Millennium Enterprises Integrated Modeling Amplifier manual Detuners, Editing Modules, User Guide

Section - 4 Editing Modules

Johnson Millennium

Shft E - H	See Shift A - B.
Dtn E - H	See Dtn A - B.
Key	Sets the diatonic key for the harmonies. If the song you are playing is in the key of G Major, you would select G for
	the scale.
Scale	Sets the scale type for the Harmony you want to hear. Scale types include: Major, Minor, Harmonic Minor, Melodic
	Minor. Dorian, Mixolydian, Lydian, Lydian Augmented, Major Pentatonic, Minor Pentatonic, Blues, Whole Tone, Half-
	Whole,and Whole-Half.
Interval	Sets the basic interval of the Harmony. You can choose from one of several Harmony intervals. See the Harmony
	Interval Charts for reference.
Out A - B	Adjusts the overall level of pitch-shifted voice A or B. Ranges from Off to 100%.
Pan A - B	Controls the placement of pitch-shifted voice A or B in the stereo image. Ranges from -99 (all left) to 99 (all right).
Out C - D	Adjusts the overall level of pitch-shifted voice C or D. Ranges from Off to 100%.
Pan C - D	Controls the placement of pitch-shifted voice C or D in the stereo image. Ranges from -99 (all left) to 99 (all right).
Out E - H	Adjusts the overall level of pitch-shifted voice E through H. Ranges from Off to 100%.
Pan E - H	Controls the placement of pitch-shifted voice E through H in the stereo image. Ranges from -99 (all left) to 99 (all
	right).
Out L - R	Adjusts the left or right output level of the pitch-shifted voice. Ranges from Off to 100%.
Out LA - LA	Adjusts the left-side level of pitch-shifted voice A or B. Ranges from Off to 100%.
Out RA - RB	Adjusts the right-side level of pitch-shifted voice A or B. Ranges from Off to 100%.
Spread	Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image The lower the setting,
	the more monophonic the effect becomes. Ranges from 1 to 10.

Detuners

The detuner effect does exactly what its name implies; it detunes a sound (moves it out of tune) and allows you to add it to the original sound. The result can be almost chorus-like, but it doesn't move like the chorus effect does. This actually makes the detuner more transparent and not quite as thick as the chorus effect, which in many applications is a good thing (since effects can quickly pile up and clog up great sounding audio).

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User Guide