Sony DTC-A6 Guide to the Serial Copy Management System, Applying the principle of human hearing

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Applying the principle of human hearing

The SBM function applies the principle of human hearing in the reintegration of signal information. The auditory range of the human ear is generally considered to be 20 Hz to 20 kHz; hearing sensitivity, however, shows greater sensitivity to the range between 3 kHz and 4 kHz, and lower sensitivity to frequencies above and below this range. This principle applies also to quantizing noise as well. By reducing quantizing noise in this particular range, signals can be recorded to produce more expansive sound than is possible by a uniform reduction of noise over the entire audible range.

Noise-shaping filter

The SBM function uses a noise-shaping filter (see Fig.

B)with a frequency response similar to that of the human ear to reduce quantizing noise within the most sensitive frequency range, and to feed back the quantizing error (that is normally lost) back to the input signal, re-integrating the low-end bit information with the high-end bit information (see Fig. A).

Fig. A

24-bit information

/

Noise-shaping

/

16-bit SBM

input

 

filter

 

output

Fig. B shows the improvement in the quantizing noise level when the SBM switch is on (theoretical values). Given a noise level of 0 dB when the SBM switch is off, the improvement in noise level for sampling frequencies lower than 3 kHz exceeds 10 dB when the SBM is activated.

Fig. B

Additional Information

Guide to the Serial Copy Management System

This deck uses the Serial Copy Management System, which allows only first-generation digital copies to be made of premastered software via the deck’s digital input jack. An outline of this system appears below:

1You can record from digital program sources (CDs, premastered MDs or DATs) onto a DAT or recordable MD via digital input jack on the DAT or MD deck. You cannot, however, record from this recorded DAT or MD onto another DAT or recordable MD via the digital input jack on the DAT or MD deck.

Playing

 

CD player

 

 

 

 

 

 

 

 

 

 

 

DAT deck

 

 

MD deck

 

 

 

 

 

 

Digital output jack

Optical cable or coaxial digital connecting cable

Digital input jack

DAT deck or

Recording

MD deck

v

First-generation DAT or MD

DAT or MD recorded via digital-to-digital

vconnection

Playing

DAT deck or

MD deck

 

25

20

Noise 15 level 10 (dB) 5

0

-5

-10

20

SBM

ON

SBM

OFF

50

100

200

500

1k

2k

5k

10k 15k

Sampling frequency (Hz)

Digital output jack

Line (analog) output jack

Optical cable or

 

Audio connecting

coaxial digital

 

 

cord

connecting cable

 

 

 

Digital input jack

Line (analog) input jack

Recording

DAT deck or

MD deck

 

The SBM function operates only during recording. The improved sound produced by the SBM function, however, can be enjoyed during playback, regardless of the SBM switch position or the DAT deck being used.

(Continued)

21EN

3-856-761-11(2)

