Adding effects
Parameter | Value | Description |
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Flg Balance # | D100:0W– | Adjusts the volume balance be- |
| D0:100W | tween the overdrive sound that |
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| is sent through the flanger and |
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| the overdrive sound that is not |
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| sent through the flanger. |
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| With a setting of “D100:0W,” |
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| only the overdrive sound will be |
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| output. With a setting of |
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| “D0:100W,” only the overdrive |
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| sound that is sent through the |
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| flanger will be output. |
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|
|
Level | Adjusts the output level. | |
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|
29: OD>DELAY (Overdrive→Delay)
This effect connects an overdrive and a delay in series.
fig.MFX-29
L in |
| L out |
|
| Balance D |
|
| Balance W |
| Overdrive | Delay |
|
| Balance W |
|
| Feedback |
R in |
| R out |
|
| Balance D |
Parameter | Value | Description |
OD Drive | Adjusts the degree of overdrive | |
|
| distortion. |
|
| The volume will change togeth- |
|
| er with the degree of distortion. |
30:DIST>CHORUS (Distortion→Chorus)
This effect connects distortion and chorus in series. The parameters are essentially the same as “27: OD>CHORUS,” with the exception of the following two.
OD Drive→Dist Drive (Specifies the amount of distortion.)
OD Pan→Dist Pan (Specifies the stereo location of the distortion sound.)
fig.MFX-30
L in | L out |
| Balance D |
| Balance W |
Distortion | Chorus |
| Balance W |
R in | R out |
| Balance D |
31:DIST>FLANGER (Distortion→Flanger)
This effect connects distortion and flanger in series. The parameters are essentially the same as in “28: OD>FLANGER,” with the exception of the following two.
OD Drive→Dist Drive (Specifies the amount of distortion.)
OD Pan→Dist Pan (Specifies the stereo location of the distortion sound.)
fig.MFX-31
Balance D
OD Pan # | Adjusts the stereo location of the | |
|
| overdrive sound. |
|
| L64 is far left, 0 is center, and |
L in
Feedback
L out
Balance W
|
| 63R is far right. |
Delay Time | Adjusts the time delay from | |
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| when the direct sound begins |
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| until the delay sound is heard. |
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|
|
Dly Feedback | Adjusts the proportion (%) of |
Distortion
R in
Flanger
Balance W
R out
Balance D
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| the delay sound that is fed back |
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| into the effect. |
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| Negative |
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| the phase. |
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|
|
Dly HF Damp | Adjusts the frequency above | |
| BYPASS | which delayed sound fed back |
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| to the effect will be cut. |
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| If you do not want to cut the |
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| high frequencies of the feed- |
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| back, set this parameter to BY- |
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| PASS. |
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|
|
Dly Balance # | D100:0W– | Adjusts the volume balance be- |
| D0:100W | tween the overdrive sound that |
|
| is sent through the delay and the |
|
| overdrive sound that is not sent |
|
| through the delay. |
|
| With a setting of “D100:0W,” |
|
| only the overdrive sound will be |
|
| output. With a setting of |
|
| “D0:100W,” only the overdrive |
|
| sound that is sent through the |
|
| delay will be output. |
|
|
|
Level | Adjusts the output level. |
32: DIST>DELAY (Distortion→Delay)
This effect connects distortion and delay in series. The parameters are essentially the same as in “29: OD>DELAY,” with the exception of the following two.
OD Drive→Dist Drive (Specifies the amount of distortion.)
OD Pan→Dist Pan (Specifies the stereo location of the distortion sound.)
fig.MFX-32
L in | L out |
| Balance D |
| Balance W |
Distortion | Delay |
| Balance W |
| Feedback |
R in | R out |
| Balance D |
80