ENGLISH
Preset Voice List
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Voice Name | Stereo | Touch | Dynamic | Voice Descriptions | ||||||||||||
Sampling | Response | Sampling*1 | Sampling*2 | |||||||||||||
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| Recorded samples from a full concert grand piano. Perfect | |||
GRANDPIANO 1 |
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| for classical compositions as well as any other style that | |||
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| requires acoustic piano. | |||
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GRANDPIANO 2 |
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| Spacious and clear piano with bright reverb. Good for popu- | |||
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| lar music. | ||||
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E.PIANO 1 |
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| An electronic piano sound created by FM synthesis. Good | |||
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| for standard popular music. | ||||
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| The sound of an electric piano using | |||
E.PIANO 2 |
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| “tines.” Soft tone when played lightly, and an aggressive tone | |||
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| when played hard. | |||
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| The definitive instrument for baroque music. Since harpsi- | |||
HARPSICHORD 1 |
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| chord uses plucked strings, there is no touch response. | |||
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| There is, however, a characteristic additional sound when | ||||
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| the keys are released. | |||
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HARPSICHORD 2 |
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| Mixes the same voice an octave higher for a more brilliant | |||
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| tone. | ||||
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VIBRAPHONE |
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| Vibraphone played with relatively soft mallets. The tone | |||
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| becomes more metallic the harder you play. | ||||
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CHURCH ORGAN 1 |
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| This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). | |||
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| Good for sacred music from the Baroque period. | ||||
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CHURCH ORGAN 2 |
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| This is the organ’s full coupler sound often associated with | |||
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| Bach’s “Toccata and Fugue.” | ||||
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JAZZ ORGAN |
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| The sound of a “tonewheel” type electric organ. Often heard | |||
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| in jazz and rock idioms. | ||||
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STRINGS 1 |
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| reverb. Try combining this voice with piano in the DUAL | |||
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| mode. | |||
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STRINGS 2 |
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| Spacious strings ensemble with a slow attack. Try combining | |||
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| this voice with a piano or electric piano in the DUAL mode. | ||||
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CHOIR |
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| A big, spacious choir voice. Perfect for creating rich harmo- | |||
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| nies in slow pieces. | ||||
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GUITAR |
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| Warm and | |||
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| ambience of nylon strings. | ||||
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*1. Dynamic Sampling provides multiple
*2. Contains a very subtle sample that is produced when the keys are released.
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