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Contents Operating Instructions Mode d’emploi Bedienungsanleitung Digital Audio Tape Deck856-761-112 Welcome About This ManualFor the customers in the United States Owner’s RecordTable of Contents See page 5 for hookup information To record through Set Input toPress If Unlock appears in the displayPlaying a DAT Adjusting the Recording Level For Analog Recording When using a new tapeThings You Should Know Before Recording Absolute time codesSetting the Recording Mode 10ENUsing the SBM Super Bit Mapping Function Counter in long-play mode11EN To turn the SBM function offRecording Using a Timer Timer Recording To reset the tape running timeAbout the Display 12ENLocating a Track AMS*/Direct Access Playing all tracks repeatedlyPlaying a track repeatedly 13ENPlayback Using a Timer Timer Playing About Sub CodesWriting Start IDs During Recording Start IDsWriting Start IDs During Playback Manual Writing of Start IDs During RecordingWriting the Start IDs Automatically During Recording 15ENAdjusting the Position of an Existing Start ID Erasing Start IDsAccurate Positioning of Start IDs Rehearsal 16EN17EN PrecautionsRenumbering the Program Numbers Automatically Renumbering Cleaning Cleaning the cabinet, panel and controlsCleaning the head and tape path Display MessagesTroubleshooting 19ENSpecifications SBM Super Bit Mapping Function20EN High-precision pulse A/D converterGuide to the Serial Copy Management System Applying the principle of human hearingNoise-shaping filter 21EN22EN Index Names of controlsK, L V, W, X, Y, ZPour les utilisateurs au Canada Au sujet de ce mode d’emploiBienvenue Préparatifs LectureInscription de sous-codes Informations supplémentairesInstallation dans un rack Mise en place des piles dans la télécommandeDéballage Quand remplacer les pilesRaccordements De quels cordons avez-vous besoin ?Raccordements Branchement du cordon d’alimentation secteurVoir la page 5 pour les informations sur le raccordement Pour enregistrer via Réglez Input surSi Unlock apparaît sur l’affichage Pour Appuyez surLecture d’une cassette DAT Répétition de plages lecture répétée Z Localisation d’une plage AMS*/accès directSi Emphasis apparaît sur l’affichage Répétition de toutes les plagesUtilisation des sous-codes Inscription de codes ID de départ pendant l’enregistrementLecture avec une minuterie lecture programmée Code ID de départInscription de codes ID de départ pendant la lecture 15FEffacement de codes ID de départ 16F17F PrécautionsRenumérotation automatique des numéros de programme Nettoyage du coffret, du panneau et des commandes NettoyageMessages sur l’affichage Nettoyage de la tête et du parcours de la bandeGuide de dépannage 19FSpécifications Fonction SBM Super Bit Mapping20F Convertisseur A/N à impulsion de haute précision21F Application du principe de l’oreille humaineFiltre conformateur de bruit 22F Nomenclature 23FWas Sie noch über die Anleitung wissen sollten Herzlichen GlückwunschZu dieser Anleitung Vorbereitungen Aufnahme Wiedergabe AufnahmebetriebSetzen von Subcodes ZusatzinformationenNach dem Auspacken GestellmontageEinlegen der Batterien in die Fernbedienung Zur Lebensdauer der BatterienAnschluß Die benötigten KabelAnschluß der verschiedenen Kabel Anschluß des NetzkabelsZum Anschließen siehe Seite Verwendete Eingangsbuchse Einstellung von InputZum Drücken Sie Wenn Unlock im Display angezeigt wirdUm die Aufnahme am Ende eines bereits bespielten Bandteils Wiedergabe Zum Hören über KopfhörerWissenswertes zur Aufnahme 10D Verwendung der Ende SuchfunktionEinstellen des Aufnahmemodus 11D Verwendung der Super-Bit- Mapping-Funktion SBMEinfügen einer Leerstelle während der Aufnahme Record Mute Timergesteuerte Aufnahme Anzeigen im Display12D Zum Zurücksetzen der BandlaufzeitTitelsuche AMS*/Direktsuche Wiederholspielbetrieb Repeat-Funktion ZZum Wiederholen aller Titel Zum Wiederholen eines einzelnen TitelsTimergesteuerte Wiedergabe Die verschiedenen SubcodesSetzen von Startcodes während der Aufnahme Startcodes Start IDBeim Aufnehmen des Digitalsignals von einem CD- Spieler Setzen von Startcodes während der WiedergabeManuelles Setzen von Startcodes während der Aufnahme 15DLöschen von Startcodes Feinkorrektur der Position eines existierenden StartcodesExaktes Positionieren von Startcodes Rehearsal-Funktion 16DZur besonderen Beachtung 17DReinigung Meldungen im DisplayReinigen des Tonkopfes und des Bandpfades 18DStörungsüberprüfungen 19DTechnische Daten Super-Bit-Mapping-Funktion SBM20D Hochpräziser A/D-ImpulskonverterArbeitsweise des „Serial Copy Management System Empfindlichkeitscharakteristik des menschlichen OhresNoise-Shaping-Filter 21D22D Stichwortverzeichnis I, J, KY, Z Bezeichnung der Bedienungselemente

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.