Sony DTC-A6 operating instructions 22EN

Page 21

Additional Information

2 You can record the digital input signal of a digital satellite

broadcast onto a DAT or recordable MD via the digital

input jack on the DAT or MD deck which is capable of

handling a sampling frequeny of 32 kHz or 48 kHz. You

can then record the contents of this recorded DAT or MD

(first-generation) onto another DAT or recordable MD via

digital input jack on the DAT or MD deck to create a

second-generation digital copy. Subsequent recording

from the second-generation copy onto another DAT or

3You can record a DAT or MD recorded via the DAT or MD deck’s analog input jack onto another DAT or MD via the DAT or MD deck’s digital output jack. You cannot, however, make a second-generation DAT or MD copy via the DAT or MD deck’s digital output jack.

Playing

Turntable

 

 

recordable MD is possible only through the analog input

jack on the DAT or MD deck.

Playing

BS tuner

Optical cable or

Digital output jack

 

coaxial digital

 

connecting cable

Digital input jack

 

Recording

DAT deck or

MD deck

 

 

v

Tuner

Cassette deck

DAT deck

Audio connecting cord

CD player

Microphone

amplifier

MD deck

Line (analog) output jack

Line (analog) input jack

 

 

First-generation

 

 

DAT or MD

DAT or MD

 

recorded via

 

v

digital-to-digital

 

connection

Playing

DAT deck or

 

MD deck

 

 

 

 

 

Digital output jack

Recording

DAT or MD

DAT deck or

MD deck

v

DAT or MD recorded via analog-to-digital connection

v

Optical cable or

coaxial digital

connecting cable

Digital input jack

Playing

DAT deck or

 

MD deck

 

 

Optical cable or

Digital output jack

 

Recording

DAT deck or

MD deck

v

Second-

Coaxial digital connecting cable

Digital input jack

DAT or MD

Playing

generation DAT

or MD recorded

via digital-to- digital

vconnection

DAT deck or

MD deck

Recording

DAT or MD

DAT deck or

MD deck

vFirst-generation DAT or MD

recorded via digital-to-digital

vconnection

Digital output jack

Line (analog) output jack

Optical cable or

 

Playing

DAT deck or

MD deck

coaxial digital

 

Audio connecting

connecting cable

 

cord

Digital input jack

Line (analog) input jack

Recording

DAT deck or

MD deck

 

22EN

Digital output jack

Line (analog) output jacks

Optical cable or

 

Audio connecting

coaxial digital

 

 

cord

connecting cable

 

 

 

Digital input jack

Line (analog) input jacks

Recording

DAT deck or

MD deck

 

3-856-761-11(2)

