8“Delete” button: The chord indicated by “fi ” will be deleted.
9“Put” button: Insert the specified chord at the specified measure and location.
0“Time signature” cell: Specify the time sig- nature of the measure indicated by “fi ”.
3, 4, 5 and 6 can be input from the key- board. To input these from the keyboard, turn on the [ACC] switch before you press the “Step Rec” button. If necessary, you can also turn on the “Bass Inv.” button.
“Ctrl”: Inputting control events
You can input INTRO/ENDING, Variation, and KBD ASSIGN settings used for auto- matic accompaniment, and change the rhythm style during the performance. Input control events at the desired locations in the same way as for the “Chord” track.
2 | 3 | |
1 | 4 | |
5 |
| 6 |
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| 7 |
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1“Measure” cell: The event will be written into the measure specified here.
2“Location” cell: Specify the location within the measure at which the event will be writ- ten.
3“Event type” cell: Refer to “Control event type list”
4“Value” cell: Refer to “Control event type list”
5“▲, ▼” button: Select the location.
6“Delete” button: The event indicated by “fi ” will be deleted.
7“Put” button: Insert the specified control event at the specified measure and location.
Control event type list
Event name | Value |
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RhythmStyle | 0 ~ 217 (☞ p.78 “Rhythm style list” “No.*”) |
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Sty.Element | Off, Var1, Var2, Var3, Var4, Int1, Int2, End1, |
| End2, Fil1, Fil2 |
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Kbd Assign | Full, Layer, Split, |
| hand keyboard for “Full”), |
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Bass Inv. | Off, On |
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Transpose | |
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Drum Mute | Play, Mute |
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Perc Mute | Play, Mute |
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Bass Mute | Play, Mute |
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Acc1 Mute | Play, Mute |
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Acc2 Mute | Play, Mute |
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Acc3 Mute | Play, Mute |
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Upp1 Prog. | 0 ~ 411 (☞ p.75 “Program list” “No.*”) |
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Up2/Lo Prog. | 0 ~ 411 (☞ p.75 “Program list” “No.*”) |
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Upp1 Oct. | |
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Up2/Lo Oct. | |
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Let’s use step recording to input chords
When you use step recording to input the chords shown in the music below, the result will be the list shown below right.
Input the data as described on p.55.
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| ✩ I’ve Been Working | Traditional |
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| G |
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| G7 | |
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| 1 |
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| 2 |
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C |
| Cm6 |
| G |
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| G |
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| Em | |
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3 | 4 | 5 | 6 |
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| 7 |
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A7 |
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| D |
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| D7 |
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| G | G7 | |
8 |
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| 9 | 0 |
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| A | B | ||||||
CB7C
C |
| D |
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| E | |
G |
| Em | Cm6 | G D7 |
| G | |
F |
| G | H | I J |
| K | |
Measme | Location | Root | Bass | Type | Tention |
1 M003 | 1:00 | G | /G |
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2 M004 | 3:00 | G | /G | 7 | |
3 M005 | 1:00 | C | /C |
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4 M005 | 3:00 | C | /C | m6 | |
5 M006 | 1:00 | G | /G |
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6 M007 | 1:00 | G | /G |
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7 M008 | 3:00 | E | /E | m | |
8 M009 | 1:00 | A | /A | 7 | |
9 M010 | 1:00 | D | /D |
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0 M011 | 1:00 | D | /D | 7 | |
A M012 | 1:00 | G | /G |
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B M012 | 3:00 | G | /G | 7 | |
C M013 | 1:00 | C | /C |
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D M014 | 1:00 | B | /B | 7 | |
E M015 | 1:00 | C | /C |
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F M016 | 1:00 | G | /G |
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G M017 | 1:00 | E | /E | m | |
H M017 | 2:48 | C | /C | m6 | |
I M017 | 3:00 | G | /G |
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J M017 | 4:00 | D | /D | 7 | |
K M018 | 1:00 | G | /G |
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56
