Performing with an external MIDI device
Pitch Bend Change | Using the | |||||
This message transmits whatever motion is made by the Pitch Bend | external MIDI sound module | |||||
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lever. |
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By connecting the | ||||||
Aftertouch | ||||||
a MIDI cable and setting the channels, the external MIDI module can | ||||||
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These messages indicates how strongly the keyboard was pressed | be used to produce sound when you play the | |||||
after playing a note. There are two types of Aftertouch message: |
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Channel Aftertouch, which applies to an entire channel; and | Connecting to external MIDI sound | |||||
Polyphonic Aftertouch, which applies to individual notes. | ||||||
modules | ||||||
The | ||||||
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pressed. Instead, you can do this by transmitting the Aftertouch | Example 1: Connecting to one external MIDI sound module | |||||
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assigned to the D Beam, Modulation lever, a pedal, or a knob. |
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Program Change |
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This message changes the instrument sound. You can switch Patches | MIDI OUT | Sound Module A | ||||
and Rhythm Sets on the | ||||||
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95). |
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Control Change |
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These are messages used for increasing performance expression. By |
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assigning Modulation (CC# (Controller Number) 1), Pan (CC#10), |
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Expression (CC#11), and other Control Change messages to the |
| 2: | Connecting to two external MIDI sound modules | |||
Modulation lever, pedals, and knobs, you can then use these controls |
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to change Performances (p. 89). |
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| MIDI IN | MIDI THRU | ||
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Bank Select (CC#0, CC#32) messages are used in combination with |
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Program Change messages to switch Patches and Rhythm Sets (p. |
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95). |
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System messages |
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This category includes exclusive messages, messages used for | MIDI OUT | Sound Module B | ||||
synchronization, and messages that keep a MIDI system running |
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correctly. |
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Exclusive messages |
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Exclusive messages are messages used for exchanging patches and |
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other kinds of data between compatible devices from the same | * Messages received at the MIDI IN connector are output from the MIDI | |||||
manufacturer. | ||||||
THRU connector unchanged. |
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If messages exchanged using MIDI were limited only to those that |
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conform to the universally shared MIDI specifications, it would not | Example 3: Connecting to three or more external MIDI sound | |||||
be possible to transmit messages that are unique to a particular | modules |
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manufacturer, or that are designed specifically for a certain device. |
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For this reason, MIDI allows for an exclusive format for each |
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manufacturer, which can be used to exchange a variety of messages. |
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On the |
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settings and other data to sequencers (p. 98). |
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| MIDI IN |
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About MIDI Implementation Charts |
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Although a variety of messages for performances can be |
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handled using MIDI, depending on the functions of the |
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connected device, the messages that can be sent and received |
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may differ. To see which types of MIDI message a device can |
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transmit and receive, refer to the MIDI Implementation Chart |
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that is included in the manual of each device. Messages which |
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are marked by a circle in the charts of both devices can be |
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transmitted between the two devices. |
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Performing with an external MIDI device
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