xx Current element
In 2002 Nikon replaced the SB-28DX with the SB-80DX. The changes were minimal, more
power, wider zoom, and a modeling light. They also returned the wireless optical sensor. As
before, although you could use this Speedlight wirelessly, you still had to set everything up
on the flash itself.
When 2004 rolled in, Nikon revolutionized the world of photographic lighting with the SB-
800, the first flash to be used with the new Creative Lighting System. The first camera to be
compatible with the CLS was the D2H. Using the D2H with multiple SB-800s enabled you
to control the Speedlights individually by setting them to different groups, all which were
metered via pre-flashes and could be adjusted separately.
With the introduction of the D70 and later the D70s and D200, users could even control any
number of off camera Speedlights using the camera’s built-in flash. Of course using the
built-in flash had some drawbacks. Using the D70s, you can only control one group of
Speedlights, and with the D200, you can only control two groups. Even so, this is remark-
able. Never before could you use a Speedlight off camera while retaining the function of
the iTTL metering.
Eventually, Nikon augmented the CLS line with the SB-600, the little brother to the SB-800.
While lacking some of the features of the SB-800, such as the ability to control Speedlights,
it’s still an amazing little flash. Nikon also released a couple of kits for doing macro pho-
tography lighting, the R1 and R1C1. The R1 macro lighting kit has two small wireless
Speedlights, the SBR-200, which you can mount directly to the lens via an adaptor. The SBR-
200 can also be purchased separately enabling you to use any many lights as you want. The
R1C1 kit is essentially the same as the R1 kit, with the addition of the SU-800 commander
unit. The SU-800 is a wireless transmitter that enables you to control groups of flashes just
like the SB-800 without a visible flash. The SU-800 can control any of the Speedlights avail-
able in the CLS line, the SB-800, the SB-600, and the SBR-200.
What’s in This Book for You?
While the manuals that come with the Speedlights are informative and contain all the tech-
nical data about your Nikon Speedlight, they don’t exactly go into detail about the nuances
of lighting — the small things and pitfalls you may encounter or the types of settings you
might want to use on your camera and lenses.
That’s where this book comes in. This book offers you tips and advice acquired in real world
situations by a photographer who has been using the Nikon Creative Lighting system
almost daily since it was first introduced.
Initially, flash photography is often thought of with dread as mysterious and confusing.
However, with this book I hope to dispel that myth and help to get you on the road to using
the flash and CLS as another creative tool in your photographic arsenal, rather than some-
thing to be avoided at all costs.
xx Introduction
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