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5
E a s y A c c o m p a n i m e n t
The chord is actually entered only when the [ENTER] key ispressed. Until the [ENTER] key is pressed, the newly specifiedchord root and type will flash on the display.
■
NOTE
• Actually, you can press the chord type key and then the root key, the
order doesn’t matter.
The Chord Types
add9 added ninth.
M major.
M7(9) major seventh ninth.
M7 major seventh.
aug augmented.
6 sixth.
7(9) seventh ninth.
7 seventh.
add9 minor added ninth.
m minor
m7(9) minor seventh ninth.
m7 minor seventh.
mM7 minor major seventh.
m6 minor sixth.
m7(11) minor seventh added eleventh.
m7(b5) minor seventh flatted fifth.
7(#9) seventh sharp ninth.
7(b9) seventh flatted ninth.
7(b13) seventh added flatted thirteenth.
7(13) seventh added thirteenth.
7(#11) seventh added sharp eleventh.
7(#5) seventh sharp fifth.
7sus4 seventh suspended fourth.
sus4 suspended fourth.
-
-
- non-ABC (see “NOTE” below).
dim diminished.
■
NOTE
• The “-
-
-” chord type marking is a special “non-ABC” type that can be
used to transpose accompaniment patterns to the selected chord root
without re-harmonization.
• If you enter only the chord root without a chord type, the preceding
chord type will be retained. In the same way the root of the preceding
chord will be retained if only the chord type is entered.