Sony DTC-A6 Using the SBM Super Bit Mapping Function, 11EN, Counter in long-play mode

Page 10

zThe counter in long-play mode

The displayed tape running time, absolute time and remaining time on the tape are for standard-play mode. Double the time to obtain the corresponding times for long-play mode.

Note

Do not change the INPUT or REC MODE setting while recording. This may cause an error in the “PGM TIME” (playing time of the track) display.

Using the SBM (Super Bit Mapping) Function

You can use the SBM function to record on analog input signal only when the INPUT switch is set to ANALOG and the REC MODE switch to STANDARD (either 48 kHz or 44.1 kHz). For details on the SBM function, see “SBM (Super Bit Mapping) Function” on page 20.

REC LEVEL L R

 

 

 

 

 

MARGIN

 

START ID

 

 

5

 

 

 

 

 

RESET

AUTO

RENUMBER REHEARSAL

4

6

 

 

 

 

 

 

 

 

 

3

7

 

 

 

 

 

g

 

 

 

2

8

 

 

 

 

 

 

WRITE

ERASE

 

1

9

 

 

 

 

 

 

 

 

 

0

10

TIMER

PREVIOUS

NEXT

REW

FF

MODE RESET

 

 

 

 

 

 

=

+

0

)

 

 

 

 

 

 

REC OFF PLAY

AMS

 

 

 

 

INPUT

REC MODE

SBM

PHONES

PHONE LEVEL

 

 

 

 

 

 

 

 

 

 

 

 

 

STANDARD

 

 

POWER

STOP

PLAY

PAUSE

REC MUTE

REC

OPEN/CLOSE

ANALOG

48 kHz

ON

 

p

(

P

R

r

¤

OPTICAL

44.1kHz

OFF

 

 

COAXIAL

LONG

 

 

 

 

 

 

 

 

 

 

0

10

 

 

 

 

 

 

 

 

 

SBM

 

Set SBM to ON.

“SBM” appears in the display during recording using the SBM function.

To turn the SBM function off

Set SBM to OFF.

Recording Operations

Inserting a Sound-Muted

Section While Recording

(Record Muting)

Use Record Muting to insert a space of about 4 seconds between tracks. This is recommended if you plan to copy the DAT tape to an analog audio cassette tape since the spaces will allow you to use automatic search functions to locate the beginning of each track.

When you start recording from the beginning of a blank tape and want to insert a space before the first track, be sure to create a sound-muted section using Record Muting only. Do not advance the tape with the

FF) or PLAY ( button since this will create a blank section on the tape (see page 9).

 

 

 

 

 

 

 

 

 

 

 

 

 

REC LEVEL

L

R

 

 

 

 

 

 

 

 

MARGIN

 

START ID

 

 

4

5

6

 

 

 

 

 

 

 

 

 

RESET

AUTO

RENUMBER

REHEARSAL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

7

 

 

 

 

 

 

 

 

g

 

 

 

 

2

 

 

8

 

 

 

 

 

 

 

 

 

WRITE

 

ERASE

 

1

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

10

 

 

TIMER

PREVIOUS

NEXT

REW

FF

MODE

RESET

 

 

 

 

 

 

 

 

 

 

 

=

+

0

)

 

 

 

 

 

 

 

 

 

 

 

REC

OFF PLAY

AMS

 

 

 

 

 

 

INPUT

REC MODE

SBM

PHONES

PHONE LEVEL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STANDARD

 

 

 

 

 

 

POWER

STOP

 

PLAY

PAUSE

REC MUTE

REC

OPEN/CLOSE

ANALOG

48 kHz

ON

 

 

 

 

 

 

 

p

 

(

P

R

r

¤

COAXIAL

LONG

OFF

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

10

PLAY ( PAUSE P REC MUTE R

1Press REC MUTE R where you want to insert a space while the deck is recording or in recording pause.

The deck creates a sound-muted section as “REC” flashes in the display.

After the sound-muted section is completed, “REC” lights up and the deck changes to recording pause.

To insert a blank space longer than 4 seconds

Hold down the REC MUTE R button as long as you want. When you release the button, the sound-muted section ends and the deck changes to become recording pause. If you keep the button pressed longer than 4 seconds, “REC” will begin to flash more quickly and the time elapsed after pressing the REC MUTE R button is shown in the display.

When you release the REC MUTE R button, P in the display stays on and the deck changes to recording pause.

2Press PAUSE P or PLAY ( to resume recording. The deck starts recording again.

Note

If you do not create a sound-muted section at the beginning of a tape, you may not be able to move or erase a start ID (see page 14) that is recorded within 2 seconds from the beginning of the tape.

