Table of contents
1 | INTRODUCTION | 8 |
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| 1.1 | 8 |
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| 1.2 | TAE® | 12 |
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| 1.2.1 | 12 |
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| 1.2.2 A better reproduction of analog oscillator waveforms | 12 |
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| 1.2.3 Direct Filter Circuit Modeling | 14 |
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2 | INSTALLATION | 15 |
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| 2.1 | Notes about software protection and the installation | 15 |
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| 2.2 | Windows Installation | 15 |
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| 2.3 | Mac OS X Installation | 18 |
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3 | AUTHORIZATION | 19 |
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4 | QUICK START | 25 |
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| 4.1 | Structure of the | 25 |
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| 4.2 | Using the presets | 26 |
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| 4.2.1 | Selecting the presets | 26 |
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| 4.2.2 | Editing the presets | 28 |
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| 4.3 | The 4 main parts of the | 29 |
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| 4.4 | Overview of the | 30 |
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| 4.5 | The (Advanced) Modulations section | 32 |
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| 4.5.1 Creating a melodic sequence with the SEQUENCER | 33 |
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| 4.5.2 Create progressive modulations with the GALAXY unit | 35 |
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| 4.5.3 Control parameters with the Keyboard unit | 37 |
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| 4.6 | The Effects | 38 |
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| 4.7 | The “Patch” section of the effects | 40 |
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| 4.7.1 | The chorus | 40 |
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| 4.7.2 | The delay | 41 |
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| 4.8 | Realtime controllers and MIDI assign | 42 |
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5 | A UNIQUE SYNTHESIZER, WHY ? | 44 |
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| 5.1 | The Roland | 44 |
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| 5.2 | The Arturia | 44 |
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6 | THE INTERFACE | 46 |
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| 6.1 | Tool bar | 46 |
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| 6.2 | Using the presets | 47 |
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| 6.2.1 The types of presets | 47 |
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| 6.2.2 Selection of a preset PATCH or PROGRAM | 47 |
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| 6.2.3 Creating a new preset | 50 |
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| 6.2.4 Save a user preset | 50 |
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| 6.2.5 Save a user preset using the “Save as” option | 50 |
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| 6.2.6 | Delete a preset | 51 |
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| 6.2.7 Import / Export a preset bank | 51 |
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| 6.3 | Using the controllers | 52 |
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| 6.3.1 | Knobs | 52 |
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| 6.3.2 | Buttons | 53 |
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| 6.3.3 | Switches | 53 |
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| 6.3.4 | Pitch Bend wheel | 53 |
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ARTURIA – | 5 |