| 6.3.5 | Modulation button | 54 |
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| 6.3.6 | Virtual keyboard | 54 |
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| 6.3.7 | LCD Screen | 54 |
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| 6.3.8 | MIDI Control | 55 |
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| 6.3.9 | The preference screen | 55 |
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| 6.4 | The Sound Map | 56 |
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| 6.4.1 The MAP main interface | 57 |
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| 6.4.2 The Sound Map overview | 58 |
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| 6.4.3 The LIST preset manager | 61 |
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| 6.4.4 The COMPASS morphing interface | 62 |
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7 | THE DIFFERENT MODULES | 64 |
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| 7.1 | The original | 64 |
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| 7.1.1 The oscillators (« VCO 1 and 2 ») | 65 |
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| 7.1.2 The mixer (“VCO1 / VCO2”) | 67 |
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| 7.1.3 | The filter (“VCF”) | 67 |
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| 7.1.4 | The Amplifier (“VCA”) | 69 |
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| 7.1.5 | The ADSR Envelopes | 70 |
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| 7.1.6 | The LFO | 71 |
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| 7.1.7 | The VCO modulator | 71 |
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| 7.1.8 The LFO MODULATION, PORTAMENTO and BEND section | 72 |
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| 7.1.9 The pitch bend wheel and LFO MOD button | 73 |
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| 7.1.10 The Master Tune section | 73 |
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| 7.1.11 The arpeggiator (“ARPEGGIO”) | 74 |
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| 7.1.12 The keyboard assign section (“ASSIGN MODE”) | 74 |
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| 7.1.13 The play modes selection (“KEY MODE”) | 75 |
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| 7.2 | Step Sequencer | 76 |
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| 7.2.1 | The transport | 76 |
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| 7.2.2 | Edit the sequence | 77 |
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| 7.2.3 | Outputs | 78 |
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| 7.3 | Galaxy | 79 |
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| 7.4 | Voice Effects | 80 |
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| 7.4.1 | Chorus /Flanger | 80 |
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| 7.4.2 | Distortion | 81 |
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| 7.4.3 | Parametric EQ | 82 |
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| 7.4.4 | Phaser | 83 |
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| 7.4.5 | Ring Mod | 84 |
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| 7.5 | Patch Effects | 85 |
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| 7.5.1 | Chorus/Flanger | 85 |
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| 7.5.2 | Stereo Analog Delay | 86 |
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| 7.5.3 | Reverb | 87 |
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| 7.5.4 | Dual Phaser | 87 |
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8 | THE BASICS OF SUBTRACTIVE SYNTHESIS | 89 |
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| 8.1 | The main elements | 89 |
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| 8.1.1 The Oscillator or VCO | 89 |
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| 8.1.2 | The Mixer | 93 |
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| 8.1.3 The filter or VCF | 93 |
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| 8.1.4 The amplifier or VCA | 96 |
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| 8.2 | Other modules | 96 |
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| 8.2.1 | The keyboard | 96 |
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| 8.2.2 The envelope generator or ADSR | 97 |
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| 8.2.3 The low frequency oscillator | 98 |
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| 8.3 | Modules of the | 99 |
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9 | SOME ELEMENTS OF SOUND DESIGN | 100 |
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| 9.1 | A polyphonic violin preset made with the Jupiter- 8 V | 100 |
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6 | ARTURIA – |