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Contents Digital Audio Tape Deck Operating Instructions Mode d’emploi Bedienungsanleitung856-761-112 About This Manual WelcomeFor the customers in the United States Owner’s RecordTable of Contents To record through Set Input to See page 5 for hookup informationIf Unlock appears in the display PressPlaying a DAT When using a new tape Adjusting the Recording Level For Analog RecordingThings You Should Know Before Recording Absolute time codes10EN Setting the Recording ModeCounter in long-play mode Using the SBM Super Bit Mapping Function11EN To turn the SBM function offTo reset the tape running time Recording Using a Timer Timer RecordingAbout the Display 12ENPlaying all tracks repeatedly Locating a Track AMS*/Direct AccessPlaying a track repeatedly 13ENAbout Sub Codes Playback Using a Timer Timer PlayingWriting Start IDs During Recording Start IDsManual Writing of Start IDs During Recording Writing Start IDs During PlaybackWriting the Start IDs Automatically During Recording 15ENErasing Start IDs Adjusting the Position of an Existing Start IDAccurate Positioning of Start IDs Rehearsal 16ENPrecautions Renumbering the Program Numbers Automatically Renumbering17EN Cleaning the cabinet, panel and controls CleaningCleaning the head and tape path Display Messages19EN TroubleshootingSBM Super Bit Mapping Function Specifications20EN High-precision pulse A/D converterApplying the principle of human hearing Guide to the Serial Copy Management SystemNoise-shaping filter 21EN22EN Names of controls IndexK, L V, W, X, Y, ZAu sujet de ce mode d’emploi BienvenuePour les utilisateurs au Canada Lecture PréparatifsInscription de sous-codes Informations supplémentairesMise en place des piles dans la télécommande Installation dans un rackDéballage Quand remplacer les pilesDe quels cordons avez-vous besoin ? RaccordementsRaccordements Branchement du cordon d’alimentation secteurPour enregistrer via Réglez Input sur Voir la page 5 pour les informations sur le raccordementPour Appuyez sur Si Unlock apparaît sur l’affichageLecture d’une cassette DAT Localisation d’une plage AMS*/accès direct Répétition de plages lecture répétée ZSi Emphasis apparaît sur l’affichage Répétition de toutes les plagesInscription de codes ID de départ pendant l’enregistrement Utilisation des sous-codesLecture avec une minuterie lecture programmée Code ID de départ15F Inscription de codes ID de départ pendant la lecture16F Effacement de codes ID de départPrécautions Renumérotation automatique des numéros de programme17F Nettoyage Nettoyage du coffret, du panneau et des commandesMessages sur l’affichage Nettoyage de la tête et du parcours de la bande19F Guide de dépannageFonction SBM Super Bit Mapping Spécifications20F Convertisseur A/N à impulsion de haute précisionApplication du principe de l’oreille humaine Filtre conformateur de bruit21F 22F 23F NomenclatureHerzlichen Glückwunsch Zu dieser AnleitungWas Sie noch über die Anleitung wissen sollten Aufnahme Wiedergabe Aufnahmebetrieb VorbereitungenSetzen von Subcodes ZusatzinformationenGestellmontage Nach dem AuspackenEinlegen der Batterien in die Fernbedienung Zur Lebensdauer der BatterienDie benötigten Kabel AnschlußAnschluß der verschiedenen Kabel Anschluß des NetzkabelsVerwendete Eingangsbuchse Einstellung von Input Zum Anschließen siehe SeiteWenn Unlock im Display angezeigt wird Um die Aufnahme am Ende eines bereits bespielten BandteilsZum Drücken Sie Zum Hören über Kopfhörer WiedergabeWissenswertes zur Aufnahme Verwendung der Ende Suchfunktion Einstellen des Aufnahmemodus10D Verwendung der Super-Bit- Mapping-Funktion SBM Einfügen einer Leerstelle während der Aufnahme Record Mute11D Anzeigen im Display Timergesteuerte Aufnahme12D Zum Zurücksetzen der BandlaufzeitWiederholspielbetrieb Repeat-Funktion Z Titelsuche AMS*/DirektsucheZum Wiederholen aller Titel Zum Wiederholen eines einzelnen TitelsDie verschiedenen Subcodes Timergesteuerte WiedergabeSetzen von Startcodes während der Aufnahme Startcodes Start IDSetzen von Startcodes während der Wiedergabe Beim Aufnehmen des Digitalsignals von einem CD- SpielerManuelles Setzen von Startcodes während der Aufnahme 15DFeinkorrektur der Position eines existierenden Startcodes Löschen von StartcodesExaktes Positionieren von Startcodes Rehearsal-Funktion 16D17D Zur besonderen BeachtungMeldungen im Display ReinigungReinigen des Tonkopfes und des Bandpfades 18D19D StörungsüberprüfungenSuper-Bit-Mapping-Funktion SBM Technische Daten20D Hochpräziser A/D-ImpulskonverterEmpfindlichkeitscharakteristik des menschlichen Ohres Arbeitsweise des „Serial Copy Management SystemNoise-Shaping-Filter 21D22D I, J, K StichwortverzeichnisY, Z Bezeichnung der Bedienungselemente

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.
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