Roland JUNO-Gi 50: REVERSE DELAY, 51: SHUFFLE DELAY, 52: 3D DELAY

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50: REVERSE DELAY
This is a reverse delay that adds a reversed and delayed sound to the input sound. A
tap delay is connected immediately after the reverse delay.
Feedback
L in
R in
Rev. Delay
L out
R out
2-Band
EQ
2-Band
EQ
Rev
Delay
D2
D1
D3
Parameter Value Explanation
Threshold 0–127 Volume at which the reverse
delay will begin to be applied
Rev.Delay.Time 0–1300 msec, note
Delay time from when sound is
input into the reverse delay until
the delay sound is heard
Rev.Delay.Feedback.
#-98–+98%
Proportion of the delay sound
that is to be returned to the input
of the reverse delay (negative
values invert the phase)
Rev.Delay.HF.Damp 200–8000 Hz, BYPASS
Frequency at which the
high-frequency content of the
reverse-delayed sound will be
cut (BYPASS: no cut)
Rev.Delay.Pan L64–63R Panning of the reverse delay
sound
Rev.Delay.Level 0–127 Volume of the reverse delay
sound
Delay.1.-.3.Time 0–1300 msec, note
Delay time from when sound is
input into the tap delay until the
delay sound is heard
Delay.3.Feedback.# -98–+98%
Proportion of the delay sound
that is to be returned to the input
of the tap delay (negative values
invert the phase)
Delay.HF.Damp 200–8000 Hz, BYPASS
Frequency at which the
hi-frequency content of the tap
delay sound will be cut (BYPASS:
no cut)
Delay.1.Pan,..
Delay.2.Pan L64–63R Panning of the tap delay sounds
Delay.1.Level,..
Delay.2.Level 0–127 Volume of the tap delay sounds
Low.Gain -15–+15 dB Gain of the low range
High.Gain -15–+15 dB Gain of the high range
Balance.# D100:0W–D0:100W Volume balance of the original
sound (D) and delay sound (W)
Level 0–127 Output Level
51: SHUFFLE DELAY
Adds a shue to the delay sound, giving the sound a bouncy delay eect with a swing
feel.
Feedback
L in
R in
Delay
L out
R out
2-Band
EQ
2-Band
EQ
A
B
Delay A
Delay B
Parameter Value Explanation
Delay.Time.# 0–2600 msec, note Adjusts the time until the delay
sound is heard.
Shue.Rate.# 0–100
Adjusts the ratio (as a percent-
age) of the time that elapses
before Delay B sounds relative to
the time that elapses before the
Delay A sounds.
When set to 100, the delay times
are the same.
Acceleration 0–15
Adjusts the speed which the
Delay Time changes from the
current setting to its specied
new setting.
Feedback.# -98–+98%
Adjusts the amount of the delay
that’s feedback into the eect.
Negative (-) settings invert the
phase.
HF.Damp 200–8000 Hz, BYPASS
Adjusts the frequency above
which sound fed back to the
eect is ltered out. If you don’t
want to lter out any high
frequencies, set this parameter
to BYPASS.
Pan.A/B L64–63R Stereo location of Delay A/B
Level.A/B 0–127 Volume of delay A/B
Low.Gain -15–+15 dB Gain of the low range
High.Gain -15–+15 dB Gain of the high range
Balance.# D100:0W–D0:100W
Volume balance between the
direct sound (D) and the eect
sound (W)
Level 0–127 Output Level
52: 3D DELAY
This applies a 3D eect to the delay sound. The delay sound will be positioned 90
degrees left and 90 degrees right.
L
R
3D Delay L
3D Delay R
3D Delay C
Level
Feedback
2-Band
EQ
2-Band
EQ
L out
R out
Parameter Value Explanation
Delay.Left
0–2600 msec, note
Adjusts the delay time from
the direct sound until the delay
sound is heard.
Delay.Right
Delay.Center
Center.Feedback.# -98–+98%
Adjusts the proportion of the
delay sound that is fed back into
the eect. Negative (-) settings
will invert the phase.