Section - 4 Editing Modules

Johnson Millennium

Shft E - H

See Shift A - B.

Dtn E - H

See Dtn A - B.

Key

Sets the diatonic key for the harmonies. If the song you are playing is in the key of G Major, you would select G for

 

the scale.

Scale

Sets the scale type for the Harmony you want to hear. Scale types include: Major, Minor, Harmonic Minor, Melodic

 

Minor. Dorian, Mixolydian, Lydian, Lydian Augmented, Major Pentatonic, Minor Pentatonic, Blues, Whole Tone, Half-

 

Whole,and Whole-Half.

Interval

Sets the basic interval of the Harmony. You can choose from one of several Harmony intervals. See the Harmony

 

Interval Charts for reference.

Out A - B

Adjusts the overall level of pitch-shifted voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the placement of pitch-shifted voice A or B in the stereo image. Ranges from -99 (all left) to 99 (all right).

Out C - D

Adjusts the overall level of pitch-shifted voice C or D. Ranges from Off to 100%.

Pan C - D

Controls the placement of pitch-shifted voice C or D in the stereo image. Ranges from -99 (all left) to 99 (all right).

Out E - H

Adjusts the overall level of pitch-shifted voice E through H. Ranges from Off to 100%.

Pan E - H

Controls the placement of pitch-shifted voice E through H in the stereo image. Ranges from -99 (all left) to 99 (all

 

right).

Out L - R

Adjusts the left or right output level of the pitch-shifted voice. Ranges from Off to 100%.

Out LA - LA

Adjusts the left-side level of pitch-shifted voice A or B. Ranges from Off to 100%.

Out RA - RB

Adjusts the right-side level of pitch-shifted voice A or B. Ranges from Off to 100%.

Spread

Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image The lower the setting,

 

the more monophonic the effect becomes. Ranges from 1 to 10.

Detuners

The detuner effect does exactly what its name implies; it detunes a sound (moves it out of tune) and allows you to add it to the original sound. The result can be almost chorus-like, but it doesn't move like the chorus effect does. This actually makes the detuner more transparent and not quite as thick as the chorus effect, which in many applications is a good thing (since effects can quickly pile up and clog up great sounding audio).

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User Guide

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Millennium Enterprises Integrated Modeling Amplifier manual Detuners