Effects List
35: Bass Multi |
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Bass Multi provides Comp/Limiter, Overdrive or Distortion, |
| Mod Xover- | Adjusts the cutoff frequency of the | |||||||
| LPF | THRU |
| low pass filter. (THRU: no filter is | ||||||
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| used) | ||||
series. This algorithm is a |
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| Mod Xover- | THRU, |
| Adjusts the cutoff frequency of the | ||||||
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| HPF |
| high pass filter. (THRU: no filter is | |||
Parameter | Value | Description |
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Comp Sw | OFF, ON | Turns the comp/limiter on/off. |
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| Mod Level |
| Volume of the chorus or flanger | ||||||
Comp | Sets the volume level at which the |
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| sound. | |||
Threshold |
| compression begins. |
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Comp Attack | Sets the time after the sound vol- |
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| 36: E.Piano Multi |
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| ume is crossed the compressor |
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| threshold until compression be- |
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| Enhancer, Phaser, Chorus or Flanger, and Tremolo or Auto- | |||||
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| gins. |
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Comp Re- | Specifies the time from when the |
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| pan are connected in series. This effect is used for electric | ||||||
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| volume drops below the compres- |
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| piano. |
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| sor threshold until compression is |
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| no longer applied. |
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| Description | |
Comp Ratio | 1.5:1, 2:1, 4:1, | Sets the “source sound:output |
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| Enhan Sw |
| OFF, ON |
| Turns the enhancer effect on/off. | |
| 100:1 | sound” compression ratio. |
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| Enhan Sens |
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| Sensitivity of the enhancer | ||
Comp Gain | Adjusts the output gain. |
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| Enhan Fre- |
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| Sets the lower limit of the frequencies | |||||
Od/Ds Sw | OFF, ON | Selects whether to use overdrive |
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| quency |
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| to which the enhancement effect is | |
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| or distortion. |
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| added. | |
Drive Mode | OD, DS | Selects whether to use overdrive |
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| Enhan Mix |
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| Level of the overtones generated by | ||
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| (OD) or distortion (DS). |
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| Level |
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| the enhancer | |
Drive | Degree of distortion |
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| Enhan Lev- |
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| Volume of the enhancer sound | |||
Amp Sim Sw | OFF, ON | Turns the amp simulator on/off. |
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| Phaser |
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| Specifies the center frequency at | ||
Amp Type | SMALL, | Type of guitar amp |
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| Manual |
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| which the sound is modulated. | ||||
| SMALL: small amp |
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| Phaser Rate |
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| Specifies the frequency of modula- | ||||
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| Hz, note |
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Distortion | Volume of the overdrive or distor- |
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| Phaser |
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| Specifies the depth of modulation. | |||
(DS) Level |
| tion sound. |
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| Depth |
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EQ Low Freq | Frequency of the low range |
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| Phaser Res- |
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| Specifies the amount of feedback for | |||
EQ Low Gain | Gain of the low range |
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| onance |
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| the phaser. | ||
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| Higher settings will give the sound a | ||||
EQ Mid Freq | Frequency of the middle range |
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| stronger character. | ||||
EQ Mid Q | 0.5, 0.7, 1.0, 2.0, | Gain of the middle range |
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| Phaser Mix |
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| Specifies the volume of the phase- | |||||
| 4.0, 8.0 | Set a higher value for Q to narrow |
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| Level |
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| shifted sound, relative to the direct | |||
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| the range to be affected. |
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| sound. | ||
EQ Mid Gain | Gain of the middle range |
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| Mod Mode |
| CHORUS, |
| Selects whether to use chorus or | ||||
EQ Hi Freq | Frequency of the high range |
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| FLANGER |
| flanger. | ||
EQ Hi Gain | Gain of the high range |
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| Mod Rate |
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| Adjusts the speed of modulation for | |||
Mod Mode | CHORUS, | Selects whether to use chorus or |
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| Hz, note |
| the chorus or flanger. | |
| FLANGER | flanger. |
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| Mod Depth |
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| Adjusts the depth of modulation for | ||
Mod Rate | Adjusts the speed of modulation |
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| the chorus or flanger. | ||
| note | for the chorus or flanger. |
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| Mod Phase |
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| Sets how the chorus or flanger sound | ||
Mod Depth | Adjusts the depth of modulation |
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| is spread. | ||
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| for the chorus or flanger. |
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| Mod Pre |
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| Adjusts the delay time from the direct | ||
Mod Phase | Sets how the chorus or flanger |
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| Delay |
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| sound until the chorus or flanger | ||
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| sound is spread. |
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| sound is heard. | |
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| Mod Feed- |
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| Adjusts the proportion of the effect | ||
Mod Pre De- | Adjusts the delay time from the di- |
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| rect sound until the chorus or |
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| back |
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| sound that is fed back into the effect. | |
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| flanger sound is heard. |
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| Negative | |
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| phase. | |
Mod Feed- | Adjusts the proportion of the ef- |
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| Mod Xover- |
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| Adjusts the cutoff frequency of the | |||||
back |
| fect sound that is fed back into the |
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| effect. Negative |
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| LPF |
| Hz, THRU |
| low pass filter. (THRU: no filter is | |
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| vert the phase. |
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| used) | |
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| Mod Xover- |
| THRU, 50– |
| Adjusts the cutoff frequency of the | |
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| HPF |
| 800 Hz |
| high pass filter. (THRU: no filter is | |
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| used) | |
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