11EN

3-856-761-11(2)

Image 10
Contents Operating Instructions Mode d’emploi Bedienungsanleitung Digital Audio Tape Deck856-761-112 For the customers in the United States WelcomeAbout This Manual Owner’s RecordTable of Contents See page 5 for hookup information To record through Set Input toPress If Unlock appears in the displayPlaying a DAT Things You Should Know Before Recording Adjusting the Recording Level For Analog RecordingWhen using a new tape Absolute time codesSetting the Recording Mode 10EN11EN Using the SBM Super Bit Mapping FunctionCounter in long-play mode To turn the SBM function offAbout the Display Recording Using a Timer Timer RecordingTo reset the tape running time 12ENPlaying a track repeatedly Locating a Track AMS*/Direct AccessPlaying all tracks repeatedly 13ENWriting Start IDs During Recording Playback Using a Timer Timer PlayingAbout Sub Codes Start IDsWriting the Start IDs Automatically During Recording Writing Start IDs During PlaybackManual Writing of Start IDs During Recording 15ENAccurate Positioning of Start IDs Rehearsal Adjusting the Position of an Existing Start IDErasing Start IDs 16ENRenumbering the Program Numbers Automatically Renumbering Precautions17EN Cleaning the head and tape path CleaningCleaning the cabinet, panel and controls Display MessagesTroubleshooting 19EN20EN SpecificationsSBM Super Bit Mapping Function High-precision pulse A/D converterNoise-shaping filter Guide to the Serial Copy Management SystemApplying the principle of human hearing 21EN22EN K, L IndexNames of controls V, W, X, Y, ZBienvenue Au sujet de ce mode d’emploiPour les utilisateurs au Canada Inscription de sous-codes PréparatifsLecture Informations supplémentairesDéballage Installation dans un rackMise en place des piles dans la télécommande Quand remplacer les pilesRaccordements RaccordementsDe quels cordons avez-vous besoin ? Branchement du cordon d’alimentation secteurVoir la page 5 pour les informations sur le raccordement Pour enregistrer via Réglez Input surSi Unlock apparaît sur l’affichage Pour Appuyez surLecture d’une cassette DAT Si Emphasis apparaît sur l’affichage Répétition de plages lecture répétée ZLocalisation d’une plage AMS*/accès direct Répétition de toutes les plagesLecture avec une minuterie lecture programmée Utilisation des sous-codesInscription de codes ID de départ pendant l’enregistrement Code ID de départInscription de codes ID de départ pendant la lecture 15FEffacement de codes ID de départ 16FRenumérotation automatique des numéros de programme Précautions17F Messages sur l’affichage Nettoyage du coffret, du panneau et des commandesNettoyage Nettoyage de la tête et du parcours de la bandeGuide de dépannage 19F20F SpécificationsFonction SBM Super Bit Mapping Convertisseur A/N à impulsion de haute précisionFiltre conformateur de bruit Application du principe de l’oreille humaine21F 22F Nomenclature 23FZu dieser Anleitung Herzlichen GlückwunschWas Sie noch über die Anleitung wissen sollten Setzen von Subcodes VorbereitungenAufnahme Wiedergabe Aufnahmebetrieb ZusatzinformationenEinlegen der Batterien in die Fernbedienung Nach dem AuspackenGestellmontage Zur Lebensdauer der BatterienAnschluß der verschiedenen Kabel AnschlußDie benötigten Kabel Anschluß des NetzkabelsZum Anschließen siehe Seite Verwendete Eingangsbuchse Einstellung von InputUm die Aufnahme am Ende eines bereits bespielten Bandteils Wenn Unlock im Display angezeigt wirdZum Drücken Sie Wiedergabe Zum Hören über KopfhörerWissenswertes zur Aufnahme Einstellen des Aufnahmemodus Verwendung der Ende Suchfunktion10D Einfügen einer Leerstelle während der Aufnahme Record Mute Verwendung der Super-Bit- Mapping-Funktion SBM11D 12D Timergesteuerte AufnahmeAnzeigen im Display Zum Zurücksetzen der BandlaufzeitZum Wiederholen aller Titel Titelsuche AMS*/DirektsucheWiederholspielbetrieb Repeat-Funktion Z Zum Wiederholen eines einzelnen TitelsSetzen von Startcodes während der Aufnahme Timergesteuerte WiedergabeDie verschiedenen Subcodes Startcodes Start IDManuelles Setzen von Startcodes während der Aufnahme Beim Aufnehmen des Digitalsignals von einem CD- SpielerSetzen von Startcodes während der Wiedergabe 15DExaktes Positionieren von Startcodes Rehearsal-Funktion Löschen von StartcodesFeinkorrektur der Position eines existierenden Startcodes 16DZur besonderen Beachtung 17DReinigen des Tonkopfes und des Bandpfades ReinigungMeldungen im Display 18DStörungsüberprüfungen 19D20D Technische DatenSuper-Bit-Mapping-Funktion SBM Hochpräziser A/D-ImpulskonverterNoise-Shaping-Filter Arbeitsweise des „Serial Copy Management SystemEmpfindlichkeitscharakteristik des menschlichen Ohres 21D22D Y, Z StichwortverzeichnisI, J, K Bezeichnung der Bedienungselemente

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.