Sony DTC-A6 operating instructions Index, Names of controls, K, L, V, W, X, Y, Z, 23EN

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Index

Index

 

 

 

Index

A

S

SBM function 11, 20 Serial Copy Management System 21

Setting the recording mode 10 Sound-muted section 9, 11

Names of controls

Buttons

CLEAR 13 COUNTER MODE 12

Absolute time 12 Absolute time codes 9 Adjusting the recording level 9 AMS (Automatic Music Sensor) 13

B

Batteries 4

Blank section 9, 10

C

Cleaning 18

Cleaning the head and tape path 18

Start ID

Accurate positioning of start IDs 16

Adjusting the position of an existing start ID 16 Erasing start IDs 16 Manual writing of start IDs during recording 14 Writing start IDs during playback 15

Writing the start IDs automatically during recording 15

Sub Codes 14

COUNTER RESET 12 ERASE 16 MARGIN RESET 9 MODE 12 OPEN/CLOSE ¤ 6 - 8 PAUSE P 7, 9, 11, 14 PLAY ( 7, 8, 9, 11, 13, 14 PREVIOUS =/NEXT + 8, 13

REC r 7

REC MUTE R 11 REPEAT 13 RESET 12

REW 0/FF ) 7, 8, 10, 15, 16

D

Direct Access 13

Display messages 18

E, F, G

Emphasis 9, 13

End Search 10

H

Hooking up the system 5

I, J, K, L

Inserting batteries into the remote 4

M, N, O

Margin indication 10

P, Q

Playing a DAT 8

Playing time of the track 12 Program numbers 14, 17

R

Rack mounting 4 Recording on a DAT 6 Record Muting 11 Record-protect tab 7 Rehearsal 16

Remaining time on the tape 12 Renumbering 17

Repeat Play

Playing a track repeatedly 13 Playing all tracks repeatedly 13

T, U, V, W, X, Y, Z

Tape running time 12 Timer Playing 14 Timer Recording 12

START ID AUTO 14

START ID REHEARSAL 15, 16

START ID RENUMBER 17

STOP p 7, 8, 12

WRITE 14, 15

Switches

INPUT 6

POWER 6, 8

REC MODE 10

SBM 11

TIMER 12, 14

Controls

PHONE LEVEL 8

REC LEVEL 9

Jacks

ANALOG (LINE) IN/OUT 5, 6 DIGITAL COAXIAL IN/OUT 5, 6

DIGITAL OPTICAL IN/OUT 5, 6

PHONES 8

23EN

3-856-761-11(2)

