Roland VC-2 owner manual Reverse Delay, Band Pass Delay, Vocal Echo

Page 49

 

 

 

 

 

 

 

 

 

 

Effects List

13: Reverse Delay

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

Value

Description

 

 

 

 

 

 

 

 

 

 

 

Adds the reverse of the input sound as the delay sound.

 

Hi Damp

500–15000 Hz,

Adjusts the frequency above which

 

Freq

THRU

sound fed back to the effect will be

 

 

 

 

 

 

 

Parameter

Value

Description

 

 

 

 

cut.

 

 

 

 

 

 

 

 

 

High Damp, by attenuating the

 

 

 

 

 

 

 

 

 

Threshold

0–127

Specifies the input level at which

 

 

 

 

 

 

 

 

higher frequencies first, makes the

 

 

 

the delay will begin to apply.

 

 

 

 

 

 

 

 

 

 

 

delay sound more natural.

Rvs Dly

0–650 ms, note

Specifies the delay time from the

 

 

 

 

 

 

Echo Level

0–127

Volume of the echo sound

Time

 

 

original sound until the delay

 

 

 

 

 

 

Ps Low Freq

50–4000 Hz

Frequency of the low range

 

 

 

sound is heard.

 

 

 

 

 

 

 

 

 

Ps Low Gain

-15– +15 dB

Gain of the low range

Rvs Feed-

-98– +98 %

Adjusts the proportion of the re-

 

back

 

 

verse delay sound that is fed back

 

 

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

 

 

 

into the effect. Negative (-) set-

 

 

 

 

 

 

 

 

 

 

 

Ps Hi Gain

-15– +15 dB

Gain of the high range

 

 

 

tings will invert the phase.

 

 

 

 

 

 

 

 

 

 

 

Low Damp

50–4000 Hz

Adjusts the frequency below

 

 

15: Band Pass Delay

Freq

 

 

which sound fed back to the effect

 

 

 

 

 

 

 

 

 

 

 

 

 

will be cut.

 

 

 

 

 

 

 

 

 

The Low Damp function damps

 

 

This is a delay with a band pass filter (a filter that outputs only

 

 

 

the low frequency band of the de-

 

 

a specified frequency range) on each of five delays. A phaser is

 

 

 

lay sound quicker than other

 

 

 

 

 

 

 

included before the delay. Phaser is an effect that adds a

 

 

 

bands, which makes for a clearer

 

 

 

 

 

 

 

phase-shifted sound to the original sound to create time-

 

 

 

delay effect.

 

 

Low Damp

-36–0 dB

Degree of Low Damp

 

 

varying change, modulating the sound.

Gain

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

Value

 

Description

Hi Damp

2000–20000 Hz

Adjusts the frequency above

 

 

 

 

 

 

 

 

 

 

 

Phaser Man-

0–127

 

Specifies the center frequency at

Freq

 

 

which sound fed back to the effect

 

 

 

 

 

 

 

ual

 

 

which the sound is modulated.

 

 

 

will be cut.

 

 

 

 

 

 

 

High Damp, by attenuating the

 

 

Phaser Rate

0.05–10.0 Hz,

 

Specifies the frequency of modu-

 

 

 

higher frequencies first, makes

 

 

 

note

 

lation.

 

 

 

the delay sound more natural.

 

 

Phaser

0–127

 

Specifies the depth of modula-

Hi Damp

-36–0 dB

Degree of High Damp

 

 

Depth

 

 

tion.

Gain

 

 

 

 

 

 

Phaser Reso-

0–127

 

Specifies the amount of feedback

Balance

DRY100:0WET–

Volume balance between the di-

 

 

nance

 

 

for the phaser.

 

DRY0:100WET

rect sound (DRY) and the effect

 

 

 

 

 

Higher settings will give the

 

 

 

sound (WET)

 

 

 

 

 

sound a stronger character.

Ps Low Freq

50–4000 Hz

Frequency of the low range

 

 

Phaser Mix

0–127

 

Specifies the volume of the

 

 

 

 

 

 

 

Level

 

 

phase-shifted sound, relative to

Ps Low Gain

-15– +15 dB

Gain of the low range

 

 

 

 

 

 

 

the direct sound.

Ps Hi Freq

2000–20000 Hz

Frequency of the high range

 

 

 

 

 

 

 

Delay Time

0–1300 ms, note

 

Adjusts the delay time from the

Ps Hi Gain

-15– +15 dB

Gain of the high range

 

 

 

 

 

 

 

 

direct sound until the each delay

 

 

 

 

 

 

 

 

 

 

sound is heard.

14: Vocal Echo

 

 

 

 

Fbk Dly

0–1300 ms, note

 

Adjusts the delay time for the

 

 

 

 

Time

 

 

feedback sound.

This effect simulates a karaoke echo.

 

Dly Time

0–1300 ms, note

 

Specifies the differences in delay

 

 

 

 

 

 

 

Dev

 

 

time for each of the delay sounds.

Parameter

Value

 

Description

 

 

Delay Level

0–127

 

Adjusts the volume of each delay

 

 

 

 

 

 

 

 

Delay Time

0–650 ms, note

 

Adjusts the delay time from the di-

 

 

 

 

 

sound.

 

 

 

rect sound until the delay sound is

 

 

 

 

 

 

 

 

 

 

 

Delay Feed-

-98– +98 %

 

Adjusts the proportion of the de-

 

 

 

heard.

 

 

 

 

 

 

 

 

back

 

 

lay sound that is fed back into the

Pre LPF

500–15000 Hz,

 

Sets the filter’s cutoff frequency

 

 

 

 

 

 

 

 

 

 

effect. Negative (-) settings will

Freq

THRU

 

(THRU: no filter is used)

 

 

 

 

 

invert the phase.

