Preset Voice List
Preset Voice List
ENGLISH
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| : Yes | ||
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| : No | ||
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Voice Name | Stereo | Touch | Dynamic | Voice Descriptions | ||||||||||||
Sampling | Response | Sampling*1 | Sampling*2 | |||||||||||||
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| Recorded samples from a full concert grand piano. Also | |||
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| includes four levels of dynamic sampling, sustain samples, | |||
GRANDPIANO 1 |
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| and | |||
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| grand piano sound. Perfect for classical compositions as | |||
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| well as any other style that requires acoustic piano. | |||
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VARIATION |
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| Warm and mellow piano. Good for classical compositions. | |||
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GRANDPIANO 2 |
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| Spacious and clear piano with bright reverb. Good for popu- | |||
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| lar music. | ||||
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VARIATION |
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| Bright, spacious piano. Good for popular or rock music. | |||
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| An electronic piano sound created by FM synthesis. | |||
E.PIANO 1 |
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| Extremely “musical” response with varying timbre according | |||
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| to keyboard dynamics. Good for standard popular music. | |||
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| A | |||
VARIATION |
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| in popular music. Used in the DUAL mode it blends well with | |||
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| an acoustic piano voice. | |||
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| The sound of an electric piano using | |||
E.PIANO 2 |
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| “tines.” Soft tone when played lightly, and an aggressive tone | |||
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| when played hard. | |||
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VARIATION |
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| A slightly different electric piano sound often heard in rock | |||
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| and popular music. | ||||
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| The definitive instrument for baroque music. Since harpsi- | |||
HARPSICHORD |
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| chord uses plucked strings, there is no touch response. | |||
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| There is, however, a characteristic additional sound when | ||||
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| the keys are released. | |||
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VARIATION |
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| Mixes the same voice an octave higher for a more brilliant | |||
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| tone. | ||||
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| A | |||
E. CLAVICHORD |
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| tric pickup that is often heard in funk and soul music. Its tone | |||
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| is noted for the unique sound produced when the keys are | ||||
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| released. | |||
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VARIATION |
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| Includes a unique preset effect. | |||
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VIBRAPHONE |
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| Vibraphone played with relatively soft mallets. The tone | |||
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| becomes more metallic the harder you play. | ||||
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VARIATION |
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CHURCH ORGAN |
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| This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). | |||
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| Good for sacred music from the Baroque period. | ||||
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VARIATION |
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| This is the organ’s full coupler sound often associated with | |||
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| Bach’s “Toccata and Fugue.” | ||||
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JAZZ ORGAN |
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| The sound of a “tonewheel” type electric organ. Often heard | |||
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| in jazz and rock idioms. | ||||
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| |
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| Uses a rotary speaker effect with a different speed. The vari- | |||
VARIATION |
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| ations speed is faster. If the variation is selected while hold- | |||
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| ing a chord, the speed of the effect will gradually change. | |||
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STRINGS |
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| reverb. Try combining this voice with piano in the DUAL | |||
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| mode. | |||
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VARIATION |
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| Spacious strings ensemble with a slow attack. Try combining | |||
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| this voice with a piano or electric piano in the DUAL mode. | ||||
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CHOIR |
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| A big, spacious choir voice. Perfect for creating rich harmo- | |||
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| nies in slow pieces. | ||||
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VARIATION |
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| A choir voice with a slow attack. Try combining this voice | |||
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| with a piano or electric piano in the DUAL mode. | ||||
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92