5 | Edit the rhythm style |
You can modify the settings in “Custom |
Style” pages 1/2 and 2/2.
For details on the settings that can be modified, refer to “Custom style parame- ter list”.
6 | Name your custom style |
In the “Custom Style 2/2” page, press the |
“Rename” button to access the “Reneme” page. Assign a name to the rhythm style that you edited. (☞ p.48)
7 | Save your custom style to inter- |
nal memory |
In the “Custom Style 1/2” page, press the “Write” button.
To revert to the original style
If you press the “Cancel” button instead of pressing the “Write” button, you will return to the main page, and the rhythm style you created will revert to the data you selected in step 2.
Never turn off the power while the “Write” operation is in progress.
Custom style parameter list
“Custom Style 1/2” page
“Tempo” cell: Specify the tempo of the rhythm style. This is adjustable in a range of
“Damper Enable” check box: For each key- board part, you can specify whether or not the damper pedal will apply to the sounds played from the keyboard.
Upp1: Sound of the Upper1 if [LAYER] switch or [SPLIT] switch are on, or sound of the key- board if [LAYER] switch and [SPLIT] switch are off
Low/Upp2: The
“Custom Style 2/2” page | Automatic accompaniment | |
You can make the settings listed below for | ||
| ||
each accompaniment part: Drum, Perc, Bass, |
| |
Acc1, Acc2, Acc3, Upp1, Upp2, and Low. |
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“Part” cell: To change the part, use the cells “▲”, “▼” or the dial, [VALUE] switches.
For the Upp1, Upp2, and Low parts, it is not possible to set the “Prog.” cell, “Reverb” cell, and “Chorus” cell.
“Wrap Around” cell: This can be specified for the Bass, Acc1, Acc2, and Acc3 parts. This allows the pitch to be shifted upward (or downward) by one octave if the accompani- ment of that part becomes unnaturally low (or high). The range of settings is “Org, 1– 12.” With a setting of “Org,” the style will use its original setting.
For example based on a C chord, a Wrap- Around setting of “1” would cause the accompaniment to be shifted downward one octave when a C# chord was specified. With a setting of “2,” the accompaniment would be shifted downward one octave when a “D” chord was specified.
With setting “1”
C chord fi Bass pattern 1
C# chord fi 1 by a semitone and lower by an octave 2
D chord fi 1 by a semitone and lower by an octave 3
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