts the amount of the wah ef-

 

 

fect that will occur in the range of

 

 

the center frequency.

 

 

Set a higher value for Q to narrow

 

 

the range to be affected.

Trigger Sens

0–127

Adjusts the sensitivity with which

 

 

the wah effect is controlled.

Parameter

Value

Description

 

 

 

Rate

0.05–10.0 Hz,

Frequency of modulation

 

note

 

Depth

0–127

Depth of modulation

Ps Low Freq

50–4000 Hz

Frequency of the low range

Ps Low Gain

-15– +15 dB

Gain of the low range

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

Ps Hi Gain

-15– +15 dB

Gain of the high range

08: Humanizer

This adds a vowel character to the sound, making it similar to a human voice.

Parameter

Value

Description

 

 

 

Overdrive

OFF, ON

Turns Drive on/off.

Sw

 

 

Drive

0–127

Degree of distortion

Vowel 1

a, e, i, o, u

First vowel

Vowel 2

a, e, i, o, u

Second vowel

Rate

0.05–10.0 Hz,

Frequency at which the two vowels

 

note

will be switched

Depth

0–127

Effect depth

 

 

With a setting of 0, it will be fixed at

 

 

Vowel 1.

Trigger Sens

-60–0 dB, LFO

Level at which the two vowels will

 

 

be switched

 

 

-60–0 dB: When the specified level

 

 

is exceeded, the sound will change

 

 

to the other vowel at the frequency

 

 

(speed) specified by Rate.

 

 

LFO: The two vowel sounds will al-

 

 

ternate at the frequency specified

 

 

by Rate, regardless of the level.

Ps Low Freq

50–4000 Hz

Frequency of the low range

Ps Low Gain

-15– +15 dB

Gain of the low range

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

Ps Hi Gain

-15– +15 dB

Gain of the high range

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Contents 03897845 ’05-3-1N Page Page Table of Contents Table of Contents Main Features Conventions Used in This ManualAbout the VC-2 Internal StructurePatch Algorithms Work Area/Temporary Area Memory StructureProject Internal Memory / PC CardPanel Descriptions VolumeMIC Switch InputKEY PAD Button 14 E1-E8 knobs Power SwitchDisplay PC Card SlotInput Jacks L, R Midi Connectors IN, OUT, ThruAC Inlet Direct OUT Jacks L, RMaking connections Connect your mic to the front panel MIC jackStarting up VC-2 Fig.Q-02.eSelecting a Patch Try Out the Sound Patch modeTop Screen of Patch Mode Selecting Patches with the Value dialEnabling or Disabling Using buttons to select patchesPlaying Beep ToneIf the patch algorithm is Modeling~ Parameters in the Top ScreenCommon to all patch algorithms If the patch algorithm is Vocoder~If the patch algorithm is Keyboard~ If the patch algorithm is Processor TypeCreating Patches Basic Procedure for Patch EditingChanging the Pitch Patch Tune Pulldown menu, touch Data Transfer Transmitting Data to an External Midi Device Data TransferSource, select the type of data that you want to transmit Saving Patches Patch Write Naming a Patch Patch NameAuditioning the Save-Destination Patch Compare Deleting Patches Patch Delete Copying Patch Controller SettingsPatch Controller Copy System MIC Setting Screen Top ScreenOFF PRE-EFX Type Pre-Effect TypesNS-COMP NS-LIMITOSC OSC 1/OSC Carrier ScreenNoise SUP INF1Glide Pitch OSC1 PitchOSC2 Pitch VibratoKEY Assign PortamentoWave Screen Carrier Screen for Processor~Vocoder Screen Poly Pitch Shifter ScreenPoly Pitch Shifter ControllerPitch / EQ Growl / TVA / Ctrl Effect Screen RoutingREV MFXCHO MFX TypeUsing Waves Wave Mode Importing Individual Wave Files Wave ImportMoving a Wave Wave Move Using the Wave BrowserCopying a Wave Wave Copy Exchanging a Wave Wave ExchangeInit How to Make the System Function SettingsWrite Touch SystemViewing VC-2’s Information Information Settings Common to the Entire System Common MasterFunctions of System Parameters Pulldown menu, touch InfoMIDI/USB Chord MemoryAudio I/F Controller Settings ControllerBreath Saving a Project on Disk Save Project Loading a Project from Disk Load ProjectTouch Execute to execute the Factory Reset Touch Factory ResetFactory Reset screen appears Backing Up Data to Your Computer USB Mode Parametric EQ Parametric Equalizer Effects ListMFX Parameters Graphic EQ Graphic EqualizerResonant Filter Isolator and FilterDistortion / Overdrive Specifications of each Speaker TypeDistortion / OD Amp Simulator Guitar AmpHumanizer Auto WahRecommended combination of pre-amp and speaker Dynamic Processor Stereo Dynamic Processor Stereo DelayTape Echo Simulator Can also set the panning and level of each delay sound Multi Tap DelayEffect has five delays. Each of the Delay Time parameters REO, AlterBand Pass Delay Reverse DelayVocal Echo Delay Pan Type Analog Delay→ChorusDigital Chorus Analog Flanger Space ChorusHexa Chorus Boss FlangerAnalog Phaser Step FlangerTremolo/Auto Pan Digital PhaserRotary Distortion→Chorus/Flanger Signal up to one octave up or down28 OD/DS→Cho/Flg Overdrive Stereo Pitch Shifter30 Cho/Flg→Delay 29 OD/DS→DelayOverdrive/Distortion→Delay Chorus/Flanger→DelayEnhancer→Chorus/Flanger 32 Enh→Delay Enhancer→Delay31 Enh→Cho/Flg Vocal MultiLPF Thru Guitar MultiHPF Bass Multi 36 E.Piano MultiKeyboard Multi PhonographPseudo Stereo Radio TuningBit Rate Converter This effect reproduces the sound of an AM radio playingChorus Type Chorus ParametersChorus Parameters Stereo OperaHouse Reverb ParametersStereo Plate Stereo StudioSpringStereo Cathedral Stereo EchoesStereo Room Stereo ChurchRoom Hall Hall Garage Specifications Midi Implementation Chart Index CHOREV Type System mode Temporary AreaVolume Reverb type Save Project