Roland VC-2 owner manual Hall

Page 66

Effects List

12: Hall 2

Simulates the reverberation in a concert hall. This is suitable for simulating a smaller room, and produces a clear reverberation.

Parameter

Value

Description

 

 

 

Pre Low Freq

50–4000 Hz

Frequency of the low range

Pre Low Gain

-15– +15 dB

Gain of the low range

Pre Mid Freq

50–20000 Hz

Frequency of the middle range

Pre Mid Q

0.5, 0.7, 1.0, 2.0,

Width of the middle range

 

4.0, 8.0

Set a higher value for Q to nar-

 

 

row the range to be affected.

Pre Mid Gain

-15– +15 dB

Gain of the middle range

Pre Hi Freq

2000–20000 Hz

Frequency of the high range

Pre Hi Gain

-15– +15 dB

Gain of the high range

Rev Time

0.06–64.0 sec

Duration (time) of the reverb

Pre Dly Time

0–200.0 ms

Adjusts the delay time from the

 

 

direct sound until the reverb

 

 

sound is heard.

Density

0–99

Density of the reverb

Room Size

1–10

Size of the room which is simu-

 

 

lated

Early Ref Lev-

0–99

Volume level of the initial reflect-

el

 

ed sound

Low Damp

50–4000 Hz

Adjusts the frequency below

Freq

 

which sound fed back to the ef-

 

 

fect will be cut.

 

 

The Low Damp function damps

 

 

the low frequency band of the re-

 

 

verb sound quicker than other

 

 

bands.

Low Damp

-36–0 dB

Degree of Low Damp

Gain

 

 

Hi Damp Freq

2000–20000 Hz

Adjusts the frequency above

 

 

which sound fed back to the ef-

 

 

fect will be cut.

 

 

High Damp, by attenuating the

 

 

higher frequencies first.

Hi Damp Gain

-36–0 dB

Degree of High Damp

Post HC Freq

160–15000 Hz,

Frequency at which the high cut

 

THRU

filter will begin to take effect

 

 

(THRU: no filter is used)

13: Hall 3

Simulates the reverberation in a concert hall. This is suitable for simulating a fairly large room, and produces reverberation with a strong mid and low range.

Parameter

Value

Description

 

 

 

Pre Low Freq

50–4000 Hz

Frequency of the low range

Pre Low Gain

-15– +15 dB

Gain of the low range

Pre Mid Freq

50–20000 Hz

Frequency of the middle range

Pre Mid Q

0.5, 0.7, 1.0, 2.0,

Width of the middle range

 

4.0, 8.0

Set a higher value for Q to nar-

 

 

row the range to be affected.

Pre Mid Gain

-15– +15 dB

Gain of the middle range

Pre Hi Freq

2000–20000 Hz

Frequency of the high range

Pre Hi Gain

-15– +15 dB

Gain of the high range

Rev Time

0.06–64.0 sec

Duration (time) of the reverb

Pre Dly Time

0–200.0 ms

Adjusts the delay time from the

 

 

direct sound until the reverb

 

 

sound is heard.

Density

0–99

Density of the reverb

Room Size

1–8

Size of the room which is simu-

 

 

lated

Early Ref Lev-

0–99

Volume level of the initial reflect-

el

 

ed sound

Release Densi-

0–99

Density of the sound that reaches

ty

 

the listener after many repeated

 

 

reflections

Low Damp

50–4000 Hz

Adjusts the frequency below

Freq

 

which sound fed back to the ef-

 

 

fect will be cut.

 

 

The Low Damp function damps

 

 

the low frequency band of the re-

 

 

verb sound quicker than other

 

 

bands.

Low Damp

-36–0 dB

Degree of Low Damp

Gain

 

 

Hi Damp Freq

2000–20000 Hz

Adjusts the frequency above

 

 

which sound fed back to the ef-

 

 

fect will be cut.

 

 

High Damp, by attenuating the

 

 

higher frequencies first.

