4. PROGRAM CHANGE
Data format: [CnH]
CnH = Program event (n = channel number) ppH = Program change number
P.C.#=Program Change number
Voice Name | MSB | LSB | P.C.# | |
|
|
| ||
GRANDPIANO 1 | 0 | 122 | 1 | |
VARIATION | 0 | 123 | 1 | |
GRANDPIANO 2 | 0 | 112 | 1 | |
VARIATION | 0 | 112 | 2 | |
GRANDPIANO 3 | 0 | 122 | 2 |
6.SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H]
F0H, 43H, 0nH, 7CH (n: channel number) 00H, 2DH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 34H (CLP’04) 30H, 30H (version x, y)
[PANEL DATA]
[CHECK SUM (1byte)] =
F7H
VARIATION | 0 | 122 | 4 |
E.PIANO 1 | 0 | 122 | 6 |
VARIATION | 0 | 122 | 89 |
E.PIANO 2 | 0 | 122 | 5 |
VARIATION | 0 | 123 | 5 |
HARPSICHORD | 0 | 122 | 7 |
VARIATION | 0 | 123 | 7 |
VIBRAPHONE | 0 | 122 | 12 |
VARIATION | 0 | 122 | 13 |
CHURCH ORGAN | 0 | 123 | 20 |
VARIATION | 0 | 122 | 20 |
JAZZ ORGAN | 0 | 122 | 17 |
VARIATION | 0 | 123 | 17 |
STRINGS | 0 | 122 | 49 |
VARIATION | 0 | 122 | 50 |
•Panel Data Contents
(1)1'st Voice
(2)Dual On/Off
(3)Dual Voice
(4)Dual Balance
(5)Dual Detune
(6)Dual Voice1 Octave
(7)Dual Voice2 Octave
(8)Dual Voice1 Effect Depth
(9)Dual Voice2 Effect Depth
(10)Split On/Off
(11)Split Voice
(12)Split Point
(13)Split Balance
(14)Split Voice1 Octave
(15)Split Voice2 Octave
(16)Split Voice1 Effect Depth
(17)Split Voice2 Effect Depth
(18)Split Dumper Mode
(19)Reverb Type 1
(20)Reverb Type 2
(21)Reverb Depth 1
(22)Reverb Depth 2
(23)Effect Type 1
(24)Effect Type 2
(25)Effect Depth
(26)Variation On/Off
(27)Touch Sensitivity
(28)Fixed Data
(29)Left Pedal
(30)Soft Pedal Depth
(31)Absolute tempo low byte
(32)Absolute tempo high byte
(33)
CHOIR | 0 | 122 | 53 |
VARIATION | 0 | 123 | 53 |
GUITAR/CLAVI. | 0 | 122 | 25 |
VARIATION | 0 | 122 | 8 |
WOOD BASS | 0 | 122 | 33 |
VARIATION | 0 | 124 | 33 |
E.BASS | 0 | 122 | 34 |
VARIATION | 0 | 122 | 36 |
•If you assign Program Change numbers using numbers 0 through 127, subtract one (1) from a Program change number (P.C. #) listed above. For example, if you wish to change to a Program with the P.C. #1, specify number 0.
•When program change reception is turned OFF in the Func- tion mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.
5.SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data | Transmission | Reception | |
|
|
| |
F8H | Transmitted every | Received as | |
96 clocks | when MIDI clock is set to External | ||
| |||
|
| Recorder start | |
FAH | Recorder start | Not received when the MIDI clock is | |
|
| set to Internal. | |
|
|
| |
|
| Recorder stop | |
FCH | Recorder stop | Not received when the MIDI clock is | |
|
| set to Internal. | |
|
| If a signal is not received via MIDI for | |
|
| more than 400 milliseconds, the | |
FEH | Transmitted every | same processing will take place for All | |
200 milliseconds | Sound Off, All Notes Off and Reset All | ||
| |||
|
| Controllers as when those signals are | |
|
| received. |
•Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs.
• Panel data send requests cannot be received.
7.SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H]
MIDI Master Volume
•Simultaneously changes the volume of all channels.
•When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master
F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device
04H =
01H =
mmH = Volume MSB F7H = End of Exclusive
or
F0H = Exclusive status 7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received. X = don’t care
04H =
01H =
mmH = Volume MSB F7H = End of Exclusive
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