Sony DTC-A6 See page 5 for hookup information, To record through Set Input to

Page 5

Basic Operations

Recording on a DAT

 

 

 

 

5

 

 

 

 

 

 

 

 

7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REC LEVEL

L

R

 

 

 

 

 

 

 

 

MARGIN

 

START ID

 

 

 

5

 

 

 

 

 

 

 

 

 

 

RESET

AUTO

RENUMBER

REHEARSAL

4

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

7

 

 

 

 

 

 

 

 

g

 

 

 

 

2

 

 

8

 

 

 

 

 

 

 

 

 

WRITE

 

ERASE

 

1

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

10

 

 

TIMER

PREVIOUS

NEXT

REW

FF

MODE

RESET

 

 

 

 

 

 

 

 

 

 

 

=

+

0

)

 

 

 

 

 

 

 

 

 

 

 

REC

OFF PLAY

AMS

 

 

 

 

 

 

INPUT

REC MODE

SBM

PHONES

PHONE LEVEL

 

 

 

 

 

 

 

 

 

 

 

STOP

 

PLAY

PAUSE

REC MUTE

REC

 

 

STANDARD

 

 

 

 

 

 

 

 

 

OPEN/CLOSE

ANALOG

48 kHz

ON

 

 

 

 

 

POWER

p

 

(

P

R

r

¤

OPTICAL

44.1kHz

OFF

 

 

 

 

 

 

COAXIAL

LONG

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

10

2

8

6

3 4

See page 5 for hookup information.

1

Turn on the amplifier and play the program source you want

to record.

 

 

 

2

Press POWER.

 

 

3

Press OPEN/CLOSE ¤ and insert a cassette.

 

 

 

 

 

Window side up

 

 

 

¤

b

b

¤

 

OPEN/CLOSE

 

 

OPEN/CLOSE

 

 

 

Close the cassette

 

 

Insert the cassette

holder by pressing

 

 

beyond the silver

OPEN/CLOSE ¤.

 

 

bar.

 

 

4

Set INPUT to the corresponding input connector.

 

To record through

Set INPUT to

 

ANALOG (LINE) IN

ANALOG

 

 

DIGITAL OPTICAL IN

OPTICAL

 

 

DIGITAL COAXIAL IN

COAXIAL

 

6EN

3-856-761-11(2)

Image 5
Contents Digital Audio Tape Deck Operating Instructions Mode d’emploi Bedienungsanleitung856-761-112 About This Manual WelcomeFor the customers in the United States Owner’s RecordTable of Contents To record through Set Input to See page 5 for hookup informationIf Unlock appears in the display PressPlaying a DAT When using a new tape Adjusting the Recording Level For Analog RecordingThings You Should Know Before Recording Absolute time codes10EN Setting the Recording ModeCounter in long-play mode Using the SBM Super Bit Mapping Function11EN To turn the SBM function offTo reset the tape running time Recording Using a Timer Timer RecordingAbout the Display 12ENPlaying all tracks repeatedly Locating a Track AMS*/Direct AccessPlaying a track repeatedly 13ENAbout Sub Codes Playback Using a Timer Timer PlayingWriting Start IDs During Recording Start IDsManual Writing of Start IDs During Recording Writing Start IDs During PlaybackWriting the Start IDs Automatically During Recording 15ENErasing Start IDs Adjusting the Position of an Existing Start IDAccurate Positioning of Start IDs Rehearsal 16EN17EN PrecautionsRenumbering the Program Numbers Automatically Renumbering Cleaning the cabinet, panel and controls CleaningCleaning the head and tape path Display Messages19EN TroubleshootingSBM Super Bit Mapping Function Specifications20EN High-precision pulse A/D converterApplying the principle of human hearing Guide to the Serial Copy Management SystemNoise-shaping filter 21EN22EN Names of controls IndexK, L V, W, X, Y, ZPour les utilisateurs au Canada Au sujet de ce mode d’emploiBienvenue Lecture PréparatifsInscription de sous-codes Informations supplémentairesMise en place des piles dans la télécommande Installation dans un rackDéballage Quand remplacer les pilesDe quels cordons avez-vous besoin ? RaccordementsRaccordements Branchement du cordon d’alimentation secteurPour enregistrer via Réglez Input sur Voir la page 5 pour les informations sur le raccordementPour Appuyez sur Si Unlock apparaît sur l’affichageLecture d’une cassette DAT Localisation d’une plage AMS*/accès direct Répétition de plages lecture répétée ZSi Emphasis apparaît sur l’affichage Répétition de toutes les plagesInscription de codes ID de départ pendant l’enregistrement Utilisation des sous-codesLecture avec une minuterie lecture programmée Code ID de départ15F Inscription de codes ID de départ pendant la lecture16F Effacement de codes ID de départ17F PrécautionsRenumérotation automatique des numéros de programme Nettoyage Nettoyage du coffret, du panneau et des commandesMessages sur l’affichage Nettoyage de la tête et du parcours de la bande19F Guide de dépannageFonction SBM Super Bit Mapping Spécifications20F Convertisseur A/N à impulsion de haute précision21F Application du principe de l’oreille humaineFiltre conformateur de bruit 22F 23F NomenclatureWas Sie noch über die Anleitung wissen sollten Herzlichen GlückwunschZu dieser Anleitung Aufnahme Wiedergabe Aufnahmebetrieb VorbereitungenSetzen von Subcodes ZusatzinformationenGestellmontage Nach dem AuspackenEinlegen der Batterien in die Fernbedienung Zur Lebensdauer der BatterienDie benötigten Kabel AnschlußAnschluß der verschiedenen Kabel Anschluß des NetzkabelsVerwendete Eingangsbuchse Einstellung von Input Zum Anschließen siehe SeiteZum Drücken Sie Wenn Unlock im Display angezeigt wirdUm die Aufnahme am Ende eines bereits bespielten Bandteils Zum Hören über Kopfhörer WiedergabeWissenswertes zur Aufnahme 10D Verwendung der Ende SuchfunktionEinstellen des Aufnahmemodus 11D Verwendung der Super-Bit- Mapping-Funktion SBMEinfügen einer Leerstelle während der Aufnahme Record Mute Anzeigen im Display Timergesteuerte Aufnahme12D Zum Zurücksetzen der BandlaufzeitWiederholspielbetrieb Repeat-Funktion Z Titelsuche AMS*/DirektsucheZum Wiederholen aller Titel Zum Wiederholen eines einzelnen TitelsDie verschiedenen Subcodes Timergesteuerte WiedergabeSetzen von Startcodes während der Aufnahme Startcodes Start IDSetzen von Startcodes während der Wiedergabe Beim Aufnehmen des Digitalsignals von einem CD- SpielerManuelles Setzen von Startcodes während der Aufnahme 15DFeinkorrektur der Position eines existierenden Startcodes Löschen von StartcodesExaktes Positionieren von Startcodes Rehearsal-Funktion 16D17D Zur besonderen BeachtungMeldungen im Display ReinigungReinigen des Tonkopfes und des Bandpfades 18D19D StörungsüberprüfungenSuper-Bit-Mapping-Funktion SBM Technische Daten20D Hochpräziser A/D-ImpulskonverterEmpfindlichkeitscharakteristik des menschlichen Ohres Arbeitsweise des „Serial Copy Management SystemNoise-Shaping-Filter 21D22D I, J, K StichwortverzeichnisY, Z Bezeichnung der Bedienungselemente

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.