Hi Damp Gain

-36–0 dB

Degree of High Damp

Post HC Freq

160–15000 Hz,

Frequency at which the high cut

 

THRU

filter will begin to take effect

 

 

(THRU: no filter is used)

66

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Contents 03897845 ’05-3-1N Page Page Table of Contents Table of Contents Main Features Conventions Used in This ManualAbout the VC-2 Internal StructurePatch Algorithms Work Area/Temporary Area Memory StructureProject Internal Memory / PC CardPanel Descriptions VolumeMIC Switch InputKEY PAD Button 14 E1-E8 knobs Power SwitchDisplay PC Card SlotInput Jacks L, R Midi Connectors IN, OUT, ThruAC Inlet Direct OUT Jacks L, RMaking connections Connect your mic to the front panel MIC jackStarting up VC-2 Fig.Q-02.eSelecting a Patch Try Out the Sound Patch modeTop Screen of Patch Mode Selecting Patches with the Value dialEnabling or Disabling Using buttons to select patchesPlaying Beep ToneIf the patch algorithm is Modeling~ Parameters in the Top ScreenCommon to all patch algorithms If the patch algorithm is Vocoder~If the patch algorithm is Keyboard~ If the patch algorithm is Processor TypeBasic Procedure for Patch Editing Creating PatchesChanging the Pitch Patch Tune Transmitting Data to an External Midi Device Data Transfer Pulldown menu, touch Data TransferSource, select the type of data that you want to transmit Naming a Patch Patch Name Saving Patches Patch WriteAuditioning the Save-Destination Patch Compare Copying Patch Controller Settings Deleting Patches Patch DeletePatch Controller Copy System MIC Setting Screen Top ScreenOFF PRE-EFX Type Pre-Effect TypesNS-COMP NS-LIMITOSC OSC 1/OSC Carrier ScreenNoise SUP INF1Glide Pitch OSC1 PitchOSC2 Pitch VibratoKEY Assign PortamentoWave Screen Carrier Screen for Processor~Vocoder Screen Poly Pitch Shifter ScreenController Poly Pitch ShifterPitch / EQ Growl / TVA / Ctrl Effect Screen RoutingREV MFXCHO MFX TypeUsing Waves Wave Mode Importing Individual Wave Files Wave ImportMoving a Wave Wave Move Using the Wave BrowserCopying a Wave Wave Copy Exchanging a Wave Wave ExchangeInit How to Make the System Function SettingsWrite Touch SystemViewing VC-2’s Information Information Settings Common to the Entire System Common MasterFunctions of System Parameters Pulldown menu, touch InfoMIDI/USB Chord MemoryController Settings Controller Audio I/FBreath Saving a Project on Disk Save Project Loading a Project from Disk Load ProjectTouch Factory Reset Touch Execute to execute the Factory ResetFactory Reset screen appears Backing Up Data to Your Computer USB Mode Parametric EQ Parametric Equalizer Effects ListMFX Parameters Graphic EQ Graphic EqualizerResonant Filter Isolator and FilterDistortion / Overdrive Specifications of each Speaker TypeDistortion / OD Amp Simulator Guitar AmpAuto Wah HumanizerRecommended combination of pre-amp and speaker Stereo Delay Dynamic Processor Stereo Dynamic ProcessorTape Echo Simulator Can also set the panning and level of each delay sound Multi Tap DelayEffect has five delays. Each of the Delay Time parameters REO, AlterReverse Delay Band Pass DelayVocal Echo Analog Delay→Chorus Delay Pan TypeDigital Chorus Analog Flanger Space ChorusHexa Chorus Boss FlangerAnalog Phaser Step FlangerDigital Phaser Tremolo/Auto PanRotary Distortion→Chorus/Flanger Signal up to one octave up or down28 OD/DS→Cho/Flg Overdrive Stereo Pitch Shifter30 Cho/Flg→Delay 29 OD/DS→DelayOverdrive/Distortion→Delay Chorus/Flanger→DelayEnhancer→Chorus/Flanger 32 Enh→Delay Enhancer→Delay31 Enh→Cho/Flg Vocal MultiGuitar Multi LPF ThruHPF Bass Multi 36 E.Piano MultiKeyboard Multi PhonographPseudo Stereo Radio TuningBit Rate Converter This effect reproduces the sound of an AM radio playingChorus Parameters Chorus TypeChorus Parameters Stereo OperaHouse Reverb ParametersStereo Plate Stereo StudioSpringStereo Cathedral Stereo EchoesStereo Room Stereo ChurchRoom Hall Hall Garage Specifications Midi Implementation Chart Index CHOREV Type System mode Temporary AreaVolume Reverb type Save Project