Mod Rate

0.05–10.0 Hz,

 

Specifies the modulation speed of

 

 

 

 

 

 

 

 

 

Delay Pan

1–10

 

Specifies the pan of each delay

 

note

 

the modulation effect.

 

 

Type

 

 

sound.

Mod Depth

0–127

 

Specifies the modulation depth of

 

 

 

 

 

Ten settings are provided as vari-

 

 

 

the modulation effect.

 

 

 

 

 

ous panning combinations of the

 

 

 

 

 

 

 

 

 

 

delay sounds (see below).

Diffusion

0–100

 

Specifies the spaciousness of the

 

 

 

 

 

 

 

BPF 1–5 Freq

50–20000 Hz

 

Sets the center frequency for each

 

 

 

delay sound.

 

 

 

 

 

 

 

 

 

 

 

 

 

band pass filter (1–5).

Feedback

-98– +98 %

 

Adjusts the proportion of the delay

 

 

 

 

 

 

 

BPF 1/2 Q

0.3–24.0

 

Specify the output bandwidth for

 

 

 

sound that is fed back into the ef-

 

 

 

 

 

 

fect. Negative (-) settings will in-

 

 

BPF 3/4/5 Q

 

 

each band pass filter (1–5).

 

 

 

vert the phase.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

49

Image 49
Contents 03897845 ’05-3-1N Page Page Table of Contents Table of Contents Conventions Used in This Manual Main FeaturesInternal Structure About the VC-2Patch Algorithms Project Memory StructureWork Area/Temporary Area Internal Memory / PC CardMIC Switch VolumePanel Descriptions InputKEY PAD Button Display Power Switch14 E1-E8 knobs PC Card SlotAC Inlet Midi Connectors IN, OUT, ThruInput Jacks L, R Direct OUT Jacks L, RConnect your mic to the front panel MIC jack Making connectionsFig.Q-02.e Starting up VC-2Top Screen of Patch Mode Try Out the Sound Patch modeSelecting a Patch Selecting Patches with the Value dialPlaying Using buttons to select patchesEnabling or Disabling Beep ToneCommon to all patch algorithms Parameters in the Top ScreenIf the patch algorithm is Modeling~ If the patch algorithm is Vocoder~If the patch algorithm is Processor Type If the patch algorithm is Keyboard~Creating Patches Basic Procedure for Patch EditingChanging the Pitch Patch Tune Pulldown menu, touch Data Transfer Transmitting Data to an External Midi Device Data TransferSource, select the type of data that you want to transmit Saving Patches Patch Write Naming a Patch Patch NameAuditioning the Save-Destination Patch Compare Deleting Patches Patch Delete Copying Patch Controller SettingsPatch Controller Copy Top Screen System MIC Setting ScreenNS-COMP PRE-EFX Type Pre-Effect TypesOFF NS-LIMITNoise SUP Carrier ScreenOSC OSC 1/OSC INF1OSC2 Pitch Pitch OSC1 PitchGlide VibratoPortamento KEY AssignCarrier Screen for Processor~ Wave ScreenPoly Pitch Shifter Screen Vocoder ScreenPoly Pitch Shifter ControllerPitch / EQ Growl / TVA / Ctrl Routing Effect ScreenCHO MFXREV MFX TypeImporting Individual Wave Files Wave Import Using Waves Wave ModeCopying a Wave Wave Copy Using the Wave BrowserMoving a Wave Wave Move Exchanging a Wave Wave ExchangeWrite How to Make the System Function SettingsInit Touch SystemFunctions of System Parameters Settings Common to the Entire System Common MasterViewing VC-2’s Information Information Pulldown menu, touch InfoChord Memory MIDI/USBAudio I/F Controller Settings ControllerBreath Loading a Project from Disk Load Project Saving a Project on Disk Save ProjectTouch Execute to execute the Factory Reset Touch Factory ResetFactory Reset screen appears Backing Up Data to Your Computer USB Mode MFX Parameters Effects ListParametric EQ Parametric Equalizer Graphic EQ Graphic EqualizerIsolator and Filter Resonant FilterDistortion / OD Specifications of each Speaker TypeDistortion / Overdrive Amp Simulator Guitar AmpHumanizer Auto WahRecommended combination of pre-amp and speaker Dynamic Processor Stereo Dynamic Processor Stereo DelayTape Echo Simulator Effect has five delays. Each of the Delay Time parameters Multi Tap DelayCan also set the panning and level of each delay sound REO, AlterBand Pass Delay Reverse DelayVocal Echo Delay Pan Type Analog Delay→ChorusDigital Chorus Hexa Chorus Space ChorusAnalog Flanger Boss FlangerStep Flanger Analog PhaserTremolo/Auto Pan Digital PhaserRotary 28 OD/DS→Cho/Flg Overdrive Signal up to one octave up or downDistortion→Chorus/Flanger Stereo Pitch ShifterOverdrive/Distortion→Delay 29 OD/DS→Delay30 Cho/Flg→Delay Chorus/Flanger→Delay31 Enh→Cho/Flg 32 Enh→Delay Enhancer→DelayEnhancer→Chorus/Flanger Vocal MultiLPF Thru Guitar MultiHPF 36 E.Piano Multi Bass MultiPhonograph Keyboard MultiBit Rate Converter Radio TuningPseudo Stereo This effect reproduces the sound of an AM radio playingChorus Type Chorus ParametersChorus Parameters Stereo Plate Reverb ParametersStereo OperaHouse Stereo StudioSpringStereo Room Stereo EchoesStereo Cathedral Stereo ChurchRoom Hall Hall Garage Specifications Midi Implementation Chart CHO IndexVolume System mode Temporary AreaREV Type Reverb type Save Project