bm CR MAIN and CR NEAR FIELD

• Pairs of 1/4" TRS stereo line-level outputs for

sending signals to control room speakers.

• Both outputs carry the same signal (as selected

in the Control Room section).

• Levels can be adjusted independently or

linked together.

• Post-DSP, Master L/R fader, and D/A converter.

br 2 TRACK A, B, and C

•Balanced 1/4" TRS inputs for receiving line- level analog signals from a 2-track recorder.

•The separate left/right pairs feed the 2 TRACK A, B, and C buses in the control room monitor- ing section.

•Can accept balanced and unbalanced signals.

• The signal fed to these outputs is selected in

the CONTROL ROOM section of the control

surface.

bn PHONES 1 and 2

•Each jack carries an unbalanced stereo signal through a 1/4" TRS jack.

•Designed to connect to virtually any stereo headphones. Phones 1 and 2 V-Pots adjust to compensate for headphones with exception- ally high or low impedances.

•The signal at these outputs is determined by the PHONES/CUE MIX 1 and PHONES/CUE MIX 2 source selection on the control surface.

•Aux 9–10, Aux 11–12, or the CONTROL ROOM selection can feed either or both Phones/Cue outputs.

•The Master L/R mix can be copied to either or both Aux 9–10 or 11–12 Cue Mixes.

bo STUDIO OUT L-R

•Signal at these outputs is determined by the CONTROL ROOM source selection.

•Balanced analog stereo-paired outputs for sending signals to the studio.

•1/4" TRS outputs can drive a balanced or un- balanced input.

•Level controlled by the V-Pot in the SOLO/STUDIO section of the control surface, when STUDIO LEVEL is selected.

bp PUNCH I/O

•A remote switch connection for activating the MMC master record function—to punch in or out of record.

•Use with a normally-open switch.

bq TALKBACK

•

A remote switch connection for engaging the

 

talkback function.

•

Duplicates the Talkback switch in the CON-

AUX OUT Section

•There are 12 Aux sends available.

•Auxes 1–8 provide mono 1/4" TRS ana- log line-level outputs.

•Auxes 9 and 10 are linked together as a stereo pair of 1/4" TRS analog line-level outputs.

•Auxes 11 and 12 are linked together as a stereo pair of 1/4" TRS analog line- level outputs.

Note: Auxes 1–12 simultaneously feed the analog Aux sends and the internal effects cards (by default).

Each MFX card handles two separate mono inputs, so auxes are paired. MFX effects returns are stereo, so each card, while receiving two discrete mono inputs, returns two sets of stereo outputs to the EFFECTS Bank. Internally, Aux 1 returns to FX 1/2; Aux 2 returns to FX 3/4; Aux 3 returns to FX 5/6; continuing through Aux 8, which returns at FX 15/16.

UFX cards handle 4 mono, two stereo, or one stereo and two mono inputs.

For each UFX card, no matter what the Aux input selection, returns appear at the FX faders numbered the same as their respective slots.

If all UFX effects are mono, each return correlates directly to the Slot number ( 9 to 9, 10 to 10, etc.)

•When stereo effects are selected, re- gardless of the Aux input selection, returns appear at the FX faders num- bered the same as their respective slots. For stereo effects with mono inputs, the effects return at the respective slot numbered pair (input 9 returns at FX 9/ 10; input 11 returns at FX 11/12, etc.)

AUXAUXAUXAUXAUXAUXAUXAUXAUXAUXAUXAUX

1

2

3

4

5

6 OUTAUX

7

8

9

10

11

12

(BAL/UNBAL)

TROL ROOM section.

• Use with a normally-open switch.

Note: Patching from an Aux output does not interrupt the internal sends to the FX Cards, so it’s possible to run both internal and outboard effects at the same time.

D8B Manual • Chapter 2 • page 24