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Contents Operating Instructions Mode d’emploi Bedienungsanleitung Digital Audio Tape Deck856-761-112 For the customers in the United States WelcomeAbout This Manual Owner’s RecordTable of Contents See page 5 for hookup information To record through Set Input toPress If Unlock appears in the displayPlaying a DAT Things You Should Know Before Recording Adjusting the Recording Level For Analog RecordingWhen using a new tape Absolute time codesSetting the Recording Mode 10EN11EN Using the SBM Super Bit Mapping FunctionCounter in long-play mode To turn the SBM function offAbout the Display Recording Using a Timer Timer RecordingTo reset the tape running time 12ENPlaying a track repeatedly Locating a Track AMS*/Direct AccessPlaying all tracks repeatedly 13ENWriting Start IDs During Recording Playback Using a Timer Timer PlayingAbout Sub Codes Start IDsWriting the Start IDs Automatically During Recording Writing Start IDs During PlaybackManual Writing of Start IDs During Recording 15ENAccurate Positioning of Start IDs Rehearsal Adjusting the Position of an Existing Start IDErasing Start IDs 16ENRenumbering the Program Numbers Automatically Renumbering Precautions17EN Cleaning the head and tape path CleaningCleaning the cabinet, panel and controls Display MessagesTroubleshooting 19EN20EN SpecificationsSBM Super Bit Mapping Function High-precision pulse A/D converterNoise-shaping filter Guide to the Serial Copy Management SystemApplying the principle of human hearing 21EN22EN K, L IndexNames of controls V, W, X, Y, ZBienvenue Au sujet de ce mode d’emploiPour les utilisateurs au Canada Inscription de sous-codes PréparatifsLecture Informations supplémentairesDéballage Installation dans un rackMise en place des piles dans la télécommande Quand remplacer les pilesRaccordements RaccordementsDe quels cordons avez-vous besoin ? Branchement du cordon d’alimentation secteurVoir la page 5 pour les informations sur le raccordement Pour enregistrer via Réglez Input surSi Unlock apparaît sur l’affichage Pour Appuyez surLecture d’une cassette DAT Si Emphasis apparaît sur l’affichage Répétition de plages lecture répétée ZLocalisation d’une plage AMS*/accès direct Répétition de toutes les plagesLecture avec une minuterie lecture programmée Utilisation des sous-codesInscription de codes ID de départ pendant l’enregistrement Code ID de départInscription de codes ID de départ pendant la lecture 15FEffacement de codes ID de départ 16FRenumérotation automatique des numéros de programme Précautions17F Messages sur l’affichage Nettoyage du coffret, du panneau et des commandesNettoyage Nettoyage de la tête et du parcours de la bandeGuide de dépannage 19F20F SpécificationsFonction SBM Super Bit Mapping Convertisseur A/N à impulsion de haute précisionFiltre conformateur de bruit Application du principe de l’oreille humaine21F 22F Nomenclature 23FZu dieser Anleitung Herzlichen GlückwunschWas Sie noch über die Anleitung wissen sollten Setzen von Subcodes VorbereitungenAufnahme Wiedergabe Aufnahmebetrieb ZusatzinformationenEinlegen der Batterien in die Fernbedienung Nach dem AuspackenGestellmontage Zur Lebensdauer der BatterienAnschluß der verschiedenen Kabel AnschlußDie benötigten Kabel Anschluß des NetzkabelsZum Anschließen siehe Seite Verwendete Eingangsbuchse Einstellung von InputUm die Aufnahme am Ende eines bereits bespielten Bandteils Wenn Unlock im Display angezeigt wirdZum Drücken Sie Wiedergabe Zum Hören über KopfhörerWissenswertes zur Aufnahme Einstellen des Aufnahmemodus Verwendung der Ende Suchfunktion10D Einfügen einer Leerstelle während der Aufnahme Record Mute Verwendung der Super-Bit- Mapping-Funktion SBM11D 12D Timergesteuerte AufnahmeAnzeigen im Display Zum Zurücksetzen der BandlaufzeitZum Wiederholen aller Titel Titelsuche AMS*/DirektsucheWiederholspielbetrieb Repeat-Funktion Z Zum Wiederholen eines einzelnen TitelsSetzen von Startcodes während der Aufnahme Timergesteuerte WiedergabeDie verschiedenen Subcodes Startcodes Start IDManuelles Setzen von Startcodes während der Aufnahme Beim Aufnehmen des Digitalsignals von einem CD- SpielerSetzen von Startcodes während der Wiedergabe 15DExaktes Positionieren von Startcodes Rehearsal-Funktion Löschen von StartcodesFeinkorrektur der Position eines existierenden Startcodes 16DZur besonderen Beachtung 17DReinigen des Tonkopfes und des Bandpfades ReinigungMeldungen im Display 18DStörungsüberprüfungen 19D20D Technische DatenSuper-Bit-Mapping-Funktion SBM Hochpräziser A/D-ImpulskonverterNoise-Shaping-Filter Arbeitsweise des „Serial Copy Management SystemEmpfindlichkeitscharakteristik des menschlichen Ohres 21D22D Y, Z StichwortverzeichnisI, J, K Bezeichnung der Bedienungselemente

DTC-A6 specifications

The Sony DTC-A6 is a high-quality digital audio tape (DAT) recorder that stands out for its advanced features and superior sound quality. Designed for professional use as well as for audiophiles looking to capture and play back audio with fidelity, the DTC-A6 integrates cutting-edge technology and user-friendly functionality.

One of the defining characteristics of the DTC-A6 is its ability to record and play back audio at 48 kHz sampling rates with a resolution of 16-bit, providing stereo sound that rivals even that of compact discs. This precision makes the unit particularly appealing for professionals engaged in music production, broadcasting, and live event recording. The DAT format itself is known for its excellent dynamic range and low noise, which further enhances the audio output.

The DTC-A6 features an intuitive interface, making it accessible for both beginners and seasoned audio engineers. Its front panel includes essential controls alongside a clear digital display that shows tape transport status and audio levels. The unit offers a variety of recording modes, including PCM (Pulse Code Modulation) for uncompressed audio, as well as longer-play modes that allow users to stretch recording time without compromising quality.

Connectivity is another strong point for the DTC-A6. It offers multiple input and output options, including digital outputs like coaxial and optical, alongside traditional analog connections. This versatility allows users to integrate the DAT recorder seamlessly into various audio setups, whether in a studio or live environment.

The DTC-A6 uses advanced error correction technologies to minimize dropout and ensure consistent playback quality. Its ability to handle long-duration recordings is complemented by features like automatic track incrementing, making it easier to manage extensive audio sessions.

In conclusion, the Sony DTC-A6 is a robust digital audio tape recorder that combines superior sound quality, versatile connectivity options, and user-friendly features. Whether utilized in professional recordings or home audio systems, the DTC-A6 represents a commitment to high fidelity and reliability, appealing to both professionals and enthusiasts in the realm of digital audio. Its legacy continues to influence modern audio technology, highlighting Sony's dedication to innovation in sound reproduction.